Daily Drops

Superb cover on Jakie Quartz original from 1983

Jolie - Mise Au Point (1984)

Wganda Kenya was a studio band on Colombia's legendary Disco Fuentes Records. They got together to capitalize on the growing popularity of African songs and rhythms on the Caribbean coast. Their songs feature a broad range of African and Antillean influences and showcase their talents as a band and individually. Needless to say I am a huge fan and that's why I chose to remix El Lobo. That song has grooves for days and I love the call and response vocals featured throughout. El Lobo was featured on the seminal compilation Palenque Records Palenque Palenque: Champeta, Criolla & Afro Roots In Colombia 1975-91 and Quantic's compilation - Tropical Funk on Nascente Records. 

Original song - Wganda Kenya (Disco Fuentes)
Remix - Kinky Electric Noise

Wganda Kenya - El Lobo (Kinky Electric Noise Remix)

The Feather and The Shadow

The Feather and the Shadow

The new Danish electronic pop duo Subnesia (Anders Ponsaing & Michael Rune) present their new single, ‘Here With You’ featuring vocalist Baun.

‘Here With You’ →https://linktr.ee/musicfordreams

On ‘Here With You’ the duo leave behind the downtempo beats for a piece of buttery soul-pop of swooning strings and funky bassline. Vocalist Baun basks in the romance of lazy mornings spent with the perfect person.

With Subnesia, Ponsaing and Rune seek out a direct and melodic sound combining solid electronic beats with acoustic, organic layers. Pop elements mix with a wide
array of influences from hip-hop to jazz, the music taking shape from free-floating singular ideas rather than a central prescript.

The release comes in a run of singles leading up the Subnesia’s debut album, to be
released on Music For Dreams in October.

Connect with Subnesia
Spotify: https://open.spotify.com/artist/3lxcUQs31PcnvbFTQj5V3V
FB : https://www.facebook.com/subnesiamusic
IG : https://www.instagram.com/subnesiamusic/

Connect with Music For Dreams
Spotify: https://open.spotify.com/user/musicfordreams
FB : https://www.facebook.com/musicfordreams
SC : https://soundcloud.com/music-for-dreams
YT :https://www.youtube.com/channel/UCo8HNI0C0QGdOoHWrTqhVWA​
IG : https://www.instagram.com/musicfordreams/
TW : https://twitter.com/musicfordreams
BC : https://musicfordreams.bandcamp.com/
Home : https://musicfordreams.dk/

Subnesia - Here With You (ft. Baun) - s0742

Reverse Game

perception

Burning Man Pep Rally 2023

Credits:

Music/ lyrics: Lasha Chapel/ Tamada (ეგოქავერი) - Homeless
Mixed&Mastered by Gvaji at Leno Records
Label: Leno Records
Artwork  by Mindia Intelligent Arabuli

Tamada - Homeless

Second remix of the forthcoming EP by Antares Flare.
Remixed by Italian producer SofaTalk.

Mastered by Emilio Gatti at Attila Studio, Arezzo.
Artwork by Ivan Specchio.

Antares Flare - 'Bonsai Jungle (SofaTalk Remix)'


**“Ancestral Polyrhythms”** is a sonic journey into the roots of the African continent, where the human voice and the drum converse in an ancestral language. Each track celebrates the tradition of **African folkloric chants**, passed down through generations, accompanied by intricate **drum polyrhythms** that evoke rituals, celebrations, and community ceremonies.

Choruses and voices summon collective memory, while the drums — djembes, dununs, and tribal percussion — interweave cross-patterns that create a hypnotic and immersive experience. The result is a mosaic of energy and spirituality that bridges the ritual with the contemporary, inviting listeners to lose themselves in the eternal pulse of African rhythm.

This album not only honors folkloric roots but also offers a universal experience: a celebration of rhythm as a vital force, capable of uniting cultures and transcending borders.

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*“Polirritmias Ancestrales”** es un viaje sonoro a las raíces del continente africano, donde la voz humana y el tambor dialogan en un lenguaje ancestral. Cada pieza celebra la tradición de los **cantos folklóricos africanos**, transmitidos de generación en generación, acompañados por complejas **polirritmias de tambores** que evocan rituales, celebraciones y ceremonias comunitarias.

