@dany: montalbano too earky for judjung take your time

'Momentum' is the second single from 'Telegraphic Memory' (FE002) the new album by FAX. 
Coming out 09.17.21 on Facade Electronics.

PRE-ORDER NOW
DIGITAL Via Bandcamp: https://facadelectronics.bandcamp.com/album/telegraphic-memory
LIMITED EDITION VINYL Via Darla: darla.com/products/fax-telegraphic-memory
1. Coral
2. Gravitas
3. Pop
4. Cristal
5. Leaving
6. Canon
7. Magenta
8. Non
9. Rotor
10. Momentum
11. Reconocer

Written, performed and produced by Rubén Alonso Tamayo.
Recorded, edited and mixed at Facsimile Sound. Mexicali, Mexico.
Live drums on 'Rotor' by Arhkota.
Mastered by Anthony Puglisi at Sentrall Sound. Los Angeles, CA.
Artwork by Pablo E. Peña P.
Layout by Fax.

Facade Electronics present the new album from Mexicali based musician and graphic designer Rubén Alonso Tamayo aka FAX. Rubén has been transmitting sounds from over two decades, from minimal techno to expansive soundscapes. FAX has released music on Static Discos (MX), Rottenman Editions (SP), SUPERPANG (IT), Traum (GE), Les Disques Imagination (FR), Schematic and Dragon Eye Recordings (USA). The mexican producer and guitarist is one of the most prolific and constant voices in modern electronic music. His work is distinguished by its rich sound and detailed musicianship throughout a dozen of albums, EP's and remixes. He has worked across music, film, art, contemporary dance and has performed at Mutek (Canada and Mexico), Decibel and Communikey (USA). FAX is also a frequent collaborator with Rancho Shampoo, Rodo Ibarra, Braulio Lam, Murcof, among others. 'Telegraphic Memory' (FE002) is his first full-length studio album on Facade Electronics, it contains eleven tracks of pulsating and emotional electronica, moody landscapes and swirling sound design. 
Edition of 100 180g black vinyl with full-color sleeve and insert with artwork from Pablo E. Peña P. Mastered by Anthony Puglisi at Sentrall Sound, L.A. 
+ 
Facade Electronics presenta el nuevo álbum del músico y diseñador gráfico mexicalense Rubén Alonso Tamayo, conocido como FAX. Rubén ha estado transmitiendo sonidos desde el norte de México hace más de dos décadas; de tecno minimalista a paisajes sonoros expansivos. FAX a editado música en Static Discos (MX), Rottenman Editions (ES), SUPERPANG (IT), Traum (AL), Les Disques Imagination (FR), Schematic y Dragon Eye Recordings (EUA). El prolífico guitarrista y productor mexicano es una de las voces más constantes de la electrónica moderna, su trabajo sonoro se distingue por una detallada producción y musicalidad la cual se aprecia en su amplia discografía que abarca ya más de una decena de álbumes, EP's, singles y remixes. Rubén ha hecho música para cortos y películas independientes, danza contemporána, arte y se ha presentado en importantes escenarios y festivales como Mutek (Canadá y México), Decibel y Communikey (EUA). FAX ha colaborado y trabajado en proyectos conjuntos con Rancho Shampoo, Rodo Ibarra, Braulio Lam, Murcof, y otros. 'Telegraphic Memory' (FE002) es su primer álbum de estudio para el sello Facade Electronics, contiene once temas de fina electrónica pulsante, ambiental y emotiva, paisajes melódicos y un detallado diseño de audio.
Este nuevo álbum será en edición limitada de 100 LP's en 180gr con un poster interior con el trabajo del artista visual Pablo E. Peña E. Ha sido masterizado en los estudios Sentrall Sound en Los Angeles, CA por Anthony Puglisi.

www.faxmusik.com
fax@faxmusik.com

www.facadelectronics.com
info@facadelectronics.com
Mexicali, Baja California, MX. 2021.

Fax - Momentum

Incredible blast from the past. The year was 2004 and Sven Väth was the man that brought it to us.

Jacek Sienkiewicz - Dream Machine

BUY THE TRIPLE DELUXE LIMITED EDITION LP HERE https://tigersushirecords.bandcamp.com/album/abcdefghijklmnopqrstuvwxyz

More than a physical release Principles of Geometry wanted to materialize the musical lexicon of ABCDEFGHIJKLMNOPQRSTUVWXYZ into an object. This carefully conceptualized and designed artefact by legendary Ian Anderson might be the most advanced vinyl piece released by Tigersushi Records so far.
A triple vinyl of the 26 tracks with a very playful not playable etching on the last side .

