Name: Music is the Way - Scilent Symphony & tea are sea by Tea R. Sea
Duration: 3 min 32 s
Description: @ScilentSymphony produced most of the elements of this track, including the awesome vocal work. I did some final-touch mixing and percussion and then added the main melodic synth line that weaves throughout.

This is something! Very original sound designs and vocal parts. Great team up!

Excellent voices and voicemanipulation, very creative  melodic reverse sounds

so brilliant this track you made here, i dont prefer you working with SS over anyone of the other artists, but u know what i mean, right?

funny thing, i started like 1 week ago diving into subnautica, this brings this song into a complete different level, right now, in the moment

VYBE

RELEASE NOTES

A collaborative jam featuring Stonerjazz (@user-911083679) on vocals,
Turab Khan (@turab-khan) on guitar, Zanshin 残真 (@soundsofthekosmos) on
drums & Teth Sin (@teth-sin) on guitars, bass & vocals.
This collaboration started back in 2020. Myrh (@myrhyum) suggested Teth
Sin to track a guitar part on "Mazdoor Funk (loop jam with Raza)" -
Original track by Turab Khan:
https://soundcloud.com/turab-khan/chichora-23. The project was then left
aside for various logistical and technical reasons.
A couple of years later Zanshin 残真 sent Teth Sin a sample of his cool
street drumming, which was synced to Turab Khan's jam. Teth Sin, at that
point, decided to cut out the bass and drums from the original piece,
leaving only Turab Khan's guitar. Then he chopped up his guitar solo and
redistributed it across various tracks. He also added a new bass line,
which helped vary the structure of the song.
In late 2023 Teth Sin asked Stonerjazz to kindly add lyrics and vocals.
He mixed and mastered the song, and the result is this enjoyable
funk-rock jam, featuring a sample of Stonerjazz's exquisite
post-beat/psychedelic poetry.
Please note that every element was recorded in a different continent:
drums in Australia, some guitar in Pakistan, other guitars in Tunisia,
bass in Italy, vocals in the USA. Still this virtual jam sounds so
cohesive, despite a world that seems to be increasingly fragmented and
disjointed. At the end of the day, we should always remember that we all
revolve around That Giant Ball Of Burning Gas...

LYRICS by Stonerjazz:

Just out here in the middle of the void,
spinning fast around a giant ball of burning gas
that's hurdling thru the deepest darkest space.
Meteors and comets are zooming by at breakneck pace
The situation seems to be a little bit precarious,
some might even say Nefarious,
how can it be that tragedy can sometimes  almost  be  hilarious.
Stupidity it seems to be the order of the day.
But here we are and here we go onward out,
like warriors without a clue,
and everyone will play their part,
of this i'm sure, i know it's true.

That Giant Ball Of Burning Gas - Feat Teth Sin, Turab Khan, Zanshin 残真

EXIT

Cast of Characters:
~Mark F-- @mark_fosella -- bass guitar, composition

Llanpsych -- @llanpsych -- Tez – guitar

cgmaness-- @user-419254289-15129531 – Chris – guitar

TexMex Shaman–@texmex-shaman –Stephen–  production, and mix

J.J. Terrell–@j-j-terrell –electric piano, organ, and synth

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-electric madolin

This song originated with Mark creating a bass line to a metronome, and sharing it with Ken. Ken immediately added his driving drums, and invited the rest of the EC to join in. JJ was first up, laying in his foundational organ, and e. piano magic in the first half, and the cosmic synth melody in the second part. Batting second was me, who established the melody in the first half with my electric mandolin, and mirrored the melody in the second half with the same. Next came Tez, who laid in the funky guitar right after the first break, all the way to the end. Batting clean up was Chris, who laid in the psych guitar in the first section, as well as the high guitar part in the second movement. Of course, we needed an expert producer to mix this for us, so we turned to Stephen, who always gets it exactly to everyone's specifications. That in and of itself is quite a skill, and I don't know how he does it, but everyone is always satisfied with his work.
  This is the second song we've done with Mark, who is a tremendously talented bass player, and delightfully creative songwriter. If you aren't familiar with his work, do yourself a favor and hop on over to his page for some delicious bass music. We hope you enjoy listening to this song as much as we enjoyed making it.

