Drumsound & Bassline Smith - Music Soldier EP

Tantrum Desire - The Flow EP Part 1

Tantrum Desire - The Flow EP Part 2

Own It Now: technique.lnk.to/BadBoySound

From the opening atmospheric chords, with just a touch of approaching-danger dissonance, we're immediately dropped into another masterclass from Drumsound & Bassline Smith.

These producers, of course, have A-list status in the scene for a reason, and as 'Bad Boy Sound' drops into a driving bassline assault backed with clinically vicious lashing drums, that reason becomes all too obvious.

Dangerous.

Bad Boy Sound

Own It Now

Drumsound & Bassline Smith - Bad Boy Sound

L Plus has some riddims for you...

01 Intro
02 L PLUS - System Control
03 Sub Focus - Rock It (Wilkinson Remix)
04 1991 - Out Of My Head feat. Cherryade
05 Killer Hertz - Orbit
06 Tantrum Desire - The Flow
07 Lateral - Do It
08 Dub Elements & Miss Trouble - Pistols
09 L PLUS - Die Hard
10 Dossa & Locuzzed - Tribe
11 L PLUS - No Escape feat. Jimmy Danger
12 A.M.C - Cap Down
13 Junk Mail - Send It
14 Drumsound & Bassline Smith - Roadblock
15 L PLUS - Wave Maker
16 Tantrum Desire - In the Dance
17 Exile ft. Trafic MC - Button Mashing
18 Bugwell - Power Out
19 A.M.C - Void
20 Junk Mail & Mob Tactics - Candyman
21 Dub Elements & Levela - Hee Haw
22 Drumsound & Bassline Smith - Walk & Skank (On a Ragga Tip) BOOTLEG
23 Andy C - Boom Feat. Tonn Piper
24 A.M.C - Don't Forget The Dots
26 Futurebound & BMotion - Slap Suey
27 Culture Shock - Rise
28 Showdown - Walk Free ft Alice Gold
29 Drumsound & Bassline Smith - Can You Feel It (L PLUS Remix)
30 A.M.C - Bass
31 PHAGE - Fall From Grace
32 Drumsound & Bassline Smith - Booyaka
33 Tantrum Desire - Xtraterrestrial
34 Sub Focus - Timewarp (Dimension Remix)
35 L PLUS - Avenger
36 Audio - Claymore
37 Lateral - Don't Let Me Go
38 L PLUS - Let Roll The World
39 A.M.C - Brazil
40 BMotion - Airtime
41 Culture Shock - Panorama
42 L PLUS - Taking Me Higher VIP
43 Subview - Run It
44 Murdock ft Dynamite MC - Dark Cloud (Enei Remix)
45 Synth System & AL/SO - Extra
46 Sub Focus - Airplane (Culture Shock Remix)
47 Drumsound & Bassline Smith - Give it to Me
48 DC Breaks - Euphorium
49 Dossa & Locuzzed - Dusk (Original)
50 Serum - Velour (Original Mix)
51 Mean Teeth - Keepin It Dirty
52 Junk Mail - Radiogram
53 Ekko & Sidetrack - I Feel Your Love
54 Kove - Sweet Music (Extended)

L Plus - 2022 Selection

Music Soldier EP

Drumsound & Bassline Smith - Music Soldier

Drumsound & Bassline Smith - Galaxy Dub

Drumsound & Bassline Smith - Bloodclaart VIP

Drumsound & Bassline Smith - Midnight Pressure

The Flow EP Part 2

Tantrum Desire - In The Dance

The Flow EP Part 1

Tantrum Desire - Maleficent

Tantrum Desire - The Arena VIP

Tantrum Desire - The Flow

Tantrum Desire - Slay

Tantrum Desire - The Pit

TECH 109 – Spectrem – Backfire / Run
Release Date: 28th September 2014
PreOrder: http://smarturl.it/TECH109

Since Technique first brought this Aussie producer to the world's attention, he's been unstoppable. His tracks have been dropped on Kiss, Radio 1, 1Xtra and wherever else good bass is purveyed to discerning listeners. He's been DJing alongside names like Matrix & Futurebound, Sigma and Drumsound & Bassline Smith. And as if that wasn't enough, he's back to increase the levels even further.

“Backfire” opens up into immediate action-flick energy, delivering epic orchestral tension backed with an insistent synthetic pulse. Spectrem melds finely-manipulated real-instrument samples with heavyweight programmed sounds to create an ultra-modern cinematic blockbuster of a tune. All that underpinned with barb-sharp, tightly-woven beats delivers a piece of work that's going to light up sets at any time of night.

Then we're on the “Run”. This is a hands-in-the-air callback to the nineties, showing that Spectrem knows, understands and respects the roots of this music. With a percussion line that'll have heads playing Spot the Break, and a vocal hook that's pure euphoria, this is no-compromise jungle music. Providing a balance between dancefloor toughness in the low end and soulful sparkle in the melodies, this is one to draw for when its time to transition between styles.