Los coros y voces invocan la memoria colectiva, mientras los tambores —djembés, dununs y percusiones tribales— entrelazan patrones cruzados que crean una experiencia hipnótica y envolvente. El resultado es un mosaico de energía y espiritualidad que conecta lo ritual con lo contemporáneo, invitando al oyente a perderse en el pulso eterno del ritmo africano.

Este álbum no solo honra las raíces folklóricas, sino que también ofrece una experiencia universal: una celebración del ritmo como fuerza vital, capaz de unir culturas y trascender fronteras.

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Receding Steps

Haunting

Sacred Pulse,  is a ceremonial deep house journey by Leeuwenstein, blending the hypnotic groove of deep house with the sacred energy of ritual music. Each track is a gateway weaving tribal percussion, deep basslines, mystical chants, and cosmic textures into a powerful ceremonial flow.
This album is designed for truffle and ayahuasca journeys, ecstatic dance, or anyone seeking a deep, transformative musical experience.
Feel the rhythm as it opens the circle, builds into sacred communion, and finally returns to silence a complete ritual on the dancefloor.
Let the pulse guide you. 

Opening the Circle

A relatively unknown artist, Edith Peters was active between the 50s and 70s, singing as a member of The Peters Sisters, and as an actress; after marrying her Italian agent in 1958, she moved to Italy where she starred in several movies, TV series and ads.

In 1973 Sante Palumbo wrote and arranged a couple of songs for Edith Peters, perhaps with the aim of promoting her solo career. It was the same year he released “Sway”, which was destined to become a cult LP.
“This Is the Moment” was originally released as the B-side of “Lord Please Hear my Prayer”, a rare 45 published by Cipiti Records. On Cipiti she had already released her rendition of “Speak Softly, Love”, a theme from “The Godfather” soundtrack, though her career was at that time orientated more toward her activity as a TV and movie actress. And when the single was released, it was rapidly overshadowed by more important releases like “The Dark Side Of The Moon” by Pink Floyd.

And it is a shame, since “This Is the Moment”, written by Tony Benn Feghaly (erroneously credited as ‘T. B. Feghall’ in the original release) and Sante Palumbo, is an amazing gospel-soul song. In only two minutes and a half The Sante Palumbo Orchestra accompanies Peters’ entrancing voice, delivering a groovy and intense interpretation – a richness that requires multiple listen to grasp all the nuances of this stunningly orchestrated piece.

The original 1973 version of the song is here featured as a B-side, while Gerardo Frisina signs the A-side of this reissue with a rework of the track – doubling the length and adding his signature rhythm patterns.

Edith Peters - This Is The Moment / Gerardo Frisina Rework - Preview

Free Download

L'eau De Là

Edinburgh based producer and DJ, DONALD DUST returns with a brand new EP ‘FLUORESCENT MUSIC’ on “Clap Trap Records”. After his last release “Hot on the heels of 2018’s “Mars R-Trax’ 7” which caught the attention of the festival circuit and punk contingent, Donald has delivered something in equal measures.

This 4 track EP stands true to the mission of the label Clap Trap Records: Push the boundaries of what an electronic dance music label means. This track “Fluorescent music” has pushed the boundaries of what we know as the golden era of Italo and Chicago with the fuse of contemporary electro.

Fluorescent Music EP will be available on 12” and Digital via Claptrap.

Release Date: 30/06/2019

Youtube: https://www.youtube.com/watch?v=XTR4hFmnrKc&feature=youtu.be

Sinchi Blog: https://www.sinchi-collective.com/sinchi-premiere-donald-dust-fluorescent-music-clap-trap-records/

Fluorescent music

PREMIERE – Donald Dust – Fluorescent Music (Claptrap Records)

PRE-ORDER: https://rochemusique.lnk.to/ReyGJremixME

The masterful Gerd Janson comes through with a chuggy house remix of Zimmer's 'Rey' on Roche Musique. Play it loud, put your hands in the air and just remember we'll all be back on the dancefloor one day.

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