The Adventures of Stefan Ortèz (The Eclectic Collective with Mark F)

Annealing

access denied

Access Denied

Recorded in Modesto, Ca. Frans Beelaard. Special Guest, Sergio Parraga Congas (Spain). Featuring Gibson 335 Electric Guitar solo. Trumpet solo. Alto Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Gibson SG Electric Guitar Rhythm. Horn Section, Alto, Tenor Baritone Saxophones. Trap drum full kit. Percussion Ago go Bells, Tambourine, Cowbell, Zildjan 22" ride & Crash cymbal.

Cannery Row

Mushrooming

InSpace Now

Inspace Now (Mastered by MPRecords)

Joyeux Anniversaire. Erik Satie was born on this date May 17 in 1866.

In 1887 when he was 21, and before before his famous Gymnopodies and Gnossiennes had been completed, Erik Satie composed this third Sarabande as one of three he wrote for piano. At the time he was an impoverished conservatory dropout making his living as a piano player in bohemian taverns and cabarets like Le Chat Noir. The Sarabandes were not published until 1911 with the support of Ravel who also introduced and performed the second Sarabande in concert in 1911. Here i've arranged the thrid Sarabande for 2 guitars doubled. Hope you enjoy the mystery and captivating harmony that attracted me to it.

Erik Satie Third Sarabande

The line "smoking cigarettes with god" came from a Adam Madgecki-Janicki
poem that we collaborated on long ago__

Johnny Stole the matches

mother mother may I have another moment in the brilliant light
sister bother seeking renovation
in an nation with an ugly reputation-
but never meeting in the middle
and craters morphing into something more connected,
lovers haters closely followed by the wind
that wanders all about
while we shout
We didn't know the difference
and we didn't till much later
when the blooms had all fallen from the Bush--

And I was standing at the crossroads
smoking cigarettes with god
while she was telling jokes about the devil-
momma said don't play with fire
Johnny Stole the matches just to spite her
that little shit
he set the house on fire-

always hope to give a final gesture of concern
That's not to much to ask-
all things being equal as they are, how far we must have traveled when we wagered on a winner and free dinner and other things
that sings about a history told by a boneless prophet
in a moment of reprisal on the holy desert
about a girly whirly swirly apparition-

Will you tell me if you know the truth about the candle in the window
and why it's Lit? 
and the where abouts of the lighter
was he fighter in the Revolution
When the guillotine was king=

it didn't matter to the mother
she was not appeased
and the dreadful weather it continued 
with no abbatement
they should of left it but they didn't being human as they are
but it didn't change the nature of the crisis-

The silent witness, unafraid, standing on the corner in the Rain
 finally had a reason to recite the dictum of the ages-
burning pages after pages
as she read them in a rage---

Johnny Stole the Matches

@ScilentSymphony produced most of the elements of this track, including the awesome vocal work. I did some final-touch mixing and percussion and then added the main melodic synth line that weaves throughout.

Music is the Way - Scilent Symphony & tea are sea

On this page you'll find music from me as well as the collaborative SoundCloud band, The Smoking Trout.

Genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. I make tracks primarily with Cubasis and Korg Gadget (iOS); Ableton Live; Korg and Moog softsynths, Volca Drum, Minilogue XD, Arturia Microfreak, Arturia Pigments, and the FabFilter Pro suite of effects and production tools.

The art featured as the background image on my main profile page here is by KEVLARD666 (www.instagram.com/kevlard666/) @ikelion666 and will be the cover of my 2024 album, to be released soon: Digital Molasses 

My sound has been inspired by Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Pink Floyd, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Modest Mouse, Tool, Zeppelin, Sabbath, Hendrix, the Books, and too many others to list here.

Hope you will check out some of my collaborators:

@user-911083679 - STONERJAZZ
@user-455619833 - Uziel
@texmex-shaman
@sonic-textures
@grevusanjl
@enigmacurry
@mralchemy
@blackmarketbrains
@dough-factory
@winkandwoo
@jerome-hearn-994307260
@dubman-9
@archmageband2
@tot-beat
@ipg1
@zed4209819
@lala-land-361191160 - E.P. Beats
@llanpsych
@ruizzoidman21centurions
@Ladyofire
@josh-clary-1 Entheogenic Psychonaught
@themysteriousdecibel 
@k2andthe3
@cerulean_ascent
@nic_nic_nic
@nadiaselvaggi
@chefboyextreme
@scilentsymphony
@azealotrous
@noxpox13 
@pablomoretti
@prof-oddfellow - Neons Gone a Mad
GMO / Green Mercurial Owl 

Thanks so much for stopping by and listening!

Music is the Way - Scilent Symphony & tea are sea

Tea R. Sea

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