this is uncomfortable in an interesting way

I love the tonality of this lead. Is it just chromaticism or is there some odd scale?

This whole piece is a masterclass. So fun, so much skill, engaging from opening note till end. 15/5.

This is pretty .... also kind of ominous.....

Ahhh... I wish you had let the bkgd rhythm play out for a couple of more bars - it is very engaging.

I like how Thorn inspired you -- really fun track.

5 Star!

OSC#193: DS Thorn

Instances: 17
DAW: MuLab
FX: Panagement 2, Frank CS, OTT, LoudMax, Supermassive, KSHMR Essentials Kick, Protility, WideFire, smartEQ, ZL Equalizer, TDR Nova, Airwindows Tube2, bx_subfilter, Frontier.

Taron - FrontlineRobot [DS Thorn]

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

Stream on Spotify: https://open.spotify.com/album/6mSKcze7qnV0bQKOpDLn42

DAW: Reaper

Synth: Monolit (35 Instances)

Mixing FX (Free): ReaComp (Only Sidechain), ReaGate(Gating Snare Reverb), ReEQ (HP/LP), Flux Mini 2(Sidechain),  Orilriver, Supermassive, Deelay, DD AutoPan, Panagement 2, Wider, Lil Tube (Subtle Bus Saturation), GClip, Loudmax, ReaLimit

Mastering: Nova, Lil Tube, Kotelnikov, LoudMax

Metering: Prism

Calling the Monolith

Call the Monolith (OSC 194 Monolit)

This is my OSC for May 2025 made from the sounds of Ragnarok2
made with 58 instances of Ragnarok2 and the following free vsts:


TDR Kotelnikov
BX Masterdesk Classic
Airwindows Monitoring 3
KHS Delay
DevilSpring
Deelay
TDR Nova
DearVr Pro2
Raum
Valhalla Supermassive
KHs Dual Delay
Saturation Knob
AirWindows DubSub2
Spacer
KHs Transient Shaper
ExoVerb
FreshAir
Limiter No6
KHs Haas
Pancz
STFU
TensJr
IronOxide Classic2
BusterSe
TDR Molotok
GClip
Ozone Imager 2
BussColors 4
KHs Clipper

Bitwig:
Sculpt
Focus
EQ2
Convolution
Tool
FX Layer
Key Filter
Note Transpose
Multiband fx2
Mid-Side Split
Instrument Layer
Delay-1
Filter+
Delay-2
Multinote
Fx Layer

Kiltarlity

OSC#195 - FullBucket's Ragnarök 

DAW: MuLab
Instances: 40
FX: DearVR Pro 2, Deelay, Supermassive, FrankCS, OTT, LoudMax, Magic Carpet, KSHMER EssentialKick, TDR Nova, TENSjr, IVGI2, Plateau2

Taron - Stealing the Ragnarök

Hi everyone, I created a similar piece to the previous one from OSC 194, but in a different sound version.
I used 31 instances (Ragnarök 2)

All effects from Studio One 6.6 + free Dreverb2
=========================================



--------------------

DAW: Studio One 6.6
31 instances - Ragnarök 2 / basic sounds from bank 1 and 2

---------------------

FX:
- built-in plugins from Srudio One 6.6
"Compressor, Binaural Pan, mixverb, Pro Eq, splitter, mixtool, limiter, analog Delay
+ free Dreverb2"

=====================

Mastering:
Mastering using built-in Studio One 6.6 effects

=========================

The joyful 90's Hard ver. (OSC #195 - All instruments in the song are from VST Ragnarök Mk2)

15.EARTH TO HEAVEN

summer mood

>🐽< '💃🏼'⁂©All Rights Reserved 07-2025
©Lyricist, Mixer, Mastering, Pro License & Creator: Lady ElectroTrek
***

TITLE: PIGGLE POP
_____________________________________________________________________
LYRICS:
[Verse]
Little furball on the run
Chasing sunbeams just for fun
Wiggle waggle tiny hop
Living life with a Piggle Pop

[Prechorus]
Carrot dreams and haystack beds
Twirling thoughts in your tiny head

[Chorus]
Piggle Pop Piggle Pop
You never stop you never stop
Zoom zoom round the room
Like a rocket in a boom boom boom
Piggle Pop Piggle Pop
You’re the joy we can’t crop

[Verse 2]
Whiskers twitch at every sound
Hopping wild then spinning round
A squeak a squeal a happy shout
You’re what guinea life’s about

[Prechorus]
Nibble here and sniffle there
You spread the joy like it’s in the air

[Chorus]
Piggle Pop Piggle Pop
You never stop you never stop
Zoom zoom round the room
Like a rocket in a boom boom boom
Piggle Pop Piggle Pop
You’re the joy we can’t crop

Guinea Dance

Piggle Pop

A work for clarinet and string trio, written in memory of Stephen Plaistow and Clive Wilmer, who both died earlier this year (2025)

VALEDICTION

Propósito

#World #Festival #Saudade #Nights #Nova #Salsa #EDM #Dance #Latin

💃 Saudade Nights 🕺

#Sudden System #Sudden #System #electronicmusic #EDM #dancemusic #electronicdancemusic #psytrance #upbeat #energy #positive #surrealistic #surrealism #Trancemusic #FestivalMusic #musicadefestival #festival #rave #ravemusic  #2000s #2010s #2020s #musicaelectronica #electronicgroove #popdance #electrohouse #Bigroom  #popedm #futurehouse #pophouse

Sudden System

The Sound of Island (Instrumental )

Buy on bandcamp

Sim's - The Sound of Island (Instrumental )

Buy On Bandcamp

Music & Lyrics: Margareta Theorin

BE A LITTLE NICER TO HIM

If a guy wants to dance with you more,
he´s interested, you can be sure,
and if he´s adorable, wonderful,
he gets into your heart forever.

Be a little nicer to him
show your feelings
deep inside.  ( 2 )

Just as he was coming
behind my back,
he knocked me on my shoulder,
asked me for a dance.

I was dancing on that floor,
wanted him to hold me
just a little more.  ( 2 )

Taron - FrontlineRobot [DS Thorn]

Taronium

Recent comments

Alister said

Googol

ontrackp

ontrackp

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