Soirée #SonsCachetons (hard)

Pan Pot - Rosinenbomber (Original Mix)

My North American The Light Fantastic DJ Tour started on the 6th of March in Miami. New York City, Austin, L.A., Chicago, Vancouver and more cities are visited until I end the tour again in Miami on April the 12th. This tour revolves around my third album The Light Fantastic which was released in the autumn of 2013 on Rush Hour. You can buy the album digitally for only €6,99 and you will receive the 320 kbps files of the tracks plus an exclusive album mix directly. Buy the album through paypal here: http://bit.ly/PpoHVU

For more dates, check my agenda here: https://gigs.gigatools.com/user/tomtrago

10. I Still Desire

Order: http://atomnation.bandcamp.com/album/rental

Rental

Loft Mentality

Portable Sunsets - Loft Mentality

Bandcamp

Moin Moin Moin (Guten Morgen)

Maxime Dangles - Falbalus (Original Mix)

Milton Jackson - Breakdowns (Original Mix)

Tom Hades - So Deep (Original Mix)

Sascha Rydell - Palinka Girl

Roberto Capuano - Oblique

Huxley - Broken Dreams

Deep, murky house on Mörk from Moodcut. Warm, throbbing bass tones and undulating low-end rhythms. Late night drivin' jams.

BUY RELEASE

Moodcut - Trampling Between Cats

Distant Hawaii kicks into gear for the second half of 2016 with our first Transatlantic artist joining in the shape of immense production and DJ talent, Garrett David. 

Already a prominent figure in the Windy City scene via his residency at Smart Bar and working as A&R and in-house buyer at Gramaphone Records; Garrett's talents extend even further, right back to the lab, to the deep studio from whence all music grows. 

His Chicago-tinged-with-Detroit blend of clean, yet warm and occasionally raw bumpin' house tracks showcase a kaleidoscope of grooves backed by heavy-seated drum programming and glacial, almost-interspatial padwork. 

'Octagon Blues' is built on a bedrock of steadily ascending Juno throbs, that climb higher and higher over skittering, pebble-dashed percussion and bristle with high end synth-whistling by the close. 

'Power Up' shifts up the tempo and velocity with a proper kickin' fast groove and undulating Omar S-esque bass-line sequences aimed squarely at the heart of the Sunday night dance. 

Flipping over the 12", 'Remedy' comes glowing into life through soft pad caressing and a steady 5am melancholia bass-line. Touches of a light rain smack the windshield, preceding a wonky and portamento'd melodic surprise. The shyer, mysterious cousin of 'Power Up'. 

The closer, but this easily could have been the opener, 'Healing Channel' is exactly that. An instant transportation to a sole experience in the flotation tank. An isolated yet comforting zone of inner peace, only broken by a steady live drum groove, peppered with delay from the inner walls of the listeners water-based sanctuary.

>> @garrettdavid

HAWAII004 // Garrett David - Octagon Blues

* Read more: https://boltingbits.com/ouer-505-internal-error/ ‎
* Watch on YOUTUBE : https://youtu.be/_1Y1Yz4a0nc

Continuing their 26 part exploration of the Latin alphabet is German live-duo OUER. "D," in their own words, is "all about the letter D. Every record brings out a new direction, a discovery of unknown spheres while stepping out of [our] comfort zone." An accurate description as it turns out, as all three tracks found on "D" reflect an expanding vision of what the duo's music be.

The unusually named "500 Internal Server Error" begins with a hypnotic beat underneath a rising melody. Subtle changes and variations help pull the listener into a trance before being snapped back to reality around the one-minute mark. The bass drum leaves behind its heartbeat-like pattern and begins thumping reliably on the downbeat alongside a descending bassline — smartly juxtaposing the continuous upward motion of the lead synth.

"Five O Nine" is a difficult to pin down track that comes into its own after a surprise twist near the end of the track that sees previous sounds fall by the wayside as a rowdy, pulsing bass line enters the mix. Taking the energy up a notch before tying in the previous components, "Five O Nine" stands out as one of the most unique productions to escape OUER's studio.

From its opening chord sequence, its apparent "Delta" is going to be an emotional journey. And while those opening chords repeat throughout the entire arrangement, various synthesized and percussive layers work together to transform the initial mood from calming lows to soaring highs.

Their ability to efficiently combine sophisticated arrangements, engaging modulations, and soothing melodies is refreshing amongst a current overflow of sample-laden house music.  It's clear OUER is serious in their commitment to musicality and live performance, and we're excited to see the limits of what they can accomplish with such timeless, mindful offerings such as this.

PREMIERE : Ouer - 500 Internal Server Error

rant&rave established 2011
monthly events at harry klein club (munich) & more

Next Event: 24.10.2019 Rant&Rave w/Max Erdle @ Harry Klein

follow r&r:
www.facebook.com/RantRave-RR-290625778326367/
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follow Max Erdle:
@Max Erdle
https://www.facebook.com/max.erdle

Rant&Rave Radio VII - Max Erdle

One of the UK's most established and consistent deep house producers, Jimpster, is due to drop his eagerly anticipated Porchlight And Rockingchairs LP on 20th May 2013. His first studio album in six years sees him continue where he left off with the 2006 masterpiece Amour by taking the blueprint of House music and infusing it with an attention to detail and musicality often lacking in much of today's more disposable dance music.

Here we present you two of the LP’s more floor-friendly moments in the form of Rollergirl and Hold My Hand on a lovely warm 10” slab of vinyl. Both tracks show off Jimpster’s innate talent for dubbed out, late-night deep house but with a rawer, edgier sound than we’ve come to expect from him, and this can only be a good thing. Rollergirl goes heavier with rattling claps and distinct, hooky synth line which drives the track and brings an intensity heightened further by the growling sub bass. Hold My Hand has a lighter vibe with gentle vocals spinning around whilst the arrangement unfolds and builds perfectly throughout the track.

Buy Limited Edition

Jimpster - Rollergirl [Freerange] (96Kbps)

Alvis TD21
Year of Construction: 1960

All the cars on the different covers in this list of mixes belonged to my grandfather.

Number eight of my 12-month series of mixes.

This month, heavy pumping house for the last hot summer nights where you just cannot stop dancing!

Pan Pot - Rosinenbomber (Original Mix)

Taylinho

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