The Upload

eden

DARK I M P A C T - AMA Cinematic Trap-Hip-Hop Mix 🔥 🎧 👋 ☺

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Created Arranged Produced by 
AMA - Alex Music Art - Alex Magic Art Productions 
2020 All rights reserved.

DARK I M P A C T

Keith was dabbling with a small keyboard. A little melody flowed.  It all flowed from there. Sometimes the simple beginnings inspire some deep thoughts. Choices always intrigue me - variations on the theme of "should I stay or should I go?" How do you weigh that decision in a relationship? The answer is in the title - when you come to the uncomfortable awareness that there is nothing special to keep you, so Nothing Special is left behind.

Nothing Special (left Behind) 

    1. In the middle of the night I slip away
    At the crack of dawn I'm gone 
    The pain inside me grows, 
    Until I have no more
    Never, never gonna see me coming' back
    Never, never, gonna see me begging' to come home—(aaaaaaah)

    2. I can only stand the thought I hold 
    When i let it go
    When I can't feel it anymore, 
    Time has made me whole
    Never, never gonna see me coming' back
    Never, never, gonna see me begging' to come home—(aaaaaah)
    (CHORUS)
    Oooooh…nothing special left behind
    Oooooh…nothing special left behind
    Oooooh…nothing special left behind
    Nothing special, nothing special, nothing special left behind
    (INSTRUMENTAL)
    (CHORUS x2)

    Wigmore: verse lyrics, lead/harmony vocals, synths, drums, production
    Allen:        chorus lyrics, guitars, bass, lead and harmony vocals

free D/L from www.terrywigmore.com

Nothing Special

Nothing Special (Left Behind)

This year I did not go on vacation. I was only 15 days at home. Fortunately there is a pool here ...

That has allowed me to listen to a lot of music and also compose more than usual.

Experimenting with FM Player 2 I found a sound that I made a chord with. The sound developed very quickly, which is unusual for me.

Imagine the incredible voice of Nathalie B20 as the song was built, but I had not proposed any collaboration.

When it was almost finished and I proposed it to her, she accepted the collaboration, which represented a double challenge for me. Mentally imagine how Nathalie would treat the song and what we could get out of it. The result is what you see here: I could not have found a better collaboration in this case.

That is why I want to thank you for the opportunity you have given me, your magnificent contribution and the patience you have shown with me.

Thank you very much Nat

Link to hear more about Nathalie B20

https://soundcloud.com/nathalie-b20/popular-tracks

Composed in August 2020
Edited in September 2020

Edited in Music Studio 2
Art cover: Nathalie B20

Native Music Studio Instruments
KV 331 instruments
Synthmaster One Instruments

Waiting for you (Ft Nathalie B20)

There is always another side.


Art by Stefan Keller

Dark One

on the other side

...music for all autumn lovers 🧡

#piano by Lena Molfa 🎹

Autumn's Whisper of Forest

Written by Lead belly
Guitar, Mandolin, Banjo, Bass- Josh McAlexander

Cotton Fields

SolipSystemic

Love it

I'm just having fun!
Hope you enjoying too!
Thanks for listening.

The Rock Show

2 scratched up  - [soundboard tinkerers - original]
music - soundboard tinkerers 2008
lyrics and vocals - johns of soundboard tinkerers 2008-2020
produced by soundboard tinkerers sept 2020

2 scratched up

I contributed the drums/percussion as well as some of the synth and melodic accompaniment on the verses. @Azealotrous did most of the heavy lifting on the majority of tonal elements throughout. Once again the cover art was also collaborative concept.

Spatial Awareness - Azealotrous & Tea Are Sea

A cover (okay, let's call it a "remake") of the fabulous late-70s "E la luna bussò" by Loredana Berté. I used to play this one with a band a few years ago, and I immediately fell in love with the lyrics.

Obviously I have maneuvered myself out of the comfort zone once more --- apart from the usual walks on very thin ice with singing and trying to get meaningful notes out of a guitar, this time it is about Reggae and strings programming (both things that I have tried to avoid so far in my musical life). Anyway, if you think that violins and cellos do not fit to Reggae: yes, you are right.

Special thanks to Tyler Cressman for having proof-read the lyrics translation!

And the moon knock-knocked on the gloomy gates of darkness
"Come on let me in!" -- but they replied "no!"
So the moon went knockin' on the place where there was silence
But a rude voice yelled: "You're late and time's already up"
So the moon left the windows open and she went to find and see

To find and do something for the time being
After having shed some tears
About another "no", about some other "no"
From the ocean (you're nothing but a pond, man!)

And the moon knock-knocked on shaded glasses
But the look behind them didn't notice her
So the moon went and tried "knock-knock-knock-knock-knock" on a pool party
"Strictly members only, no exception for moons!"
So she rolled over champagne and caviar and she went to find and see

To find and do something for the time being
After having shed some tears
About another "no", about some other "no"
From a waiter
Oh no

But then down there, almost by chance
Closer to the sidewalk, where what you see is real
But then down there, where no moon needs to knock
Between the lashes of a child, to let him fall asleep
And then down there, between tatters, tears and love
Where luck is luxury: there we need you, moon!
And yes down there, almost by chance
Closer to the sidewalk, where what you see is real
Between the lashes of a child, to let him fall asleep
Between tatters, tears and rags, to let us fall in love:
there we need you, moon!

(ad libs)
Sidewalk boogie
(more ad libs)

And The Moon Knock-Knocked

New album Audio/Visual is now available exclusively on SC and BandCamp, featuring my favorite tracks from 2024-25. Soon to be released more widely to Spotify and other platforms.

My genre influences include electronic, downtempo, lofi, experimental, rock, blues, indie, prog, post rock, ambient, synthwave, trip hop, and hip hop. 

My recent tunes are produced using Ableton Live, FabFilter suite plugins, and often feature synths like Pigments, Microfreak, and Minilogue XD. I'm also beginning to incorporate guitar a lot more!
 
Some of my major artist influences include Aphex Twin, Boards of Canada, DJ Shadow, Radiohead, LCD Soundsystem, the Flaming Lips, Tame Impala, M83, Godspeed you Black Emperor!, Mogwai, Animal Collective, Nicolas Jaar, Dirty Projectors, Massive Attack, Björk, Dan the Automator, Del, the Gorillaz, Reggie Watts, Ween, Neon Indian, Tycho, Ott, Shpongle, Danger Mouse, Built to Spill, Yo La Tengo, Velvet Underground, My Bloody Valentine, Pink Floyd, Modest Mouse, the Books, and too many others to list here.

I write music to encourage, inspire and uplift with a message of hope that lives in the truth. I share my life through music and I share how Jesus is in the mix. Thanks to all those that support the music.

SolipSystemic

Tea R. Sea

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