You've already been warned that Spectrem is on the rise, and now this release is here to confirm it. So, in case you missed it, now it's time to wake up and turn your focus towards Perth, Australia, where this guy has more artillery locked, loaded and aimed to blow your speaker box.

Tracklisting:

 1.	Spectrem – Backfire
 2.	Spectrem – Run

For interview requests and more information, contact:

info@techniquerecordings.co.uk


Spectrem - Run [Technique Recordings] ( Crissy Criss Exclusive 1st Play)

Kronology - Timelapse EP
PreOrder smarturl.it/TECH117
Release date: 29th March 2015

If you’ve been keeping your eye on the Los Angeles D&B scene, then you’ll know all about Slogun and iOh. Hailed as “Ones to Watch” by Kmag in 2013, their deep respect for junglist history and culture has fuelled a steady rise to prominence both as DJs and producers. Now, they’re ready to take the next step, and make their mark on the international scene
as part of the Technique roster.

So, after the warning shot of Razor Sharp on the 15 Years of Technique LP, it’s time to welcome the team now known as Kronology with their first full release.

You & Me kicks off proceedings in an unmistakeably US style. Evolving house keys establish the percussive heart of the track as classic synth tones add a touch of euphoria. Then a rising siren provides a call to action, delivered on by a funk-filled pizzicato bass and ultra-crisp drums. With this one, Kronology manage to balance an effortless, liquid vibe with rolling rhythms that aim straight at the dance floor.

On Submerge, Kronology team up with some fellow Los Angelians, the DJs, live performers and producers Divine Elements. The result is some highly grimy bass and mightily hard drums all topped off with some finely chopped samples. At its core, this track is all about that rhythmic motif in the low-end, an irresistible rave engine which this production supergroup constantly disassemble and re-engineer to keep this fresh from beginning to end.

Then Kronology recruit the singer-songwriter known as Without My Armor, to show a whole new facet to their work. Monster opens into a claustrophobic atmosphere, with dark pads vying for space with the vocals and creating a level of tension that begs for relief. And that relief comes as the bassline and counter-balancing mid-range bursts onto the scene. The contrast between the constricted metal influence that weaves through the track and the open, big-room sound gives this a vibe all of its own.

So Kronology have arrived, and they’ve got some flavours that you might not have heard before. While fully immersed in drum and bass music, they’ve brought their own influences of American EDM, house, punk and metal to work into the formula. Straight out of the San Fernando Valley, here’s something new for the D&B scene, encapsulated in their first release, the Timelapse EP.

Follow On twitter: twitter.com/kronologymusic
Like on facebook: www.facebook.com/kronologymusic

Kronology & Divine Elements - Submerge

Tantrum Desire – Diversified LP - Pre-order now on iTunes and receive Instant Grat downloads each week: smarturl.it/TECH006CD Order now get Reach VIP!
Beatport: http://bit.ly/TantrumDesireOblivion
Released: Sun 28th June 2015

Tantrum Desire – Oblivion feat. Solah

There's a storm on the horizon. For those that know what's up in the bass-heavy music scene, the forthcoming Tantrum Desire album, “Diversified”, is one of the most anticipated releases of 2015. You just need to check recent sets and radio shows from heavy-hitters like Friction, DJ Hype and Drumsound & Bassline Smith to see that cuts from the LP are already making their presence felt.

And now here's “Oblivion”, the single that shows just how monumental the Tantrum Desire sound has become.

This track encapsulates multiple sides to that sound. The intro is pure seduction, with a slick rhythm section of bass plucks, laid-back drumming and piano chords under the light and grace of Solah's vocals. As an edge of percussive hardness creeps into her voice, all of a sudden the energy builds and it's clear there's a switch-up coming. Then the drop delivers that to full capacity, cutting through the smoky atmosphere with high-energy synth hits and the type of call and response between bass and mid-range that mark this out as pure Tantrum Desire.

The breakdown gives us yet another facet, as jungle breaks float in and around the piano and vocals to offer gratitude to the old skool. Then there's a second drop to put it all together, showcasing weighty bass, euphoric high-end and a deftly technical approach to delivering the chord changes.

“Oblivion” is Tantrum Desire in concentrated form, a lethal dose of musicianship, ultra-clean production skills, respect for their D&B heritage and dancefloor hype. This is a killer which is immediately going to find its place across raves and airwaves. Check it, and hold tight because the album “Diversified” has a lot more where that came from.


