clicks+cuts+ - 3

The Inland Sea

Reflections On an Inland Sea

(We Share the) Dust Garden

transmissão

Shoals

Rusted Oak

A Fading Found (Edition)

A Fading Found

Sere

Falls Touching Grasses

*coming late september on LTD CD/LP through Miasmah rec.

You might be familiar with Matt Christensen as singer and guitarist of atmospheric masterminds Zelienople. His most recent solo endeavour however embodies a song writer deeply involved with his own vision of sound, resulting in an accomplishment strong enough to stand on its own. Matt delivers a longing and emotional outreach through Honeymoons’ six delicate songs and immersing into them provides a feeling of understanding and affiliation that turns solitude into a state of awareness and insight. 

The sparse instrumentation of broad guitar/effects and incisive drum machine adds immediacy to this recording and the airy arrangements keep the perfect balance between song structure, free-form playfulness and silence. Accompanied by Matt’s echoing voice and personal lyrics, his recipe is being formed and dilated into an experience that requires devotion to be fully perceived and appreciated. "Im See-Through" may be the protagonist's self-perception but by guiding his compositions through foggy, pliant tone constellations he leaves us in doubt that Matt's output could ever be considered transparent.

His new album and first for Miasmah is a perfect reminder of how interfering contradictions can make the most interesting installations. The confrontation of organic guitar movements, stirring poetry and patterns of beat arrangements create fascinating tension: Honeymoons’ full scale won't unfold instantly but you will be captivated right away. We’re allowed a deeply moving glance into a contemplative musician's mind by witnessing an outstanding statement for imparting the feeling of companionship.

Honeymoons

Matt Christensen - Honeymoons

www.heronband.bandcamp.com 
 - Also available on iTunes & Spotify - All songs written by Heron
 - Recorded @ Kane Memorial Chapel in Kane, PA
 - Mixed by Matt Bayles(Minus the Bear, Pearl Jam, Caspian, Russian Circles) - Seattle, WA
 - Mastered by Ed Brooks(Fleet Foxes, REM, Heart, Death Cab For Cutie) - Seattle, WA

You Are Here Now

Shores

UTR - 126 

Lee Chapman - untitled 


These lost tape loops were sent to us by Lee over 3 years ago and somehow were shelved and forgotten. Upon rediscovery, we fell in love with these tender recordings and offered the 3 short tape movements up for remix. Multiple artists both national and international replied and submitted their beautiful renditions. Please enjoy these reworks that total over a 50 minute journey through the music of Lee Chapman. 

_____________________________________________________________ 

Remix Artist Include: 

Olan Mill (olanmill.bandcamp.com) 
HEDIA (hedia.bandcamp.com) 
Maps and Diagrams (handstitched.bandcamp.com) 
Samuel Regan (samuelregan.bandcamp.com) 
Pepo Galan (pepogalan.bandcamp.com) 
Max Wurden (wuerden.bandcamp.com) 
The New Honey Shade (thenewhoneyshade.bandcamp.com) 
Mathieu Lamontagne (arbee.bandcamp.com) 

Special thanks to all participating artists!
credits
releases April 27, 2019 

All Sound "untitled (i-iii) by Lee Chapman" 
Artwork by Mark Kuykendall

untitled

Lee Chapman - untitled i

|☤| http://www.facebook.com/origamisound |☤| http://store.origamisound.com/album/of-the-heart-increased |☤| 

The third collection of remixes (from a total of 12) showcases a phenomenal roster of talents from Greece, Laos, France and Australia, brought together by the emotional impact that "Voidness" had upon them. 

Tracklist: 
1. Borealis - Black Drop (Van Hai Remix) 
2. Borealis - You Were Away (daWad Remix) 
3. Borealis - Afterswarm (Naono Remix) 
4. Borealis - Not Of This Reality (Crimean Remix)

Borealis - You Were Away (daWad Remix)

The end of the year is approaching – can you feel it? It’s got that certain textural quality all of its own: the slightly quieter email box, the emptier train rides and the softer necessity in everything that you do. It’s like the world has collectively decided to just let it go, before the last day at the turn of the decade. And so I find myself in this familiar space, reviewing the year, and playing through tracks, one of which is an appropriate soundtrack to the flow of the moments. Fluctuate is a project by Cameron Brooks, who has previously appeared on these pages with a premiere of his piece “Final Solace“, from the Vicissitude EP released by Subtempo. He is now back, with an arsenal of sounds which still carry his piano forth: the slow evolving synth pads, fluttering echoes, and the sounds of the waves – all of which make up a short charming story that comes directly from the heart. Please enjoy…

TRACK PREMIERE : Fluctuate - Shore

Dropsonde

In the Shape of a Flute

Out now on Carrying Colour https://ffm.to/brownloop

https://www.duvaltimothy.co.uk
https://twitter.com/duvaltimothy
https://www.youtube.com/duvaltimothy

https://www.carryingcolour.com
https://www.instagram.com/carryingcolour

Brown Loop

Buy/Stream/Save

Clouds

Technology and imperfection. The raw and the processed. Curator and curated. Solo explorer and gregarious collaborator. The life and work of Taylor Deupree are less a study in contradictions than a portrait of the multidisciplinary artist in a still-young century.

Deupree is an accomplished sound artist whose recordings, rich with abstract atmospherics, have appeared on numerous record labels, and well as in site-specific installations at such institutions as the ICC (Tokyo, Japan) and the Yamaguchi Center for Arts and Media (Yamaguchi, Japan). He started out, in the 1990s, making new noises that edged outward toward the fringes of techno, and in time he found his own path to follow. His music today emphasizes a hybrid of natural sounds and technological mediation. It’s marked by a deep attention to stillness, to an almost desperate near-silence. His passion for the studio as a recording instrument is paramount in his work, but there is no hint of digital idolatry. If anything, his music shows a marked attention to the aesthetics of error, to the short circuits not only in technological systems but in human perception.

And though there is an aura of insularity to Depuree’s work, he is a prolific collaborator, having worked with the likes of Stephan Mathieu, Christopher Willits, Kenneth Kirschner, Eisi, Frank Bretschneider, Richard Chartier, Savvas Ysatis, and Tetsu Inoue.

Deupree dedicates as much time to other people’s music as he does to his own. In 1997 he founded the record label 12k, which since then has released over 80 recordings by some of the most accomplished musicians and sound artists of our time, among them Alva Noto, Steve Roden, Ryuichi Sakamoto, and Steven Vitiello. Many share with Deupree an interest in stark minimalism, but the label has also found room for, located a common ground with, the acoustic avant-garage, the instrumental derivations of post-rock, and the synthetic extremes of techno.

And collectively, the cover jackets to the 12k album releases have served as an ongoing exhibit of Deupree’s photography, its lofi aesthetic, with an emphasis on damage and wear and antiquated tech, closely paralleling his music. (His photos have also graced numerous books, design anthologies, and other recordings and projects.)

Deupree continues to evolve his sound with an ambition and drive that is masked by his music’s inherent quietude. He approaches each project with an expectation of new directions, new processes, and new junctures.

Reflections On an Inland Sea

taylordeupree

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