Great voice! Great song! Rich sound! Love melodical transitions! Excellent!

I'm not putting you down. My comments are are meant to pick you up. haha:  Here's proof that talking to yourself will eventually bring your voice out for others to hear! Your vocal tone reminds me a bit of Gary Numan, which is a cool thing to me! This track has a mechanical creepiness, which works well.

Super-cool.  ELECTRO-ORIENTAL GOTHIC JAZZ. Wow, Graham, big wow!

Stomping movement, vocal treatment is spot on...

Some great songs from some Fantastic Artist's/Bands and a few of my own.

AB Playlist 046 Part 2

Another old track : improvising naked with my piano

Impro, Nue Au Piano

DRUMAX No. 73 // MELLOW // FREE DOWNLOAD ... !
Our gift to you... Merry Christmas and a Happy New Year ...
@docfritz // All Musical Stuff, Rhythm Design, Percussion, Cover, Mix & Production
@joerxworx // EWI and Tenor Saxophone
© 2025 | DRUMAX PROJECT | All Rights Reserved

DRUMAX No. 73 // MELLOW // FREE DOWNLOAD ... !

92_ PKT - released on 27 November 2025

Listening to his new album and revisiting his older stuff inspired me to create this Paul Kalkbrenner tribute! Enjoy! #house #techno #trance #trumpet #liverecording

(produced with BlocsWave & LaunchPad)

Image is from the 1977 masterpiece that is 'Fungus the Bogeyman' by Raymond Briggs.  

Another Day in Bogeydom

sol om on

Just in time for the pre-Christmas season, we have prepared a little gift🎁 for you.
We've written a new, funny little Christmas song for you! 
Enjoy listening!😻

Merry Christmas to everyone!
        Love & Light 
      ✨🌟❤️🌟✨

Merry Christmas 2025

Amanitalinda in Elfin´s Winterland (New Song 2025)

Vocals by SUNI @suni-mp3
Sounds by Box Number Twelve
Image by SUNI (digital character)

Style #2

discarded materials (or alternative session) find in the archive of the year 2022 for the track: https://soundcloud.com/alias_nadir/ii_spari-nella-notte
this is the second version made in april 2025, but forgotten in the seas of files done over time

hidden treasures behind the creation process of...

/
Almost Always There – On a Rock, a Deep Space Dub Journey

Dig it or not. Ride on.


You will own nothing – not even this song.


additional tags below: suggested by the system, why not

/ the story

We arrive naked on a spinning rock and leave it naked again, but in between we exhaust ourselves trying to own pieces of a world that was never really ours. Philosophers have long pointed out that property is, in the end, a legal and mental construct, not something the soul can actually hold.

​Almost Always There – On a Rock, a Deep Space Dub Journey drifts through that paradox: a humanoid species obsessed with ownership, streaming sounds it does not possess, clinging to things on a planet it can never keep. On this hurtling rock in space, the only constant is the journey itself – and even this song is just passing through your hands.
​

.
.
.

Almost Always There – On a Rock, a Deep Space Dub Journey

C Fragments

C — the Roman numeral for 100.
A complete measure.
A fixed frame.

C Fragments exists within this order as a sequence of fragments.
Not as a narrative, not as development,
but as a state.

The Roman reference does not stand for power or grandeur,
but for measure, structure, and timelessness.
The fragments remain contained within a closed whole
whose meaning is left open.

Sonically, the piece combines a restrained grand piano
with deep strings, sustained orchestral layers,
subtle percussive elements,
textural sound layers,
and distant choral surfaces.

A very subtly blended female vocal texture from ACE Studio
was added as an additional sonic element —
not as a lead voice and not as a replacement for a real singer,
but purely as a tonal presence within the overall structure.

Instruments & Used VSTs

🎹 Piano
Native Instruments – The Maverick

🎻 Strings
10 Phantom Rooms – Low End Strings
EastWest – Hollywood Fantasy Strings
EastWest – Symphonic Orchestra

🥁 Percussion / Drums
EastWest – Hollywood Fantasy Percussion

🎶 Choir & Voices
Spitfire Audio – Originals: Epic Choir
EastWest – Hollywood Fantasy Voices
ACE Studio – female vocal texture (very subtle)

🎼 Textures & Sound Layers
Conflux

🎼 C = Cinematic · C = 100
🎵 Genre: Epic Neo-Classical / Cinematic / Ambient
🎧 Mood: dignified · restrained · timeless · contemplative

C Fragments

C — die römische Zahl für 100.
Ein vollständiges Maß.
Ein festgelegter Rahmen.

