No way its got sgt peppers lonely hearts club band somehow

Massive Attack - BBC Sessions On Radio One -- Live From Bristol - Essential Mix 1994

Massive Attack (1994) - BBC Sessions On Radio One - Live From Bristol Essential Mix

2 Many DJ's - As Heard On Radio Soulwax Pt.10

Free Download

Taylor Swift - The Fate of Ophelia (Florian Cassiede Remix Extended Mix)

Made in House e um projeto do produtor ITALO que explora varias certebtes da House Music e cria Tracks diferenciadas

Everyone

PRETTYHARD SED'S VORTEX - OFFTHELEASH

Couldn't find this awesome part on Soundcloud, so here it is. It's not my own though, so if it violates any rights, let me know and I will remove it.
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1. Unknown Artist – Intro
2. Eric B. & Rakim – Paid In Full (Coldcut Remix) – Remix – Coldcut
3. Original Concept – Pump That Bass
4. Beastie Boys – Turn Up The Bass
5. Max Berlin – Elle Et Moi
6. MC Solaar – Le Nouveau Western
7. AIR – Kelly Watch The Stars (Moog Cookbook Remix) – Remix – The Moog Cookbook
8. Roy Keating – Proud Mary
9. The Kinks – You Really Got Me
10. The Rolling Stones – Satisfaction
11. Fatboy Slim – The Rockafeller Skank
12. Blur – Trade Stylee (Alex's Bugman Remix)
13. Jaydee – Plastic Dreams
14. Nine Inch Nails – Closer
15. Beck – Get Real Paid
16. Kraftwerk – Numbers / Tour De France
17. Adamski – Killer – Featuring – Seal
18. Basement Jaxx – Fly Life
19. Minos Pour Main Basse (Sur La Ville) – Prix Choc
20. Q-Tip – Vivrant Thing
21. Dennis Edwards – Don't Look Any Further
22. TLC – Unpretty
23. Orbital – Nothing Left (Les Rhythmes Digitales Remix) – Remix – Les Rythmes Digitales
24. New Order – Confusion
25. Daft Punk Vs. Super 2000 – Around The World
26. Old Skool Flava – Refried Salsa
27. Beck – Salt In The Wound
28. The Beatles – Taxman
29. Lenny Kravitz – Light Skin Girl From London
30. Foremost Poets – Moonraker
31. DJ Weight Problem – Disco Horse
32. Young MC – Bust A Move
33. Groove Armada – I See You Baby
34. Dirty Funker – Future
35. Dakar & Grinser – I Wanna Be Your Dog
36. Nik Kershaw – Dancing Girls
37. Michael Moog – That Sound
38. The Art Of Noise – Close To The Edit
39. Ned And Manson – Sensimilia Street

2 Many DJ's – As Heard On Radio Soulwax Part 5

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Shout out to the man like Tony Daly / 586 Records up in Newcastle, England for the share on this fantastic recommendation. It's a true gem which hopefully a few more can enjoy. Don't forget to buy the original if you like it via Discogs and all other good places.

Buy on Discogs

247 - Derrick May The Mayday Mix (1997)

As Heard On Radio Soulwax - Part 1

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Late Night Tales

399 - Late Night Tales - Jamiroquai (2003)

Cassius - Essential Mix (31.01.1999)

This time I bring you a classic set from 2005 with Radio Soulwax / 2 Many DJ's, where they were live behind the decks at BBC 1, 2nd of January, 2005 doing a proper uptempo mix with a lot of variation in styles, sound and mood - musical soulfood in a classic Soulwax way of doing things. I enjoyed the set very much and so I decided to share it with you. I hope you get something out of this, because I surely did.

I ripped a DASH audio stream, which was encoded with Opus 251 @ 160 kbps, from YouTube and rendered it with the Vorbis codec into an ogg file at 320 kbps. I then refurbished the wave data with two FabFilter VST3 plugs where Audacity worked as an interface for the workflow. It doesn't sound very advanced, I know, but less is sometimes more; the more minimal a system is the lower the risk of fail.

Q3 (EQ) - The standout feature is the dynamic EQ mode - a simple ‘dynamic range’ dial accompanies the regular gain parameters on Pro-Q3’s interface, allowing you to quickly add compression or expansion to specific frequency bands. The plugin’s carefully-designed algorithm sets the attack, release and threshold automatically, streamlining and simplifying the compression process. Dynamic EQ changes the gain of an EQ band dynamically, depending on the level of the input signal. This makes it possible to perform subtle and surgical edits similar to a multi-band compressor.

L2 (Limiter) - Loudness cannot be easily measured, because perceived loudness depends on frequencies and can be highly subjective. Peak Normalization and Hard Limiting led to make the audio louder, without having a firm reference. The sophisticated ITU-R BS.1770 algorithm, through psychoacoustic models, introduced a new standard for measurements: the aforementioned Loudness Units, which refers to the perceived loudness. The EBU R128 suggests a -23LU loudness target, although this target may vary on different countries and applications. I set L2 to work around a target loudness between -12LU and -9LU because CDDA target format uses these values and I want the final wave to be perceived as loud without clipping or having other kinds of artefacts in the sound.

With love from Sweden,

DNSK

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As Heard On Radio Soulwax - Part 1

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