Name: Tearjerker - Sometimes (My Bloody Valentine) by Tearjerker in walls of noises are fun
Duration: 7 min 2 s
Description: Cover of My Bloody Valentine - Sometimes.

walls of noises are fun

A Shoegaze renaissance classic, first time on vinyl.

The shoegaze renaissance classic The Millia Pink And Green EP by Sway has influenced many a modern musician, shoegazer and non-shoegazer alike. Now, Saint Marie Records gives it the long awaited vinyl treatment. The record now weighs a bit more, thanks to the bonus track ‘Channel’ and its 180gm Coke bottle green transparent vinyl.

Sway began making noise in 1999, in Ventura, California. At the time, they were a four-piece garage rock outfit consisting of Andrew Saks, Amber Carlson, Seth Eubanks, and Vince Alatorre, playing shows and confusing audiences up and down the West Coast with its blurry wall of sound. They’re most known for the shoegaze renaissance classic The Millia Pink And Green EP released in 2003.

Andrew’s songwriting and sonic ideals are deeply rooted in the music he was surrounded by while coming of age: late ‘70s and ‘80s pop music.  Falling asleep nightly while listening to 1980s pop and R&B, and then waking up late at night in a dark dreamlike haze with New Order, Swing Out Sister, Talking Heads, Pet Shop Boys, Lisa Lisa and Cult Jam whispering through his Walkman’s headphones, the sonic memory of such experiences keep Sway from ever giving itself over fully to the traditional shoegaze elements. The quest to recreate these musical properties is what later led Sway to embrace and be further influenced by the blissful textures of dreampop visionaries such as The Cocteau Twins, Medicine, and My Bloody Valentine.

In 2011, This Was Tomorrow was released by Saint Marie Records.  It was Sway’s first full-length release and its last.

SIDE A
Fall
Sounds Like Everyone
Sullust

SIDE B
Ever and Ever
Opentillate
Channel (Bonus Track)

Sway - Fall

Written and recorded Winter 2012 - Summer 2014 by Paul Kintzing. 

Paul Kintzing- words, instruments, singing 

Joined by:
Matthew Sigur - guitar, singing 
Max Wilson - cornet, singing 
Joe Ford - cornet 
Madeleine Hicks - singing

Mixed and mastered by Paul Kintzing.
Photograph of Paul by Paul's Mom.
Inner photograph by Paul Kintzing.
Design, Layout, and Type by Ryan McCardle.

© 2014 Furious Hooves
℗ 2014 German Error Message

German Error Message - A Held Breath

Should Have Known [INSTRUMENTAL]

dread

video: https://www.youtube.com/watch?v=W2G8eMrJDdI

saw there was a light

Slowdive - Alison

DIIV - Corvalis

All instruments written and recorded by Nathan Guzman

Amour Fou

I sometimes have the comment that the title is extremely bleak and pessimistic or psychopathic even. I assume some interpret to say 'love doesn't exist'.
Can give a description, bearing in mind i wrote the song and title when i was 15:
-i was into stuff like the 'mood machine' in phillip k dick, eternal sunshine of a spotless mind, and some rudimentary interpretation of Jean Baudrillard: simulation and hyperreality....possibly seeping through some Brave New World and Situationism i may read after the fact.
-its anti capitalist/situationist, but really its a science fiction thought experiment. Some say it would be fine if corporations simply considered love for their fellow human. That ends in a dystopia, a simulation, a point where you just buy experiences you've missed...why? because they are still corporations, love must be self-determined and real. Corporations advertising their positive ethics selectively is manipulation. Corporations commodifying positive experiences, under our acceptance that it might be 'enriching' is totalitarianism, Love as difference, a measure of intensity, is narcissistic desire and solipsism only.

LOVE IS A COMPANY OBJECTIVE

You'll Never Get To Heaven - Images 
2016

Exquisite Tension

From Album "The Glow Pt.2" (epcd 100)
April 15th 2017 on sale

日本限定再CD化（海外CD発売予定なし）
解説、歌詞・対訳付き

more info : 7ep.net/item/epcd100/

Tearjerker - Sometimes (My Bloody Valentine)

Tearjerker

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