Tracklisting:

Tantrum Desire – Oblivion feat. Solah


For interview requests and further information, contact:

info@techniquerecordings.co.uk


Tantrum Desire - Oblivion Feat Solah [ BBC Radio 1 Friction Exclusive]

Tantrum Desire – Diversified LP -OUT NOW 
Beatport Exclusive: http://bit.ly/DiversifiedBeatport

Released: Sun 28th June 2015

Let's not beat around the bush. Anyone who knows anything knows that this album is going to be big. It's absolutely clear Jay and Dev have put the graft in over the last decade to claim and maintain their D&B-elite status. For one thing, production mastermind Jay has put in the studio hours to hone that distinctive, arena-sized Tantrum Desire sound. And, as DJs, they've proven their ability to take that sound into the real world and make it connect with the biggest crowds bass-heavy music has to offer. There are a handful of acts that can simultaneously kill it in the underground and the mainstream, and we're about to find out why Tantrum Desire is one of them.

So, time to break this down.

Obviously, this album contains more than its fair share of showstopping anthems. “Oblivion”, for example, seduces us with the uplifting innocence of Solah's vocal style, before moving the sound effortlessly from naïve purity to gritty toughness. This, all woven together with stomping bass, jungle drum fills and a stripped-back piano-led breakdown, means that it's going to connect with listeners' emotions as much as ravers' dancing shoes. Some tunes, like the Laura Bayston-laced “Underground” and the syncopated madness of “Genesis”, have already been making waves for a while among those who keep their finger on the pulse. And the aggressively percussive US-influenced “Pump” is currently a key weapon of choice among DJs when it's time to turn up the hype levels.

Then there are a couple of almighty supergroup collaborations. For one, Drumsound and Bassline Smith join the party on “I Need You Here”. This takes the big-room build-up to Empire State proportions. Gentle synths build to a soaring sing-along vocal hook, which in turn give way to huge polyphonic chords. Then the drop is a virtuoso display of drum programming, with a heavy bed of half-speed kicks and snares supporting subtly-switched up samples. But then just when you think you've reached the limit of what the track has to offer, there's a breakdown and another build into a full-speed, full-power drop that's going to hit like a tactical nuke in any rave. Matrix and Futurebound pass through too, to bless “The Shadows” with their skills. Elegant harmonies melt into a sinister dialogue sample and the dark funk of a pizzicato riff in the low registers. The track builds into straight up modernist techstep, taking the classic paradigm and applying contemporary sensibilities of energy control.

But this album isn't all about the big ticket items. It's not just a collection of singles, but a cohesive vision, a journey mapped by a pair of DJs and producers immersed in the music. This is made clear right from the beginning, with the drumless title track setting out the template of movement between vibes and styles. Delving deep, there's “Goddess of Love”, with its unapologetically constant level of tension, reiterated and reinforced by ever-changing sample-manipulation. And there's “Back for Love”, featuring Julie Gordon and Smokesta, an almost lo-fi excursion, which takes tropes from trip-hop and the Bristol Sound to create something that's sure to strike a chord with old skool junglists.

Let's be clear, though. These are just some of the things “Diversified” has to offer. There are sixteen tracks here which, together, crystallise the multiple, complex layers of Tantrum Desire's take on bass-led electronic dance music in 2015. The joy for DJs, ravers and listeners alike is going to be discovering those layers for themselves. So go discover.

Tantrum Desire - Oblivion Feat. Solah ( Club VIP Mix )

Document One – I Got a Fever / Follow Me
PreOrder:  http://smarturl.it/TECH122 

Since Document One stormed onto Technique's roster, this production duo have set about marking out their very own niche in the D&B spectrum. Songwriters' musicality and an appreciation for multiple genres, while still keeping focus firmly on the dancefloor, makes for a powerful combination. Now, with this latest release, they're back to consolidate their status and draw together some more threads in their ongoing multi-form musical narrative.

“I Got a Fever” wastes no time in laying out the formula. A swing-time low-end perforates smoky jazz club ambience, with loose percussion holding down the beat. The bass morphs between upright plucks and synthetic sweeps to neatly underline Document One's approach of providing a slick modern twist on foundation sounds. As the track builds, a vocal sample signals its time for the bass and drum to tighten up and drop into a cowbell-led funkstepping ride. This is summer music, as much about fun and partying with a smile on your face as it is about serious musicianship.

Then there's a whole different take on the summertime vibe for “Follow Me”. Ethereal vocals float over crisp and punchy drums, accompanied by long liquid bass tones, delicate trumpet and laid-back keys. It's a gentle soulful roller... But then it's suddenly not that at all. Document One puncture the atmosphere like a sharp intake of breath and kick us with a boot made from filthy bass. And now the light and floating sounds from before just serve to accentuate the heavyweight drive of the rave engine this tune has become. When the dancefloor needs a kickstart, here's one to draw for.

So, Document One have proved once again that they not only understand the palette of sounds and textures offered by jazz, funk and soul, but they're also willing and able to twist them into their own paradigm. They make music to make musicians nod in appreciation, but to make everyone else rave hard.

