Antares - LIVE on The Underground Lair - The Swamp Session 1.11.2025

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Lynx drops ‘Vault 4’, a milestone release marking fifteen years of Detail Recordings, and tucked inside is something truly special. ‘PTO’, his collaboration with the late Marcus Intalex, finally sees the light after being written back in 2009 during a Manchester studio link up while Lynx was planning his Soul:R album launch.

The pair joked at the time that the tune felt a bit plain, which inspired the title, but hearing it now, it feels beautifully aged and full of character. With the blessing of Marcus’s mum, Pat, ‘PTO’ lands as one of the most meaningful moments on the entire project.

‘Vault 4’ gathers unreleased work from across two decades, rebuilt and remastered for today’s Drum & Bass heads, with extra appearances from Bagshot, Radzta and CutKeyLow.

A heavyweight tribute and a slice of history. Hit play.

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👉 Data Transmission
Spotify: bit.ly/3TexYS8
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👉 Lynx
@lynxdnb
www.facebook.com/lynxdnb
www.instagram.com/lynxdnb/

👉 Marcus Intalex (RIP)
https://soundcloud.com/marcusintalex
https://soundcloud.com/mimf
https://www.facebook.com/marcusintalex

👉 Detail Recordings
@detailrecordings
facebook.com/detailrecordings
www.instagram.com/detailrecordings/


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Lynx ft Marcus Intalex 'PTO' [Detail Recordings] *PREMIERE*

Sleepdrive 2 A.M.

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Cue:Rated Show #014 w/ Pathogen & LNO - 27/11/2025

OA318: Primal Tribes - Sleep Paralysis EP

For our final release of 2025, Primal Tribes descends into a fever-dream realm on the Sleep Paralysis EP, a five-track plunge into atmospheric DNB pressure steeped in shadow. Along with features from Redlum and Elizar Mel, rolling drums and sparse arrangements evoke tension and unease, mirroring the EP’s central vision of a waking nightmare.

Out Dec 5th.

1. Primal Tribes - Beneath The Grim Dream
2. Primal Tribes - Whispering Silence Crawls On Me
3. Primal Tribes - Kanashibari
4. Primal Tribes & Redlum - Void Figures (Elizar Mel Remix)
5. Primal Tribes & Redlum - Irritatingly Crooked (Primal Tribes Shadow Grasp VIP)

Artwork by Seth Grym 
Mastered by Red Army

Follow Primal Tribes: https://soundcloud.com/primaltribes

Primal Tribes - Beneath The Grim Dream

https://vtorecords.bandcamp.com/
https://www.beatport.com/label/vto-records/93186?srsltid=AfmBOoqL8MX3Z4f7jhuSZ6xaxhiiFPWMsz-yacXMRxU8xU8rNxd67hjs
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{Premiere} TRCD - The Vortex (VTO Records)

Live set by @offishmusic recorded live at Club Gretchen, Berlin at @deviatemate event.

Tracklist:
Pete Cannon & Swankout - Vibes Inside
Red Army - Hemlock
Tarek - Odderon
Gred Lvov & Offish - Primal Instinct
Forgiven Soul - Northern Lights
Smyla - Blanka
Technical Itch - Daughters of the Night
Art Cuebik - Ease Up (Offish Rollout VIP)
Rawbreaker & Offish - Crash And Burn [UNRELEASED]
Mean Teeth - Nine Lives (Agressor Bunx Remix)
Offish - Proxy [UNRELEASED]
Kano & Flame - Swarm (Katharsys Remix)
Aikanã - The Beast (Parasite Remix)
Buunshin - Sterven
Anku - Primal (Offish Techstep Mix)
Rawbreaker & Offish - T-Virus
Ainonow - Break It (Homemade Weapons Remix)
Offish - Poachers (The Faraday Remix)
Akinsa - Release Me
Bizzy B - Hear This
Dom & Roland - Just Loop It
Fierce & Zero T - See Through
Break - Sonic Storm
Phobia - Creep
Red Army - Double Dragon
Offish & Attempt - Signal Jammer
Rawbreaker & Forgiven Soul - The Dare
Limewax - Straightest Heath
Machine Code - Flintlock
Kublai & Minor Forms - Future Motion
Champa B - Torment
Rawbreaker & dreadmaul - All Colors
Rez - Guthma's Revenge (Tribal Warfare Mix)
Ahmad & Acid Lab - The Gavel (Ahmad Remix)
Forgiven Soul & The Faraday - Cold Fusion
Red Army - Yergacheffe VIP
Gred Lvov - Anger (Offish Remix)
Quadrant & Iris, Dummy - Super Six
Forgiven Soul - Mindkiller (Offish VIP)
Akinsa - Mayantu
Rawbreaker & Gred Lvov - Shadow Law
Holotype - Stomped Out
Fierce & dBridge - Tyranny
Forbidden Society - Outlaw (S9 Remix)
Neonlight & Hedj - Hammerhead (Nickbee Remix)
Homemade Weapons - Syringe
Offish & Attempt - Rokle
Offish & Forgiven Soul - Logic Gate
Gred Lvov & Offish - Shudder
War - Nadir
TRC2 - Macroscope (Offish VIP)


