Name: End of an Era by Tea R. Sea in Bold Explorations of Uncharted Space, Vol. 13
Duration: 4 min 20 s
Description: I suppose this track is like a sequel to 2 earlier heavier rock-leaning tracks I've made -- Trials and Tribulations and Weight of History. Both were channeling anxieties about US elections. This one is celebrating the outcome but acknowledging we are not quite out of the darkness yet despite a light at the end of the tunnel!

creative track man, it's like a new wave song with a storm of synths. Distinctive and catchy

Wow! I really like the dark undertones of your synth work! I really enjoyed listening to this awesome track -- take care :)

@believethehype262: Thanks for listening, cheers!

this right here is what i call heat brooo

Bold Explorations of Uncharted Space, Vol. 13

Uncertain figure

Pierre Bordetti productions (c) 07/2020.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Des paroles simples mais chantées avec le coeur 

Un air dans la tête

eh J'voudrais que tu saches que je t'aime encore,
et que je viens prendre sur moi tous les torts,
revivre ensemble les souvenirs des jours heureux,
quand venait l'été, ce ciel bleu dans tes yeux,

Dis-moi que tu penses encore à moi,
Dis-moi que ton coeur n'est pas fait qu'en bois,

avant que l'hiver ne frappe à ma porte,
viens me retrouver, je suis toujours près du port,

j'espère être encore dans tes pensées,
et que je ne me fais pas trop d'idées,
pas trop d'idées,
des idées ...

Je t'attendrais jusqu'à la fin des temps,
revoir ton visage, ton sourire si éclatant,

Simple words but sung with the heart

An air in the head

I would like you to know that I still love you,
and that I come to take upon myself all the wrongs,
relive memories of happy days together,
when summer came, that blue sky in your eyes,

Tell me that you still think of me,
Tell me that your heart is not only made of wood,

before winter knocks on my door,
come find me, I'm still near the port,

I hope to be still in your thoughts,
and I don't have too many ideas,
not too many ideas,
ideas ...

I'll wait for you until the end of time,
see your face again, your smile so bright,

Un Air dans la Tête

Crash

<<a breakup song>>

You can read me like a book
You can play me like a song
the one that you turned to 
When things went wrong

The angel on your shoulder
The hero looking over
I’m feeling so much older
And the world seems colder 

your words are a circle
Drawn in the sand
There is no beginning
There is no end

Like wandering the desert
40 days and nights together
I don’t work well under pressure
Can’t find the answer

You can take it like how you want it but I still want to be your friend
Your savior ain’t beside you so unless you look inside you
We’re out here alone
We’ve got to save our own skin

We get up when we’re down
Now were lost, we’ll be found
We go out on the town until the morning comes

We’re a little bit older, you’re a little more sober, I’m a little hungover
When the daylight comes 


life is beautiful
Life is a scream
But here comes the heartache 
that dashes your dream
 
there’s a devil on your shoulder
a shadow falling over
your feel so much colder
The world seems so older

When The Daylight Comes

When I
Was young
I thought
My 
Love
Could overcome
Your pain,
And maybe I could change your mind.
Not this time.

So I
Defined my worth
By how
Hard
You shoved me to the dirt,
And I
Still carry that in mind,
So I'll know better next time.

All I really wanted was your protection.
The way you beat me down was ironic perfection.

Taught me to be afraid.
Lived in fear every day.
Bet you want me to hide away,
Well I won't, I won't.

Hey man, look what you made.
Too bad you didn't get your way.
Then I wouldn't be here today
Calling, calling you out.

I've spent
My whole life
Chasing
Love
With lies,
Desperate
To fill the void you left behind.
Still I try.

Now I
Realize
That we're
The
Same, you and I.
We're both
Terrified of what's inside.
It's getting harder to hide.

We're all capable of the gravest oppression,
And 'til we can admit it, there'll be no progression.

So I self-medicate,
Isolate more every day.
Empathy gets chipped away,
'Cause I can't take it.

Hey man, look what we made,
Altars to greed and hate.
Programmed to regurgitate
And over-stimulate.

Mother we set ablaze,
Father has turned his gaze.
Now we're all fuckin' corporate slaves,
So mindless, we're digging our own graves.

