Just saw the movie and LOVED it!! Had to quickly whip something up.

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Core Memories - Inspired by Inside Out

Here's my submission for Tom Holkenborg's #NowScoreThis - Black Mass competition. He asked: "What theme would you have written for James "Whitey" Bulger from Black Mass? What notes would you have chosen to make viewers feel the weight of his character?" - And so here it is. My theme for Whitey Bulger in the movie 'Black Mass'. 

Good luck to all entering! And thanks, Tom, for the awesome chance to interact with you (yet again).

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[PLEASE NOTE: This will be one of the last cue's I upload on SoundCloud for a while, due to my Apple Mac blowing up.]

Boston, 1970 - (#NowScoreThis - Black Mass Competition) - Original Movie Cue

Here's a little cue I wrote after watching Denis Villeneuve's 'Enemy'.

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Toronto Spider - Enemy (Original Movie Cue)

Sicario is one of my favourite films by one of my favourite directors, Denis Villeneuve. Here's a cue I wrote after seeing the movie.

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Crossing The Border

Here's some more music I wrote for Kiall & Sarah's vlog series. Specifically for their trip to Vietnam this month (November, 2015). I've implemented styles of music from the Asian culture, with my own take on their music too.

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Trek - Kiall & Sarah Vietnam Vlog Music

What an incredibly well-crafted and beautiful piece of art. This is inspired by the brilliant Disney Pixar movie 'The Good Dinosaur'. It's amazing, go and see it, no matter the age.
[Desert Soundscape by Enviro Ambient]

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'Home' - The Good Dinosaur [Original Movie Cue]

It's not just film music that I appreciate. It's sound design... Which I'm equally as informed and passionate about.

Please contact me if you'd like to work with me.
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Sound Design - Metal Futuristic Ambience (Film Sound Design)

I loved the film 'The Judge' and the score by Thomas Newman that accompanied it. Here's my take on the film, through music.

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'Main Titles' - The Judge [Original Movie Cue]

I saw Adam McKay's 'The Big Short' a few days ago and it's awesome. I decided to get my head down and start pulling some ideas out into a little musical project/challenge again. Here's what I came up with.

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'They're Not Confessing, They're Bragging' - The Big Short [Original Movie Cue]

'Numbers' - The Big Short [Original Movie Cue]

'Scion' - The Big Short [Original Movie Cue]

Having never seen any of the Divergent movies or read the book series, I went into this one completely blindfolded. The only thing I have heard from the original score by Joseph Trapanese is the in the end credits; and this is only because I work at a cinema.

I wanted to act like I'd been handed Allegiant as a composer. And so I watched clips of the movie. Several times over. Then I wrote some music. This is what came out of the whole experience.

I hope you enjoy!

- Taryll

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'Pure' - The Divergent Series: Allegiant [Original Movie Cue]

"I have a deep and ever-growing love for Terrence Malick; his films and his incredibly special connection to audio & visual coherence in filmmaking. I wrote this piece strictly using woodwinds to portray the ambient and subtle journey this film takes you on. Inspired greatly by the brilliant Hanan Townshend and Malick himself, this is 'Une quête pour un prince' which in translation means: A Quest For A Prince." - Taryll Baker

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'Une quête pour un prince' - Knight Of Cups [Original Movie Cue]

Here's a little remix of Bobby Womack's classic, with some hip-hop influence. 

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Across 110th Street - Bobby Womack [Remix]

Ambient string movements, inspired by Disney•Pixar's Finding Dory.

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Finding Dory (Main Title) - Original Movie Cue

Blue As The Sea - Finding Dory (Original Movie Cue)

Rockstar Games' Red Dead Redemption is one of my all-time favourite videogames. It's a beautiful, visceral experience with some incredibly sparse and haunting music by Bill Elm & Woody Jackson. With the announcement of Red Dead Redemption 2, I decided to grab a harmonica and write some cues that are greatly inspired by the world created by the insanely talented team at Rockstar.

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'Nuevo Paraíso' - Red Dead Redemption [Original Composition]

Short piece written for strings. Inspired by Ghost In The Shell (2017) trailers.