Tracklisting:

 1.	Document One – I Got a Fever
 2.	Document One – Follow Me

For interview requests and further information, contact:

info@techniquerecordings.co.uk

Document One - I Got A Fever ( Friction BBC R1 Premiere)

Document One - Follow Me

15 Years of Technique – Summer Selection Album
PreOrder smarturl.it/TECH007CD

It's sunshine time again. The time when we need a new D&B soundtrack to score our festivals, carnivals, pool parties and barbecues. And you'd struggle to find anyone better qualified to curate that soundtrack than Technique's bosses Drumsound & Bassline Smith. Just a quick glance at their immense back catalogue of anthemic releases or their packed international bookings diary is enough to demonstrate that they know exactly how to bring those summertime vibes.

Things kick off in suitably monumental fashion with a cut from the head honchos themselves, “I Need Somebody”. If you were looking out from a festival stage at a sea of excited hands in the air, this tune's searing vocal hook and unrelenting waves of bass would suit that scene perfectly. And, of course, this album contains a lethal dosage of similarly colossal tracks. For example, MaxNRG enlists a quirky vocal from Marianna to boost the hype-levels on “Headshot” and recent signing Kronology delivers the driving and euphoric “Untouchable”. Plus, there are some sizeable contributions to the big-room roll call from a few names you won't have seen on Technique before, like Oder's “Closer” and T-Phonic & Deadman's “Show Me the Way”.

But summer's not all about the shades-on daytime raving, we need some choice sunset material too for when things get a little darker. Document One and Spectrem exemplify this beautifully with the laid-back and jazzy “Falling” and the Kyphosis-laced “Fade” respectively. Helsinki's liquid maestros LAOS pass through to drop “City Lights” and “Belong”, and Tantrum Desire treats us to the effervescent “Sea Breeze”. For when things get darker still, there are tracks like the technoid, percussive world-unto-itself of Salaryman & Dark Machine's “Night Shift”. Guys like Conspire and Brian Brainstorm bring some full-on jungle, and the whole compilation is peppered with alternative sounds like Digital's dub workout “Groove Together”.

The thirty-one tracks here represent a cross-section of the mighty, multi-stranded, multi-form D&B scene and what it can do for summer 2015. There are names you'll know and names you might not know yet. There are huge mainstream anthems and shadow-bound subtleties. There are tunes for midday and tunes for four in the morning. And for four in the afternoon the next day. Ultimately, this isn't the sound of the summer, this is all the many different sounds of the summer put together on one album. So, the soundtrack's sorted, time to go out and have a summertime that's worthy of it!

Tracklisting:

1.	Drumsound & Bassline Smith – I Need Somebody
2.	L Plus – Raindrops
3.	Document One – Falling
4.	Erb N Dub & Skope – Vibes
5.	Melinki – Summer Solstice
6.	Toronto Is Broken ft. Amy Kirkpatrick – Someone Close
7.	Tremah – Moonlight
8.	Melinki & Phenz – Deep in My Heart
9.	Spectrem ft. Kyphosis – Fade
10.	LAOS – City Lights
11.	Drumsound & Bassline Smith – Memories
12.	Document One – What Goes Up
13.	Payback, AKA & Conspire – Torn Apart
14.	North Base – Bikini Dance
15.	Drumsound & Bassline Smith – Sunset Boulevard (Don't Make Me Wait)
16.	Blade, Conspire & SoulStructure – Crepuscular Light
17.	L Plus – Looking at You
18.	T-Phonic & Deadman – Show Me the Way
19.	Oder – Closer
20.	Kronology – Untouchable
21.	Conspire – Foundations
22.	MaxNRG ft. Marianna – Headshot
23.	Drumsound & Bassline Smith – Primitive
24.	Spillage ft. Samahra Eames – Lose Control
25.	LAOS – Belong
26.	Digital – Groove Together
27.	War Machine & Jaybee – Bloodhound
28.	Blockwork – Subversive (Instant Remix)
29.	Salaryman & Dark Machine – Night Shift
30.	Brian Brainstorm – Pon di Streets
31.	Tantrum Desire – Sea Breeze

For interview requests and further information, contact:

info@techniquerecordings.co.uk

MelinkiSummer Solsticesummer selection


Document One - What Goes Up

Beatport http://bit.ly/OneTonneOfBass
iTunes smarturl.it/TECH125

These days, the name L Plus on a release comes laden with expectations. There'll be expansive areas of soundscape harbouring rave-reverberating bass and precision-strike drums. There'll be detailed attention to musicality and a never-lapsing surge of energy. And if you've been checking shows from heavy-hitters like Friction recently, you'll know that this EP delivers on those expectations to the max.