From HinT - "This song had a very long gestation period. For a while we weren't sure that it would ever see the light of day. It first appeared as a live video on our Facebook page, which still remains in our video section as a demo. After a lot of procrastinating, we sent some stems to Russ, who in turn sent those pieces to D. D. Danahy. And that's when everything turned around. D. D. Danahy added synth and bass. But most importantly, he breathed new life into the song, made it a cohesive thing, and gave it a brand new heading that inspired us all, and helped us see it through to its fruition. Reinvigorated by D3's contributions, we decided to add lyrics and vocals. Russ approached bitzone on our behalf to add drums, which was an altogether excellent choice. Russ then worked tirelessly and meticulously to mix and blend every piece together into the final product. And now, finally, we're here. With our deepest thanks and gratitude to everyone involved."

From Russ - Thanks to Honor in Treason for allowing me to post this to my music profile, please support them on Bandcamp, see link. Thanks to 3D and bitzone for joining in and making something we can truly be proud of. 

Arranged Mixed and Mastered by Russ at Chaos Cookhouse Cambridge UK

The Single

Buy on Bandcamp

20/20 By Honor in Treason Feat. D. D. Danahy & bitzone

This year I did not go on vacation. I was only 15 days at home. Fortunately there is a pool here ...

That has allowed me to listen to a lot of music and also compose more than usual.

Experimenting with FM Player 2 I found a sound that I made a chord with. The sound developed very quickly, which is unusual for me.

Imagine the incredible voice of Nathalie B20 as the song was built, but I had not proposed any collaboration.

When it was almost finished and I proposed it to her, she accepted the collaboration, which represented a double challenge for me. Mentally imagine how Nathalie would treat the song and what we could get out of it. The result is what you see here: I could not have found a better collaboration in this case.

That is why I want to thank you for the opportunity you have given me, your magnificent contribution and the patience you have shown with me.

Thank you very much Nat

Link to hear more about Nathalie B20

https://soundcloud.com/nathalie-b20/popular-tracks

Composed in August 2020
Edited in September 2020

Edited in Music Studio 2
Art cover: Nathalie B20

Native Music Studio Instruments
KV 331 instruments
Synthmaster One Instruments

Waiting for you (Ft Nathalie B20)

A modern hybrid soundtrack composition with English lyrics featuring a powerful and energetic vocal performance courtesy of Audentity Records (Official license).

Please watch the 4K Youtube video story: https://youtu.be/xsyZQVHvbKA
Spotify Playlist: https://open.spotify.com/playlist/08YGQVTwWgP63WAovIYOvY

Arranged and produced by Peter Heckmann for Rose Records and Publishing in 2020.

Album cover photo by korabkova
Photos licensed through Envato (elements.envato.com)

Mixed and mastered by Peter Heckmann. 

Lyrics: LIARS (courtesy of Audentity Records)
I’m a lion
Free from the cage full of liars
All they gonna say is I won’t make it
I’m sorry that you feel that way
I’m a champion no I ain’t afraid to take a hit babe
Put it in my face
You can hate me
I’m sorry that you feel that way

I’m sorry that you feel that way
Like I care
Like I’m here to bring you down
Like the air that I’m breathing won’t be around
Oh I’m sorry did you feel that …
I’m sorry that you feel that way !

Liars

FREE DL at Bandcamp

Written and recorded 30th September, 2020

Artwork based on a photograph by Christian Sterk
https://unsplash.com/@christiansterk
Used under Creative Commons license

All my life
I've tried to hide
All my pain
Held inside

Teardrops well
Emotions rise
Fall like rain
From my eyes

Been so long
Since I cried
I'm set free
I've said goodbye

Fall Like Rain

Well the hand Maiden to the Dark Queen has turned in her broom for a Ray Gun!!
Stay Tuned!!

This psych ambient piece with a bit whimsy was co written and engineered by my friend XITB  R always finds something interesting and new to bring to the table. 
For more Amazing music see XITB@0pentrax

Maidens Sorrow   Gina & XITB

This a collaboration with the great TexMex Shaman. It has awesome guitars, 808 bass and spooky lyrics. Perfect for a Halloween 2020 release. I mixed and produced this one, even got to play some Les Paul, and TexMex Shaman added the unmistakable lead guitar. His solo/breakdown in the middle still gives me goose bumps! Enjoy!

Satanic Pop Rocks

2015

Pacific 270 - Experimental

I suppose this track is like a sequel to 2 earlier heavier rock-leaning tracks I've made -- Trials and Tribulations and Weight of History. Both were channeling anxieties about US elections. This one is celebrating the outcome but acknowledging we are not quite out of the darkness yet despite a light at the end of the tunnel!