C Fragments bewegt sich innerhalb dieser Ordnung in Bruchstücken.
Nicht als Erzählung, nicht als Entwicklung,
sondern als Zustand.

Das Römische steht hier nicht für Macht oder Pathos,
sondern für Maß, Struktur und Zeitlosigkeit.
Die Fragmente existieren innerhalb eines geschlossenen Ganzen,
dessen Bedeutung offen bleibt.

Klanglich vereint das Stück ein zurückgenommenes Grand Piano
mit tiefen Streichern, orchestralen Sustains, texturalen Schichten,
dezenten perkussiven Elementen
und weit entfernten Chorflächen.

Eine sehr dezent eingesetzte weibliche Stimmtextur aus ACE Studio
wurde ergänzend hinzugefügt – nicht als Gesang,
sondern als subtile klangliche Präsenz innerhalb der Gesamtstruktur.

Instrumente & verwendete VSTs

🎹 Klavier
Native Instruments – The Maverick

🎻 Streicher
10 Phantom Rooms – Low End Strings
EastWest – Hollywood Fantasy Strings
EastWest – Symphonic Orchestra

🥁 Perkussion / Drums
EastWest – Hollywood Fantasy Percussion
(subtile, tief platzierte Drums)

🎶 Chor & Stimmen
Spitfire Audio – Originals: Epic Choir
EastWest – Hollywood Fantasy Voices
ACE Studio – weibliche Stimmtextur (sehr dezent)

🎼 Texturen & Klangflächen
Conflux

🎼 C = Cinematic · C = 100
🎵 Genre: Epic Neo-Classical / Cinematic / Ambient
🎧 Stimmung: würdevoll · reduziert · zeitlos · kontemplativ

💿 Credits
Music, composition, arrangement, mix & master: DestKorn (Matthias K.)
Artwork: DestKorn

℗ 2025 DestKorn
© 2025 DestKorn
All rights reserved.

C Fragments

6 and a half minutes of raw mayhem, bolstered by Mr Jon Martin on the keys, this is a song about the love of music...when you get a good tune in your head, when you feel inspired, to paste over the shite that the real world has to offer, its astrange world we live in these days. I have a chair. and it is indeed the musical place to be. This rips my throat to ribbons so always saved until the end of a show! Hope everyone is good, sending positive vibes to all, thanks to everyone on here supporting us, it's so very much appreciated ta. Big greetings to all, stay tuned folks , the Straights are back in town!

THE MENTAL STRAIGHTS

Rocket (New studio version)

A SONG FOR LOVE - Re-Mastered Sept 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019/2020 All rights reserved.
Mastered by Soundcloud Sept 2020

I HAD THIS DREAM, IT WAS LONG AGO
A MEMORY, OF A LOVER SONG
I REMEMBER WHEN WE FELL INTO THE GRASS
AND AFTER SCHOOL IT WENT SO LONG

BUT IN THAT DREAM, THE WORLD WAS ONE
NO MEMORY, MAY'BE TIME STOOD STILL
I REMEMBER ROCK'N AND DANCING TO THE SHOW
AND EVERY WEEKEND WENT SO FAST

DON'T WAKE ME NOW I'M HEARING YOU
IF ONLY NOW, THE WORLD STOOD STILL
(break)
I FELT PEACE, IN MY HEART AND SOUL
A MEMORY, IN A SONG FOR LOVE
I ONLY HEAR YOU IN THE PHOTOGRAPH
AND TIME STOOD STILL THERE FOR SO LONG

DON'T WAKE ME NOW I'M HEARING YOU
IF ONLY NOW, THE WORLD STOOD

2019 PRO TOOLS

A SONG FOR LOVE

Texte Français et Google traduction

JE PREFERE EN RIRE

Elle m’a dit
Tu vois bien tes valises
Sur le seuil posées
Ras le bol de tes crises
Avant fallait penser
Je n’ai rien eu à dire
Elle était trop fâchée
J’ai préféré en rire plutôt que d’en pleurer
J’ai préféré en rire plutôt que d’en pleurer