“Jailbreak” is all about controlled aggression. A suspenseful chord pattern interspersed with drive-by shots of bass sets the scene. Then there's a multi-stage drop, first delivering us into a pressurised container of bass and kicks, before a further build leads us to the addition of punch-to-the-solar-plexus snares. This is heavy, heavy, unrelenting stuff.

And talking of heavy stuff, the next track is, aptly enough, “One Tonne of Bass”. A big room intro built from swirling atmospherics and wide sonorous sustained notes shimmers into view. Then the eponymous vocal sample signals a drop down into straight-up head-nodding grimy funk. Then L Plus keeps the heat rising as the bassline modulates to give each sixteen bars a character of its own. This is one to give the dancefloor a proper workout.

Then “Arcade” brings something for ravers to love and producers to envy. The chirps, bleeps and melodic patterns of eighties gaming are recreated and woven into twenty-first synthesis in a way we haven't quite heard before. It's a shoot 'em up between nostalgic stabs and ultra-modern bass and riffs which grows into a full on sonic war, and it's an addictive exultant joy. This is one that screams out to be pulled back and played from the top.

Things are a little darker in the dystopian city conjured up by “Snitch”. There's a technoid paranoia in the air, brought on by an approaching insurgency of low end. The drop provides no relief as sparse beats leave the bassline free to fill the space with interrogation-room oppression. With one eye always on the dancefloor, this is where L Plus proves his mastery of creating mood with music.

This EP proves why L Plus tunes are a constant fixture in the sets of well-informed DJs. Combining a rare technical proficiency with a well-honed musical and storytelling sensibility, plus a ruthless desire to smash parties everywhere, this producer is at the top of his game. This is creative rave music set to blaze on raves and airwaves alike.

Tracklisting:

1.	L Plus – Jailbreak
2.	L Plus – One Tonne of Bass
3.	L Plus – Arcade
4.	L Plus – Snitch

For interview requests and further information, contact:

info@techniquerecordings.co.uk

L Plus - Snitch

iTunes smarturl.it/TECH128
All Stores & Stream technique.lnk.to/TheTruth
Document One – Run the Block / Small Steps

It hasn't taken long for Document One to define their own niche among the Technique Recordings roster. Brimming with multi-genre experience, this team has come well-equipped with a fresh and clean production style, overt musicality and uncompromising levels of funk. This release reasserts their commitment to the dancefloor while showing off yet more colours from their palette.

“Run the Block” takes the tough but smoky sound that Document One has made their own and adds a layer of East Coast hip-hop flavour. The rap-along vocal, that trademark upright and synthetic bass fusion, the popping drums and live-instrument arrangement combine to make this tune a definitive statement of Document One's musical heritage. And of course, that means it has that jazzfunk dancefloor energy in abundance.

Then “Small Steps” flips the script, darkening things up in a way you might not be expecting from these guys. The intro is the sound of approaching menace, as military drums call the dance to order. An eerie dialogue sample ratchets up the tension, before a building kick pattern is deployed as a call-to-arms. Then the drop is all about those twisted tendrils of bass, snaking around techstep drums and ghost-in-the-machine stabs. This is what happens when musicality meets aggression on a hell-bent mission to mash up the rave.

So, as well as keeping a firm grip on their low-down dancefloor funking credentials, this release has proved that Document One have a love and talent for all sides of this music. As their track titles declare, they “Run the Block” in the funk neighbourhood and they're making “Small Steps” into the shadowy technoid realm. Now they've shown they can kill the dance in both, it's clear the Document One operation doesn't believe in boundaries.

Tracklisting:

 1.	Run the Block
 2.	Small Steps

For interview requests and further information, contact:

info@techniquerecordings.co.uk

More info: www.techniquerecordings.co.uk

Like Document One: www.facebook.com/documentone
Follow Document One www.twitter.com/DocumentOne

Pre Order

Document One - Run The Block [Friction Fire BBC Radio 1]

Support on Beatport: http://bit.ly/DocOneTech128
Support on iTunes: http://smarturl.it/TECH128

It hasn't taken long for Document One to define their own niche among the Technique Recordings roster. Brimming with multi-genre experience, this team has come well-equipped with a fresh and clean production style, overt musicality and uncompromising levels of funk. This release reasserts their commitment to the dancefloor while showing off yet more colours from their palette.

“Run the Block” takes the tough but smoky sound that Document One has made their own and adds a layer of East Coast hip-hop flavour. The rap-along vocal, that trademark upright and synthetic bass fusion, the popping drums and live-instrument arrangement combine to make this tune a definitive statement of Document One's musical heritage. And of course, that means it has that jazzfunk dancefloor energy in abundance.

Then “Small Steps” flips the script, darkening things up in a way you might not be expecting from these guys. The intro is the sound of approaching menace, as military drums call the dance to order. An eerie dialogue sample ratchets up the tension, before a building kick pattern is deployed as a call-to-arms. Then the drop is all about those twisted tendrils of bass, snaking around techstep drums and ghost-in-the-machine stabs. This is what happens when musicality meets aggression on a hell-bent mission to mash up the rave.

