such great music! Thanks for sharing it with us..

The Sustain Series project continues with its second volume, 24 recycled forms created from old and unused material. Since the release of Volume 1 in November last year, more artists have come together to salvage, repurpose, restore and deconstruct each other’s pieces, or collaborate on a particular idea. What results is a growing variety of approaches and outputs, from minor embellishments to full disfigurement.

Volume 2 moves thematically, as if in four chapters, from the expressive openers, through enchanting natural-sounding pieces, before opening up to more ethereal expanses, and finally darker and more thoughtful ones. As it does, visions emerge of our natural world - its power, its beauty and its vulnerability.

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Gallery Six - 1 (City Of Dawn Recycle)

maybe heared something before sleep ? 


!🦦

心臓のすぐちかくの

This track is quoted from the album 'youth'.
Listening to all tracks of the album and purchasing are available on the link below.

https://gallerysix.bandcamp.com/album/youth

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

Sakura

https://faintmusic.bandcamp.com/album/svalbard

Written and Produced by Agustín Mena.
Mastering by Neel.
Photography by Alexander Kopatz www.go70north.com
Faint001 // FaintCD001
Faint / 2016

SVLBRD - Hvit

excerpt from a live tape loop, percussion, guitar + modular synth performance at S1, Portland.

180812

Mystär

Taken from "Formosa" the new album by Andrew Tasselmyer

https://shimmeringmoodsrecords.bandcamp.com/album/formosa

Releases November 29, 2019

Music by Andrew Tasselmyer 
Mastered by Ian Hawgood 
Cover photo by Yong Chuan 
Cassette j-card layout by Steven Kemner 
Shimmering Moods Records 2019


Formats: Cassette/CD/Digital

Cassettes: Pro Dubbed / C37 / Clear Prison Cassettes / Full color J-cards / Design by Steven Kemner / Limited to 20 copies! (SOLD OUT)

CD: Limited Edition / 75 copies / Hand Numbered / Hand Made Packages / Brown Kraft Wallets / Professional duplicated cdr

Andrew Tasselmyer - Phang Nga Secrets

Writen and Produced by David Eßer
Mastered by Ian Hawgood.
Photography by Alexander Kopatz.
www.go70north.com
Faint018 // FaintCD018
Faint / 2020

Ataxy - Air

Canoe

ILUITEQ - A Sylvan Elegy

Technology and imperfection. The raw and the processed. Curator and curated. Solo explorer and gregarious collaborator. The life and work of Taylor Deupree are less a study in contradictions than a portrait of the multidisciplinary artist in a still-young century.

Deupree is an accomplished sound artist whose recordings, rich with abstract atmospherics, have appeared on numerous record labels, and well as in site-specific installations at such institutions as the ICC (Tokyo, Japan) and the Yamaguchi Center for Arts and Media (Yamaguchi, Japan). He started out, in the 1990s, making new noises that edged outward toward the fringes of techno, and in time he found his own path to follow. His music today emphasizes a hybrid of natural sounds and technological mediation. It’s marked by a deep attention to stillness, to an almost desperate near-silence. His passion for the studio as a recording instrument is paramount in his work, but there is no hint of digital idolatry. If anything, his music shows a marked attention to the aesthetics of error, to the short circuits not only in technological systems but in human perception.

And though there is an aura of insularity to Depuree’s work, he is a prolific collaborator, having worked with the likes of Stephan Mathieu, Christopher Willits, Kenneth Kirschner, Eisi, Frank Bretschneider, Richard Chartier, Savvas Ysatis, and Tetsu Inoue.

Deupree dedicates as much time to other people’s music as he does to his own. In 1997 he founded the record label 12k, which since then has released over 80 recordings by some of the most accomplished musicians and sound artists of our time, among them Alva Noto, Steve Roden, Ryuichi Sakamoto, and Steven Vitiello. Many share with Deupree an interest in stark minimalism, but the label has also found room for, located a common ground with, the acoustic avant-garage, the instrumental derivations of post-rock, and the synthetic extremes of techno.

And collectively, the cover jackets to the 12k album releases have served as an ongoing exhibit of Deupree’s photography, its lofi aesthetic, with an emphasis on damage and wear and antiquated tech, closely paralleling his music. (His photos have also graced numerous books, design anthologies, and other recordings and projects.)

Deupree continues to evolve his sound with an ambition and drive that is masked by his music’s inherent quietude. He approaches each project with an expectation of new directions, new processes, and new junctures.

Canoe

taylordeupree

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