"This is ABCDEFGHIJKLMNOPQRSTUVWXYZ.

This album is a construct on the language which composes, and continues to compose, our musical lexicon. 26 letters represented by 26 titles creating a sonic grammar which has been our common thread through 5 albums now.

Signs, symbols and figures are our founding influences. This is where this alphabet finds its Alpha.

ABCDEFGHIJKLMNOPQRSTUVWXYZ is an evocation, almost an incantation, of influences that have shaped our musical and shared lexicon. A raw material, without which we would not have had the chance to meet and experience this twinning. This is also a song of the machine, and of the machines, an extension of the capacities of instruments, originating in the middle of the 90’s, when electronic music emerged, and should be listened to while listening to your inner self.

It is, for the two of us, the song of printed circuits, electronic dreams cradled by IDM (Intelligent dance music), which finds its expression in the compilations Artificial Intelligence of Warp Records, Braindance of Rephlex, and the abstractions of Skam and Planet Mu, of dream music under the influence, electronica in all its forms, the abstract analogue of the soundtracks of our childhood. A founding anthology in our work, but one which we have never addressed to this level and which, therefore, became our starting point.

We have always been seduced by the idea that music is a language, which contrary to the verb, is universal. Music doesn’t require the same resources: it evokes images, provokes emotion, no translation required.

It is for us a universal message, a thought without discord, without opposition, a sharing that helps us leave our own doom. A communion to extract us from the hysteria. Strangely, in its universality, its perception, its abstract interpretation, emotion, depends on the sensitivity and receptivity of each and every one of us.

An interpretation for infinite interpretations. It is a very personal and spontaneous album. A series of organic and synthetic landscapes. ABCDEFGHIJKLMNOPQRSTUVWXYZ is not the symbol of one story as with our previous albums, but more a symbol of our common history, and certainly of those to come.

To read us, you just need to listen.

That’s it for the words."

G&J, 2022

All tracks written and perforned by Principles of Geometry.
P+C Tigersushi / Arp Office 2022
Artwork by The Designers Republic

02 PRINCIPLES OF GEOMETRY - Brosome Ride

SHXCXCHCXSH – "The Roots"

He couldn’t be described as a dandy…

The second release via Another Dark Age is a solo EP from Brisbane-based project, Cured Pink.

’11 Put Aside was compiled from Andrew McLellan’s solo work as Cured Pink, and is a critical precursor to the project’s current incarnation as a four-piece band.

On ’11 Put Aside, Cured Pink channels an anxious energy reminiscent of Cromagnon’s LP for ESP Disk (1969) and shoves it onto the dancefloor.
 
The B-side was recovered from destructive recording sessions across Indonesia, deep within Cured Pink’s solo phase (2011). ‘Sydney; Malang; Brisbane; Bandung; Jogjakarta’ is a devastating journey that features the drumming of Senyawa frontman, Rully Shabara, and recorded material from Vacant Valley boss, Peter Bramley.

With only a handful of releases Cured Pink can lay claim to a specific Australian sound that references the gamut of avant-rock, dance music and power electronics. But more than this, ’11 Put Aside is a singular piece of the puzzle that makes up Brisbane’s unhinged and isolated scene.

Available for purchase (with free digital download code): 

http://anotherdarkage.bigcartel.com/product/cured-pink-11-put-aside

Cured Pink - As Enderie Nuatal

Fabrizio Parisi x Telmun - Infinite Mirage

► Follow Fabrizio Parisi:
Instagram: bit.ly/2HHxq3O
Facebook: bit.ly/3XwV6Mo
TikTok: bit.ly/3QVDbN7
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Tidal: bit.ly/3GXyz4l

Embark on a transcendental journey through the sands of time with "Infinite Mirage," the latest collaboration between acclaimed artist Fabrizio Parisi and the enigmatic newcomer Telmun. Guided by hypnotic rhythms and ethereal melodies, this track immerses listeners in a sonic oasis, where the boundaries between reality and illusion blur like shifting dunes in the desert. With its evocative blend of organic instrumentation and ethnic influences, "Infinite Mirage" invites you to lose yourself in a world of boundless exploration and timeless enchantment.