So, as well as keeping a firm grip on their low-down dancefloor funking credentials, this release has proved that Document One have a love and talent for all sides of this music. As their track titles declare, they “Run the Block” in the funk neighbourhood and they're making “Small Steps” into the shadowy technoid realm. Now they've shown they can kill the dance in both, it's clear the Document One operation doesn't believe in boundaries.

Tracklisting:

 1.	Run the Block
 2.	Small Steps

For interview requests and further information, contact:

info@techniquerecordings.co.uk

More info: www.techniquerecordings.co.uk

Like Document One: www.facebook.com/documentone
Follow Document One www.twitter.com/DocumentOne

Document One - Small Steps [ Friction Premiere]

Buy // Stream
https://Technique.lnk.to/NationwideEP
https://technique.databeats.com/downloads

The Tantrum Desire brand is most associated with the kind of epic  productions that have seen drum and bass become a mainstay of the mainstream. True heads, though, will know that there’s always been an undercurrent of genre-twisting experimentalism present, which came to the fore on last year’s huge album Diversified. So, which corners are explored on this EP?

Nationwide Rocker opens in a dark and techy landscape. Reverberating stabs underpinned by the insistent buzz of low end strikes suggest we’re building into a display of neurofunk technique. And then we’re dropped into something that isn’t quite categorisable. It’s hard, dancefloor music, built from a stripped-back rhythm sequence and a succession of expertly-twisted basses. This is the collision of raw, visceral energy with that trademark Tantrum Desire slick production science.

Then Airhead takes us somewhere different. With a funky techstep call and response pattern, this is an instant dancefloor bubbler. And there’s an eighties electro sensibility woven into the stabs and synth-effects which makes this feel like it could be a 2016 rework of a forgotten crate-dug classic. It’s minimal and focussed but, as you’d expect from Tantrum Desire, it refuses to let the temperature drop, with precision-crafted builds to keep attention gripped on the bass-and-mid interplay right to the finish.

You won’t be prepared for what Think About You has to offer. A bleeps-and-pads hands-in-the-air hardcore intro drops into some triplet-time rave workout material. We’re treated to mid-range grind resolving into luxuriant sweeping tones over a skippy 6/8 time-signature. But ravers and MCs better not get too comfortable, as a “Switch it up” sample signals a slam into 4/4 time. Then the breakdown cools things off ready to go back in with the madness once again.If you didn’t know about Tantrum Desire’s versatility then you should have been paying closer attention. Don’t worry, though, because this EP is a perfect representation of the serpentine rule-bending contained within the sound. It’s all dancefloor music, but beyond that, anything’s possible

Tantrum Desire - Airhead - [Friction Premiere]

Out Now:Technique Summer 2016 Album
Full tracklist & info: bit.ly/Summer2016News
iTunes smarturl.it/TECH009CD
All Stores Technique.lnk.to/Summer2016
Technique Store bit.ly/Tech2016LP

The cover art proudly proclaims Technique's Summer 2016 album to be “100% Drum and Bass”. You might be forgiven for thinking that begs more questions that it answers. There's a huge breadth and versatility encompassed within the genre. So, you're left asking, what particular flavour of D&B are we talking about? Well, to answer your query, pretty much all of them.

Across thirty-seven tracks, Drumsound and Bassline Smith have assembled a cross-section of D&B that only has one thing in common: that summertime vibe. The label bosses themselves roll through with the fluid jungle of the Solah-laced “Cover Our Eyes”, the no-holds-barred funk of “Rise of the Black Panther” and their epic dubwise collaboration with Digital, “First World Problem”.

And then there are the big name cameos from artists not normally seen under the Technique banner. Brookes Brothers and Danny Byrd team up with the uplifting drive of “Climb High”, matched in hands-in-the-air power by the euphoric piano of The Prototypes' “Don't Let Me Go”. J Majik recruits 78° and Louie Cabrera for “Day I Left” and “Idcomercial” respectively. And the mighty DJ SS drops an emotively claustrophobic killer in the form of “Expression”.

Of course, the regular regiment of Technique soldiers are present and correct too. Tantrum Desire delivers the tech atmospherics of “Tesoro”, while Kronology subverts the big-room sound with the unpredictable twists and turns of “Everyday”. L Plus backs up rumbling bass and popping beats with entwined chord patterns in “Invincible”. Plus Document One show two different sides to their character, with the jazzfunk vibe of “Klaxon” and the paranoid sci-fi of “Say What”.

