modular synth ambient

From 'SINGING STONES (vol. 1)' - out on 25.10.2024 
INFOS / PRE-ORDER : https://snowdrops.bandcamp.com
‪@Gizeh | GZH117 | CD & Digital
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CROSSING
‪@christine-ott : Ondes Martenot, Glockenspiel
Mathieu Gabry : Piano, Synths
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« 10 years after its creation, Snowdrops returns to Gizeh Records with its 4th album, Singing Stones (volume 1), the first in a series of compositions celebrating slow time and long time, somewhere between post-classical, progressive chamber music and deep listening. In it, the collective founded by Christine Ott and Mathieu Gabry develop their alchemy of analogue and acoustic timbres in a style that is at times interior, intense, narrative or dreamy, and sometimes all at once. 
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Singing Stones is built around two long pieces, Crossing and Arctic Passage, which the duo have performed regularly on stage since 2016, notably at the Opéra Underground in Lyon, Silent Green in Berlin and this year at Autres Mesures Festival in Rennes. In Crossing, Snowdrops deploys its full progressive palette; 20 minutes of a veritable journey from ambient jazz to baroque electronics, to a polyrhythmic, repetitive and mystical coda, a contemporary blend of piano and ondes Martenot. By revealing even more textures, Arctic Passage can be seen as a nocturnal crossing among the ice, decomposing icebergs; an active listening to the natural vestiges of our world, and all that could disappear. »
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« Singing Stones » Artwork by ‪Julie Calbert, based on her Hyperion Series - http://www.juliecalbert.be
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Follow @Snowdrops_Music // https://linktr.ee/snowdrops

Crossing

Each track transports you to a serene, ethereal realm, inviting introspection and tranquility. Perfect for those moments when you need to drift away and let your mind wander through the clouds.

Produced and mixed by Eric Allietta (Ancient Astronaut)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Cover design by Dionis Afonichev (Dionisaf)

Ethereal Dreams

Shimmering Lights

Tracklist

01. Jon Neher & Michael Scott Dawson - Anther
02. Innesti - Around this Space
03. Halftribe - Elegant, Golden
04. América Analógica - Cortezas (i)
05. Hotel Neon - A Possible Past
06. Lorenz Weber -  Kokoro-nokori
07. Ohio - Crépescule
08. Richard Ginns - Incolors
09. Steve Pacheco -  Coming Into form
10. Twincities - In The Light Of The Carolina Hills

396. Sleepy Sunday Podcast (Elm Records)

The first release of a compilation of remixes from artists of the Ambient Cat label.

Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev with AI
Cover design by Dionis Afonichev (Dionisaf)

Ambient Cat Remixes, Vol. 1

A Pattern To My Scars (Brannan Lane Remix)

Vagabond

Weather & Worn

Worn

Title track from my album - full blossom of the evening

Available on cassette and digital - https://rbeny.bandcamp.com/

full blossom of the evening

'Lunae Semita' is the first release from Araceae, which is the ambient techno side project of Uun. The album was built upon field recordings gathered in Upper Michigan, Detroit, Berlin, and Amsterdam.

Written and Produced by Ryan Malony.
Mastered by Emanuele Pertoldi.
Faint007 // FaintCD007
Faint / 2018

Araceae - Elemental Peninsula

From the album Light Pipe on Room40. RM498

M.Geddes Gengras - Nave (Edit)

coming back to music making and exploring other worlds

image by Malevich (Black Square)

180828 nocturnal 0.1

Composed, Played & Recorded By Madeleine Cocolas + Monolyth & Cobalt

Mixed by Monolyth & Cobalt.

Month Eight Project (Madeleine Cocolas + Monolyth & Cobalt)

Kinematic Wave

Download: http://www.xlr8r.com/mp3/2013/01/lupine

Download on XLR8R

Mister Lies "Lupine"

https://www.youtube.com/watch?v=0we7tkr-jh4&feature=emb_logo&ab_channel=rbeny

r beny - Spring in Blue

Technology and imperfection. The raw and the processed. Curator and curated. Solo explorer and gregarious collaborator. The life and work of Taylor Deupree are less a study in contradictions than a portrait of the multidisciplinary artist in a still-young century.

Deupree is an accomplished sound artist whose recordings, rich with abstract atmospherics, have appeared on numerous record labels, and well as in site-specific installations at such institutions as the ICC (Tokyo, Japan) and the Yamaguchi Center for Arts and Media (Yamaguchi, Japan). He started out, in the 1990s, making new noises that edged outward toward the fringes of techno, and in time he found his own path to follow. His music today emphasizes a hybrid of natural sounds and technological mediation. It’s marked by a deep attention to stillness, to an almost desperate near-silence. His passion for the studio as a recording instrument is paramount in his work, but there is no hint of digital idolatry. If anything, his music shows a marked attention to the aesthetics of error, to the short circuits not only in technological systems but in human perception.

And though there is an aura of insularity to Depuree’s work, he is a prolific collaborator, having worked with the likes of Stephan Mathieu, Christopher Willits, Kenneth Kirschner, Eisi, Frank Bretschneider, Richard Chartier, Savvas Ysatis, and Tetsu Inoue.

Deupree dedicates as much time to other people’s music as he does to his own. In 1997 he founded the record label 12k, which since then has released over 80 recordings by some of the most accomplished musicians and sound artists of our time, among them Alva Noto, Steve Roden, Ryuichi Sakamoto, and Steven Vitiello. Many share with Deupree an interest in stark minimalism, but the label has also found room for, located a common ground with, the acoustic avant-garage, the instrumental derivations of post-rock, and the synthetic extremes of techno.

And collectively, the cover jackets to the 12k album releases have served as an ongoing exhibit of Deupree’s photography, its lofi aesthetic, with an emphasis on damage and wear and antiquated tech, closely paralleling his music. (His photos have also graced numerous books, design anthologies, and other recordings and projects.)

Deupree continues to evolve his sound with an ambition and drive that is masked by his music’s inherent quietude. He approaches each project with an expectation of new directions, new processes, and new junctures.

Worn

taylordeupree

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