remixed with the kind permission of the composer. you may find her works here: https://soundcloud.com/tatiana-catanzaro

enjoy!

Intarsia by Tatiana Catanzaro [minkepatt Remix]

Score Follower: https://www.youtube.com/watch?v=XEkwERKf8WE
Written for and recorded by the JACK Quartet (https://jackquartet.com/).

Christopher Otto and Austin Wulliman, violins
John Pickford Richards, viola
Jay Campbell, violoncello

Recorded by Brian Riordan at Salisbury Congregational Church, Vermont, June 2021.

*good quality headphones or loudspeakers are recommended*

as eroding arches collide [2021] for string quartet

Salvatore Sciarrino (1947), D'un faune pour flute et piano (1980)

música-cinema sobre composições de Fernando Riederer, clarinete, ronda smetakeana, trompete, percussão, dial de rádio e depoimento de índios guarani mbya

#063 Estudos Sobre O Instante E Outras Denominações Reidererianas

Ensemble Recherche
Martin Fahlenbock, bass flute
Jaime González, english horn
Shizuyo Oka, bass clarinet
Christian Dierstein, percussion

Konzertsaal, Musikhochschule Stuttgart, Germany
2014

A Terceira Margem Do Rio (2014), for bass flute, english horn, bass clarinet and percussion

2006
Françoise Rivalland / Pascal Contet / Les percussions de Strasbourg

RE Sonare [2006]

Fernando Riederer: Sho II für Cembalo und Akkordeon (2013)
duo ovocutters: Sonja Leipold, Cembalo, Christoph Hofer, Akkordeon

Aufnahme: Ivan Kitanović 

Fernando Riederer: Sho II

junkyard piece I (for an ensemble of musicians and found objects) [2014/15]

*live recording of the premiere with ensemble recherche (20.11.2015 - Freiburg, DE)

junkyard piece I (version 1), 2014/15 *live recording (premiere), ensemble recherche

bass-flute: Cássia Carrascoza / live-electronics: José Henrique Padovani

Live-recording of première. 
Opening concert of the 16th Brazilian Symposium on Computer Music (SBCM).
Concert Hall of the Music Department of the School of Communication and Arts / São Paulo University (USP)
September 3rd, 2017

φάτις, in Greek, refers to "speech" and to "language". The term is also associated to "word" and "rumor" and refers also to the "word that comes from heaven" in the oracle. Both in the compositional writing for the acoustical instrument and in the mechanisms of the electronics, the piece draws on vocal materials, on images and connotations evoked by the term φάτις, and on references to my previous works, impedance (2010) and fragmentos sobre o sol (2012), as models, materials, processes and space of gestural and sonic investigation to explore the transductive process of sound production and transformation that happens along the phonetic/respiratory system of the instrumentalist, the flute, the live-electronics processes and the sound projection in the acoustic space. 
The piece is dedicated to flutist Cássia Carrascoza.

φάτις (2017) for bass-flute (Cássia Carrascoza) and live-electronics [binaural mix, use headphones]

Orquestra Sinfônica da Unicamp (OSU)
Cinthia Alireti, conductor

Nota de programa:
Ultimamente eu tenho prestado muita atenção à questão dos símbolos. Os símbolos que passamos aos outros (através de adereços corporais, da forma de falar, das cicatrizes, etc.), mas especialmente aqueles que não mostramos, aqueles que escondemos, mas que, muitas vezes, são aqueles que nos construíram. Que nos formaram, que nos machucaram, e que deixamos soterrados. É em resposta a esses símbolos, escondidos, que eu escrevi essa peça. Estranhamente, ela saiu com ares de andorinhas, o que também pode ser uma forma de entender como eu ouço a música das andorinhas dissimulada nos arbustos. Mas muito além das andorinhas, eu escondo várias músicas não ouvidas nessa obra. Escondo o Uirapuru do Villa-Lobos, o Hiperprisma do Varèse, a Sagração do Stravinsky... como elas estão escondidas dentro da minha escrita? Fica aqui meus segredos que não mostro a ninguém, e a liberdade ao ouvinte de alçar vôo procurando-os aqui e ali, atrás dos arbustos.

In response to the unheard music hidden in the shrubbery

Tatiana Catanzaro

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