Infinite Mirage

Stream/Download

Fabrizio Parisi x Telmun - Infinite Mirage

The debut collaboration between techno alchemists Ben Klock and Lucy will probably provoke quivers of anticipation before a single note has been heard. After all, both producers have carved out names for themselves as scene innovators at what they do, and both have already proven that they can more than capably work in a duo format without sacrificing an iota of their unique aesthetics: in Lucy's case, there has already been the sublime Zeitgeber pairing with Speedy J., and Klock has joined forces with the likes of Marcel Dettmann to craft some of the more memorable output from the Ostgut Ton label. This new release makes good on each producer's talent for working with epically unfolding tracks, maintaining a strong command of both 'drone' and melodicism, and envisioning sound as a kind of inter-dimensional mass transit. As the record indicates, things can get very interesting when the two working methods superimpose perfectly, but can be just as interesting when the two fall slightly out of phase with one another.
Listeners familiar wit the classic kosmische feel will be taken immediately by the opening gambit "Bliss," whose feeling of floating through the coldness of space is accompanied here by nicely warm production values. The bassline that introduces the subsequent track ("War Lullaby") is close to being a continuation of the opener's leitmotif sequence, although with a change in atmosphere that will keep curious ears from turning away too soon: an FX-shrouded voice delivers a monologue at once seductive and foreboding, followed by a confident kick thump with ephemeral trailing clatters in tow. This affective orientation pulses through the whole record well, building up to the second rhythmic track ("Santeria") which is the busiest and
most engaging of the bunch. Here a variety of sonic flavorings are ritually thrown into the pot and allowed to simmer - fleeting snatches of conga, phasing zaps and rhythmic ricochets all make for a rich concoction that epitomizes the progress that has been made in techno music within this decade. The closing "A Ghost Lovestory," like the opener, is a non-'dance' piece, but is no less compelling for that fact: as a foam of white noise pans between the listener's ears, a slurred / pitch-bent refrain conjures the feeling of either entering or exiting from some erotically tinged hypnagogic state.
Speaking of which, the overall impression given off by this record is that of a special kind of reciprocity: that is, of dreams influencing reality and reality feeding back into dreams. The rhythmic intensity of these tracks, at once an indicator of a hard and immediate reality, is regularly complemented by oneiric flourishes that make the partitioning line between these two realms of consciousness less distinct. As the next chapter in the Stroboscopic Artefacts saga, and in the personal journeys of both Ben Klock and Lucy, it will contribute to the ongoing mission of all these parties: giving longtime fans what they want while expanding their consciousness and inquisitiveness.

Lucy and Klock 'War Lullaby' [SA024]

Nico Fidenco, "The Magic Is In Progress (Alessandro Adriani Remix)"

Pre-order 'The Disco's Of Imhotep' - 
Technicolour / Stream / Download: http://hbeing.lnk.to/doiSo

Taken from 'The Disco's Of Imhotep' released 5th August 2016 via Technicolour.

Follow Hieroglyphic Being - 
Facebook: http://found.ee/hbeing-fb
Twitter: http://found.ee/hbeing-tw
Spotify: http://found.ee/hbeing-sp

The Disco's Of Imhotep

Hieroglyphic Being - 'Sepulchral Offerings'

»island people« is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, musician and DJ graeme reedie and guitarist ian »chippy« maclennan. on their first self-titled record, they present their collaborative work that evolved over the past three years.
 
being based in different cities, namely berlin and glasgow, files had to be exchanged back and forth between the band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. layer after layer, the tracks came into being quite naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds: »during the whole creation of the album, we never realized our actions were quickly leading us into forming »island people«, we were too busy having fun, making music and sharing ideas.«
 
the result of their collaboration is a timeless music that is as open as a natural phenomenon, developing a certain feeling of euphoria over time. all in all, »island people« is a pure listening record in the best tradition of ambient.

Island People

island people »vultures and doves« taken from »island people«

REVIEW > inverted-audio.com/review/imre-kiss-strangers

There is something deeply kindly about @imrekiss sound, something that transcends the mere moody nature of a track, emanating straight from deep down his soul and into his subtle electronics via some intangible process. A good man making good music.

Imre Kiss - She Moves Through Fire [Mörk]

A Ninja Tune imprint. 

Elkka / Sofia Kourtesis / DJ Boring / Hieroglyphic Being / Dauwd / Minimal Violence / Peggy Gou / Jay Daniel / Nathan Melja / UMFANG / U / BNJMN / Dauwd / Florian Kupfer / Legowelt

Hieroglyphic Being - 'Sepulchral Offerings'

Technicolour Recordings

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