End of an Era

この曲は、後三年の役（Gosannen War)を題材にしました。

前九年の役（Role of the last nine years）を題材にしました（焔散り故に北天は染まり)の続編になります。

今年最後のアップロードです。（This is the last upload of the year）

一部演奏をアレンジしました。（Arranged some performances.)

相剋と埋み火 （演奏）

>music, vocal arrangement, mix, master: The Magnetic Dog Sisters soundcloud.com/themagneticdogsisters
based on their instrumental Factory Custom
https://soundcloud.com/themagneticdogsisters/factory-custom

>lyrics, vocal performance: Mariam Zohra D : Myrh

>many thanks to Belial Pelegrim for the wonderful cover design soundcloud.com/belial-pelegrim

FACTORY CUSTOM lyrics
no way, cause I know what you say
no way, babe I know what you say
what you said
‘its broken’
what you said
‘the way that we live’
no way! cause i know what you say!
we’ve got to change
we’ve got to!
the way that we live
we’ve got to!
the way that we live

we’ve got to change

no way! cause I know what you said
no way! baby I know what you said
we’ve got to change
we’ve got to
the way that we live
we’ve got to
the way that we live
the way that we live

we’ve got to change
change!
change!

change!
we’ve got to change!
every single! gosh darn! every single thing now!

we’ve got to change.

change!
we’ve got to change!
every single! gosh darn! every single thing now!

we’ve got to change.
we’ve got to change.
we’ve got to change.
Hey!!!?

Bandcamp

Factory Custom | Myrh & The Magnetic Dog Sisters

Recorded a while back with an Epiphone SG, DIY Dwarf Destroyer clone pedal and a second fuzz I wired up incorrectly giving interesting analog synth like results as the knobs were turned.

Minas

On this page you'll find music from me as well as the collaborative SoundCloud band, The Smoking Trout.

Genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. I make tracks primarily with Cubasis and Korg Gadget (iOS); Ableton Live; Korg and Moog softsynths, Volca Drum, Minilogue XD, Arturia Microfreak, Arturia Pigments, and the FabFilter Pro suite of effects and production tools.

My sound has been inspired by Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Pink Floyd, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Modest Mouse, Tool, Zeppelin, Sabbath, Hendrix, the Books, and too many others to list here.

Hope you will check out some of my collaborators:

@user-911083679 - STONERJAZZ
@user-455619833 - Uziel
@texmex-shaman
@sonic-textures
@grevusanjl
@enigmacurry
@mralchemy
@blackmarketbrains
@dough-factory
@winkandwoo
@jerome-hearn-994307260
@dubman-9
@archmageband2
@tot-beat
@ipg1
@zed4209819
@lala-land-361191160 - E.P. Beats
@llanpsych
@ruizzoidman21centurions
@Ladyofire
@josh-clary-1 Entheogenic Psychonaught
@themysteriousdecibel 
@k2andthe3
@cerulean_ascent
@nic_nic_nic
@nadiaselvaggi
@chefboyextreme
@scilentsymphony
@azealotrous
@noxpox13 
@pablomoretti
@prof-oddfellow - Neons Gone a Mad
GMO / Green Mercurial Owl 

Thanks so much for stopping by and listening!

In the distant Subert Humlin, Gory Rallagher, Sank Frinatra, and Dats Fomino Galaxies, Her Majesty's Royal Intergalactic Empire is under siege by the sinister Khazargonians and their elite squads of shock troopers- the Jearl Pamians and Goundsardenians. Her Majesty has commissioned an elite force led by her three of Her Majesty's Space Navy's finest officers with several primary objectives, chief among them was the following directive: to combine the great tones of surf and fifties rock... with disco!
These elite officers are:  Admiral Krank of the SS Belgrade (Guitar, bass, beats, intergalactic espionage and assassination by exploding cigars); and Captain Mirth of the SS Zagreb- (Guitar, piano, synth, beats, and advanced thermal detonation). And our very own clockwork man on the drums, Mo Sheen (https://soundcloud.com/user-424452711).  Unfortunately, despite bravely serving Her Majesty's Space Navy, Vice Commandant Dubois has been court martialed and convicted for conduct not befitting an officer and counterfeiting baseball cards, stripped of his command of the SS Budapest, and dishonorably discharged from Her Majesty's Space Navy, though certain recordings of his guitar, synth, bass, beats, and forward deployable laser blasters remain here memorialized for posterity. Let it be known that though he has sunk to the very depths of ignominy, we wish him well in his new venture, the Spandex Spanktroverse.

End of an Era

Tea R. Sea

Recent comments

Three Photons

xplore

Tea R. Sea

Shade Structure

Related tracks