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Offish live @ Deviate hosted by Sammy B (08.11.2025)

‣ Available here: quartz.bfan.link/interloper

Metalheadz and Quartz present Interloper, a body of work years in the making, and an unfiltered document of evolution, displacement and creative persistence. Originally sparked by an invitation from Goldie in 2018 to deliver multiple releases for the label, the album gradually took on its own identity, absorbing each stage of Quartz’s shifting environments and mindset.

There has always been something quietly disquieting about the music of Quartz, also known as Elliot Garvey. Not in a theatrical sense, but more like a fog that rolls in and never quite lifts. Interloper continues that tension: textured, brooding, and deeply precise. The record doesn’t announce itself; it unfolds slowly, rewarding close attention with meticulous detail and atmosphere.

Garvey’s path has always been unconventional. A Welsh producer uninterested in social media or self-promotion, he has carved out a singular presence within the underground. Respected by veterans and quietly championed by tastemakers, his work sits outside trend or scene. “I’ve always chased that looming tension,” he says. “Something that hits in a way you don’t quite expect.”

Unlike many concept-driven projects, Interloper emerged organically, over years of work alongside his other releases. “I realised I’d been holding onto this idea that albums needed a narrative,” Garvey explains. “Once I let that go, it became a diary, a reflection of refining my craft and finding the music I truly love.”

Sonically, the record resists easy classification. Distorted textures, intricate sound design, and subtle sampling weave through each track, balancing grit and clarity. Despite its variety, a single thread runs throughout: a tension that feels both ominous and euphoric. That restless curiosity defines the album, from the stark propulsion of Ganzfeld to the layered atmospherics of Skeng.

Growing up in Cardiff, far from London’s pirate radio hubs, Garvey developed in isolation, guided by instinct. Record shops were classrooms, and intuition was the only teacher. “I had to work out what hit me,” he recalls. “No tutorials, no shortcuts, just listening and learning.” That independence shaped a sound that is club-ready but unconstrained, detailed yet raw.

The title Interloper reflects Garvey’s position within the culture: present but never fully belonging. It is both an inside joke and a quiet statement, a nod to the artist who exists in the shadows, shaping the scene without demanding its spotlight.

In a world driven by visibility, Garvey’s silence is deliberate. He allows the music to speak for itself, building a reputation on substance over persona. “If I was going to make an impact, it had to be through the strength of the music,” he says.

Interloper stands as both culmination and continuation, intense without theatrics, brooding without ego, and deeply personal while remaining universal. It is a record that lingers, its impact growing long after the final note fades.

“Really, it’s just about doing the work,” Garvey says. “You show up, make something honest, and let it run.” In a landscape obsessed with immediacy, Interloper is quiet defiance, a record that doesn’t ask to be seen, only to be felt. 

Follow Quartz
‣ www.facebook.com/quartzuk
‣ www.twitter.com/elliotquartz
‣ www.instagram.com/quartzmusic
‣ @quartz

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