And we're nowhere near covering everything this album has to offer. From the jungle tear-out of Brian Brainstorm's “Badman Selector” to the minimal magic of Oder's “Mesmerize”, via the liquid purity of Salaryman's “He Knows”, this is a journey that needs to be experienced. Any selection that takes you straight from Fade's “Disco Ball” into Conspire's “Glare of Brass” then to Salaryman's “Synthesized Melancholia” is making a statement about the strength in depth of the D&B genre right now.

It's all here. This is the whole summertime drum and bass experience cut up into thirty-seven expertly-formed slices which, taken together, represent the full spectrum of what the scene has to offer. It's as simple as that.

Tracklisting:

1.	Drumsound & Bassline Smith – Rise of the Black Panther
2.	Polaris – Bring the Heat ft. Schematic
3.	Fade & Julia F – Milkyway
4.	Tantrum Desire – Tesoro
5.	Brookes Brothers – Climb High ft. Danny Byrd
6.	Kihmera – Awakening
7.	Document One – Klaxon
8.	Kronology – Everyday
9.	Polaris & Stranjah – Aquarius
10.	The Prototypes – Don't Let Me Go ft. Amy Pearson
11.	Salaryman – He Knows
12.	J Majik & 78° - Day I Left
13.	Conspire – Rollin
14.	North Base – Tell You Y
15.	L Plus – Invincible
16.	Schematic & Polaris – Please Don't
17.	Drumsound & Bassline Smith – Cover Our Eyes ft. Solah
18.	DJ Phantasy & Dextone – It's a Feelin
19.	Oder – Mesmerize
20.	Digital vs Drumsound & Bassline Smith – First World Problem
21.	Document One – Say What
22.	DJ SS – Expression
23.	Dramatic & Terraform – Guilty
24.	J Majik & Louie Cabrera – Idcomercial
25.	Gradual – Falling Pieces
26.	T-Phonic & Deadman – Reflections
27.	Conspire – Inbetween
28.	Fade – Disco Ball
29.	Conspire – Glare of Brass
30.	Salaryman – Synthesized Melancholia
31.	Melinki – In Spirit ft. J Rokka
32.	The Burner Brothers – Bring Back the Funk
33.	Woofax – Afterburn
34.	Deadman – Give it to Me Low
35.	Brian Brainstorm – Badman Selector
36.	SKMA – 1Up
37.	Toronto is Broken – Back Again

For interview requests and further information, contact:

info@techniquerecordings.co.uk

Technique Summer 2016

Tantrum Desire - Tesoro [ Friction Premiere] Summer 2016 LP

Technique Summer 2016 Album
Full tracklist & info: bit.ly/Summer2016News
All Stores Technique.lnk.to/Summer2016
Technique Store bit.ly/Tech2016LP

The cover art proudly proclaims Technique's Summer 2016 album to be “100% Drum and Bass”. You might be forgiven for thinking that begs more questions that it answers. There's a huge breadth and versatility encompassed within the genre. So, you're left asking, what particular flavour of D&B are we talking about? Well, to answer your query, pretty much all of them.

Across thirty-seven tracks, Drumsound and Bassline Smith have assembled a cross-section of D&B that only has one thing in common: that summertime vibe. The label bosses themselves roll through with the fluid jungle of the Solah-laced “Cover Our Eyes”, the no-holds-barred funk of “Rise of the Black Panther” and their epic dubwise collaboration with Digital, “First World Problem”.

And then there are the big name cameos from artists not normally seen under the Technique banner. Brookes Brothers and Danny Byrd team up with the uplifting drive of “Climb High”, matched in hands-in-the-air power by the euphoric piano of The Prototypes' “Don't Let Me Go”. J Majik recruits 78° and Louie Cabrera for “Day I Left” and “Idcomercial” respectively. And the mighty DJ SS drops an emotively claustrophobic killer in the form of “Expression”.

Of course, the regular regiment of Technique soldiers are present and correct too. Tantrum Desire delivers the tech atmospherics of “Tesoro”, while Kronology subverts the big-room sound with the unpredictable twists and turns of “Everyday”. L Plus backs up rumbling bass and popping beats with entwined chord patterns in “Invincible”. Plus Document One show two different sides to their character, with the jazzfunk vibe of “Klaxon” and the paranoid sci-fi of “Say What”.

And we're nowhere near covering everything this album has to offer. From the jungle tear-out of Brian Brainstorm's “Badman Selector” to the minimal magic of Oder's “Mesmerize”, via the liquid purity of Salaryman's “He Knows”, this is a journey that needs to be experienced. Any selection that takes you straight from Fade's “Disco Ball” into Conspire's “Glare of Brass” then to Salaryman's “Synthesized Melancholia” is making a statement about the strength in depth of the D&B genre right now.

It's all here. This is the whole summertime drum and bass experience cut up into thirty-seven expertly-formed slices which, taken together, represent the full spectrum of what the scene has to offer. It's as simple as that.