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'They Cannot Control Me' - Ghost in the Shell [Original Music]

Ever since first playing Telltale Games' The Walking Dead, I've had a strong love for Jared Emerson-Johnson's gut-wrenching theme.
Nothing will top the original, but for years I've wanted to recreate the theme and see how it turns out. I did this by ear, so there may be some slight differences. Nevertheless, it was a nice bit of practice!

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'Clementine' - Jared Emerson-Johnson [The Walking Dead: A Telltale Games Series] (Theme Remake)

Inspired by Rupert Sanders' visually stunning 2017 reimagining of Ghost in the Shell. There is a small sample from Kenji Kawai's theme that I thought would play well. Enjoy.

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'City Holograms' - Ghost in the Shell [Original Movie Cue]

Jed Kurzel's score for Assassin's Creed wasn't my favourite, I'll be honest. But, the main introductory theme that plays as the film opens is simply brilliant. Today, I decided to delve into the mind of Kurzel and have a crack at recreating 'Young Cal' - the first track on the soundtrack album. It sounds simple, but make no mistake, Kurzel's style is hard to replicate. This took a LOT of time with volume automation and subtle EQ edits to get it sounding *about* right. It won't be perfect, but as always it was a fun learning experience.

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'Young Cal' - Jed Kurzel [Assassin's Creed] (Theme Recreation)

Inspired by the promotional material for Christopher Nolan's 'Dunkirk,' I decided to utilise Zimmer's "ticking" approach, by recording my own clock and sampling it into a track. Introducing the piece, and following through until the end, are some woodwind movements that I have heavily edited to sound like fighter planes flying over the beaches. The intense piece then comes to a sudden end filled with nothing but silence.

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'Beach Evacuation' - Inspired by 'DUNKIRK'

This one was challenging as it’s a genre I’ve never really touched on before in my works, but with the director's great feedback and his familiarity with film scores, I was able to compose something I’m very proud of. 

Also available on iTunes & Apple Music:
https://itunes.apple.com/gb/album/some-time-original-motion-picture-soundtrack-ep/1343286518

Watch the short film:
https://www.youtube.com/watch?v=4HWQzPxHrww

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Main Title

Overture

The first in a series of atmospheres I've created; taking the natural ambience from Rockstar Games' Red Dead Redemption and applying my own music.

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Red Dead Atmospheres I - Music by Taryll Baker

A track I wrote immediately after I watched Denzel Washington's movie 'Fences.' I've always admired the subtle scores in dramas; piano/string-driven, mostly going unnoticed. I wanted to write something very subtle, like Marcelo Zarvos' work in the film.

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'1950s Pittsburgh' - Fences [Original Music]

Although I don't always enjoy action films, I liked Michael Bay's '13 Hours' and Lorne Balfe's music that accompanied it. It's pretty much solid action the whole way through, yet there's a strong emotional core in the centre of it all. I also enjoy fast-paced action scores, so I finally decided to give it a GOOD try. I really put time into this one. The volume automation took hours, but it was worth it. Really brings the brass and string sections to life.

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'Annex Rooftops' - 13 Hours: The Secret Soldiers of Benghazi [Original Music]

Martin Scorsese's 'Silence' is a beautifully crafted masterpiece. It may not be for everybody - religious or not (I'm the latter) - but it's wonderfully captured, acted and directed, and a thought-provoking experience you simply won't forget.

Here's some ambient music I wrote after watching the film. I think there may be more to come. I have a lot to say, musically.

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'In The Silence, I Hear Your Voice' - Silence [Original Music]

Haven't done one of these in a while, so here's my second entry to the 60 Minute Challenge; in which you write, record and (briefly) mix a track. I went a little further than this and also excluded the use of external equipment such as a MIDI keyboard and headphones. This track was literally written with Logic Pro X on a MacBook. Nothing else. I threw in the rain for ambience, I guess.

22:15 - 23:15 - 60 Minute Challenge

cities.

To The Sky

returned to the electronic roots for this one.

leavin - taryll baker

Composer and creator of sounds from this world and beyond.

Taryll Baker | Composer

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