Il m’a dit
Jamais de découvert
Pour vous c’est interdit
Y’a plus qu’une chose à faire
S’il vous reste des amis
Je n’ai pas pu rien dire
Sa porte s’est refermée
J’ai préféré en rire plutôt que d’en pleurer
J’ai préféré en rire plutôt que d’en pleurer

Ils m’ont dit
Vous êtes allé trop vite
Ici c’est limité
Plutôt que prendre la fuite
J’ai voulu m’expliquer
Je n’ai pas pu leur dire
Nom du père et papiers
J’ai préféré en rire plutôt que d’en pleurer
J’ai préféré en rire plutôt que d’en pleurer

Je m’suis dit
Je suis bien mal barré
Et personne ne m’écoute
Que des ennuis posés
En travers de ma route
Je n’ai plus qu’à me dire
Prends çà du bon côté
Et je préfère en rire plutôt que d’en pleurer
Et je préfère en rire plutôt que d’en pleurer

I PREFER TO LAUGH

She said
You see your suitcases
On the threshold asked
Get out of your fits
Before had to think
I did not have anything to say
She was too angry
I preferred to laugh at it rather than crying
I preferred to laugh at it rather than crying

He told me
Never discovered
For you it's forbidden
There's more than one thing to do
If you still have friends
I could not say anything
Her door closed
I preferred to laugh at it rather than crying
I preferred to laugh at it rather than crying

They told me
You went too fast
Here it is limited
Rather than flee
I wanted to explain myself
I could not tell them
Father's name and papers
I preferred to laugh at it rather than crying
I preferred to laugh at it rather than crying

I told myself
I am badly barred
And nobody listens to me
What troubles posed
Across the road
I just have to tell myself
Take it on the right side
And I prefer to laugh rather than crying
And I prefer to laugh rather than crying

J'AI PREFERE EN RIRE (Petite chanson marrante)

ON SE LÈVE LE MATIN ET C’EST UN NOUVEAU JOUR
MAIS CE JOUR QUI DEMAIN S’EN SOUVIENDRA TOUJOURS
LE CAFÉ L’ASPIRINE L’ASPIRO DE LA VOISINE
LE BLABLA LA MÉTÉO DE LA RADIO EN SOURDINE

AUJOURD’HUI C’EST DEMAIN C’EST REPARTI POUR UN TOUR
LE MÉTRO BAT SON PLEIN LE PARISIEN EST DE RETOUR
LE CERVEAU ENCORE PLEIN DE PASTIS ET DE PISCINE
COMME TOUT ÇA SEMBLE LOIN DANS LES BRUMES BLEU MARINE

ET C’EST LE TRAIN TRAIN 

CHACUN SON TRUC EN TÊTE ENTASSÉS COMME DES SARDINES
LE MANÈGE RIEN NE L’ARRÊTE RIEN NE STOPPE LA MACHINE
ET C’EST TOUT QUI COMMENCE ET C’EST TOUT QUI RECOMMENCE 
DANS NEUF MOIS LES VACANCES QUELLE VIE DE CON QUAND ON Y PENSE

ET C’EST LE TRAIN TRAIN

ET C’EST LE TRAIN TRAIN
 
ON SE COUCHE LE SOIR BIEN AU CHAUD DANS SA TANIÈRE
A L’HEURE OU LE RENARD VA CROQUER DE LA FERMIÈRE
ET ON TIRE LE RIDEAU SUR CETTE JOURNÉE POUR DES PRUNES
BERCÉ PAR LES SANGLOTS DE LA VOISINE AU CLAIR DE LUNE 

ET C’EST LE TRAIN TRAIN

TRAIN-TRAIN (Lyrics)

Gene Jumper, It's Only Make Believe # 12, Conway Twitty, ( cover)

It's Only Make Believe # 12, Gene Jumper, Conway Twitty, ( cover)

Put Me Down

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

Put Me Down

Graham West

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