Electronica [japanese avant-garde]

Kimi No 18 Sai No Koro Wa Doudatta

Kimi No 18 Sai No Koro Wa Doudatta (Demo)

---track list---
re-platform - AOKI takamasa remix  :  Yoshihiro HANNO 
A1 : BUN/Fumitake Tamura
Getaway : Spacek
Keep Out A Bad Company : Alex Van Heerden, Magnus Johansson
Inner 01 : SND
Riding the Void : Atom™
841(feat. AOKI takamasa) : PsysEx
Strom : Atom™
Club : Moritz Von Oswald Trio
Romeo : RADIQ
Wall : ditch
Clara Ghavami (Extended Mix) : Luciano, nsi
Clouded Visions (Dan Farserelli & Archie Hamilton Remix) : Mariano Mateljan
For You (Original Mix) : ESHU
Bright Star (Sunset Mix) : Ben Watt, Stimming, Julia Biel
Smiling Papers : Cabanne
Myrtle Avenue (Original Mix) : Floating Points
Keep Going (Original Mix) : Cabanne
Electric Garden (Original Mix) : Juan Atkins, Moritz Von Oswald
Stop (Imperialist Pop) : Atom™
Timemorf : Ricardo Villalobos
Ravelle (Original Mix) : Alexander Skancke
La Duquesa (Original Mix) : DJ Koze
Phase Out (Original Mix) : Atom M, Tobias Freund

QubeTV >> www.ustream.tv/channel/qube-tv/videos

DJmix _ QubeTV _ 27th August 2013, 21:00~23:00

Yellow Magic Orchestra Live At Budokan December 26 1980 イエロー・マジック・オーケストラ  武道館 1980 年 12 月 26 日

rei harakami in "News Beat" 26-jan-2006

発売日2014/04/23
 
2010年夏に結成された男女混成デュオ「ゆうなり」の7曲入り音源！今作はゲスト多数参加にてライブでもお馴染みのナンバーから新曲までバンドサウンドとアコースティックサウンドでまとめ上げた「激ポップ盤！」が完成。
ラブリー＆ハートウォームな激キャッチーメロディー＆ハーモニーはスッと耳に馴染み時に笑顔に、時にセンチメンタルに涙腺を緩ますポップサウンド。
等身大に何気ない日常を唄った多く共感を得られる歌詞にも注目。

-収録曲-
1. 10PMOP
2. Same As Always
3. Thank You Baby I Love You
4. Brand New Day
5. Specially Tonight
6. Still Young
7. Golden Time

Eunaly -ゆうなり- / Golden Time

2014.06.28会場限定Release 廃盤

￥100（tax in）

突然少年/産声e.p

収録曲
1.さようなら IN MY DANCE.
2.ブレイクスルー
3.素晴らしき日々


突然少年/SAYOUNARA IN MY DANCE（UBUGOE ver.）

GROUPEEEE

There For Me - Klaverson - PIANIKA Remix

Eyes of the Sahara

doscaller

Stroboscopic Artefacts presents the Monad series. Rarefied and introspective, confrontational and extreme, each featured artist will delve into the Monad concept:
"The generation of number series is related to objects of geometry as well as cosmogony. From the Monad evolved the Dyad; from it numbers; from numbers, points; then lines, two-dimensional entities, three-dimensional entities, bodies, culminating in the four elements earth, water, fire and air, from which the rest of our world is built up."
AOKI Takamasa's Monad IX is a stark example of exploring the periphery of contemporary electronic music and yet impressing an artisitc identity upon these fringes. An anonymous voice on 'mnd-sng-01' blurts 'shake everything', and this is his point. Shake not just yourself on the dance floor, but shake your notions of artistic processes. The tracks draw attention to themselves as constructions, they're not titled but serial numbered from 'mnd-sng-01' right through to 'mnd-sng-04'.

SAM009 was skillfully mastered by Artefacts Mastering, Berlin.

Words: Clare Molloy

AOKI takamasa 'Monad IX' [SAM009]

シーズナルカラー

Aoki Takamasa-hope

Aoki Takamasa & Tujiko Noriko - Doki Doki Last Night

メロウ・サマー

with RV8, the osaka-based producer and musician AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. it began with his first ep ‚rhythm variations‘ in 2009, released as part three of the unun-series. besides his collaboration with raster-noton, he released records on several labels like commmons, progressive form and op.disc, produced remixes for well-known musicians like ryuichi sakamoto or yoshihiro hanno and played performances at, for example, elektra/montreal and club transmediale/ berlin, all in all making him a renowned producer in japan and beyond.

starting with a firework of bleeps and bops, already the very first minutes of his new record reveal aoki‘s preference for vibrating beats and likewise his playful approach to music, generating a sound that is aiming at the dance floor.

like the first ones, almost all tracks of the record are characterized by a constant modulation of chords and lines that sometimes appears somehow hyperactive, but nevertheless results in a natural flow that perfectly reflects AOKI‘s laid-back attitude combined with his will to produce danceable and funky music.

the fluent arrangement is only interrupted by the third track which forms a caesura by being more reduced and slower. in contrast to this, the following tracks present a faster tempo and an increased intensity; and whereas the first tracks reflect downbeat and r‘n‘b influences due to their broken beats and chunky sound, the later songs are characterized by a more sleek and technoid style, incorporating dribbling basses, clappy sounding snares and modulated voice snippets.

although all of the musical components are constantly broken down, modulated, and rearranged, the overall sound of the record is dense and compact, featuring a groove made up of numerous elements that are complexly intertwined. the eight tracks of the record fit seamlessly together and create a composition that nearly functions like a dj set.

the album was mastered by yoshinori sunahara. needless to say that RV8 will be released as cd and lp.

rei harakami in "News Beat" 26-jan-2006

tc_Q

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