Tracklisting:

1. Drumsound & Bassline Smith – Rise of the Black Panther
2. Polaris – Bring the Heat ft. Schematic
3. Fade & Julia F – Milkyway
4. Tantrum Desire – Tesoro
5. Brookes Brothers – Climb High ft. Danny Byrd
6. Kihmera – Awakening
7. Document One – Klaxon
8. Kronology – Everyday
9. Polaris & Stranjah – Aquarius
10. The Prototypes – Don't Let Me Go ft. Amy Pearson
11. Salaryman – He Knows
12. J Majik & 78° - Day I Left
13. Conspire – Rollin
14. North Base – Tell You Y
15. L Plus – Invincible
16. Schematic & Polaris – Please Don't
17. Drumsound & Bassline Smith – Cover Our Eyes ft. Solah
18. DJ Phantasy & Dextone – It's a Feelin
19. Oder – Mesmerize
20. Digital vs Drumsound & Bassline Smith – First World Problem
21. Document One – Say What
22. DJ SS – Expression
23. Dramatic & Terraform – Guilty
24. J Majik & Louie Cabrera – Idcomercial
25. Gradual – Falling Pieces
26. T-Phonic & Deadman – Reflections
27. Conspire – Inbetween
28. Fade – Disco Ball
29. Conspire – Glare of Brass
30. Salaryman – Synthesized Melancholia
31. Melinki – In Spirit ft. J Rokka
32. The Burner Brothers – Bring Back the Funk
33. Woofax – Afterburn
34. Deadman – Give it to Me Low
35. Brian Brainstorm – Badman Selector
36. SKMA – 1Up
37. Toronto is Broken – Back Again

For interview requests and further information, contact:

info@techniquerecordings.co.uk

Dj Phantasy & Dextone - Its A Feelin

Out Now! Beatport Exclusive bit.ly/ImGonedbs

We've barely recovered from the sun-scorched assault of Technique's Summer 2016 album, and yet, already, there's more Drumsound & Bassline Smith material for us to get our ears around. Proving they've got too much fire for one label to contain, their recent excursions on Playaz and Function Records have been setting raves alight, and now they're back on their home turf. So, what have the Technique bosses cooked up for us this time?

First on the menu is “I'm Gone”. And this one isn't just a Tune with a capital T, it's also a Song with a capital S. Bully hasn't just provided a singalong hook, but a fully structured lyric which drives the track just as much as the relentless bassline. From the lighters-up intro through to the soar of the build to the solar-plexus strike of the drop, this is going to deliver everywhere from festival main stages to early-hours after-parties. No watering-down, no gentle chaser, just a neat shot of pure vocal drum and bass.

And then it's time to handle “The Truth”. The original hit hard when it dropped at the end of last year, but now Drumsound & Bassline Smith have unleashed the VIP and things have got even more serious. First of all, the intro has an extra level of cinematic sci-fi epicness, which perfectly sets us up for the additional brutality of the drop. The militantly staccato bass of the original is given a re-lick with more unpredictable twists and turns. This is one for selectors to pull out to ensure they keep the rave in the palm of their hand.

To put it simply, here are two dancefloor-wrecking heavyweight pieces from the ever-prolific DBS team. To put it even simpler, it's Drumsound & Bassline Smith, so what did you expect?

Tracklisting:

A. I'm Gone feat. Bully
AA. The Truth VIP

For interview requests and further information, contact:

info@techniquerecordings.co.uk

Drumsound & Bassline Smith - I'm Gone Feat BullySongs

Out Now On Beatport Excl http://bit.ly/AdventureTSvip

Tantrum Desire - Adventure Through Space VIP

Buy https://Technique.lnk.to/PumpRemix

2015's “Diversified” album proved unequivocally that Tantrum Desire has a spectrum-spanning palette to draw from. What with the undercurrent of deep house influence running through the tracklist and the excursions through tech, jungle and old skool sounds, it's clear that TD refuse to be pinned down to one classification.

One of the tracks that made a huge impression across raves and airwaves was “Pump”, championed by some of the biggest DJs on the scene from the moment it surfaced. Now, Drumsound & Bassline Smith have stepped up to reconfigure it for this series of remixes. So, we already know it's going to be killing off dances for the second time around.

DBS stamp their signature on the track right from the first note. Cinematic horns sculpt the intro into an epic, hands-in-the-air moment. And then it's all about the build. Arpeggiation meets the eponymous FXed vocal sample with a stomping kick progression to leave us in no doubt an almighty drop is coming.

The original version matched sparse drums with percussive plucks of synth-bass to create an irresistible skankers workout. This remix takes the elements and rearranges them into expert energy-building format. Drumsound & Bassline Smith begin with that stripped-back trap-style bass and beat and proceed to add complexity every sixteen bars. As it shifts up through the gears, this track takes the dance's hype levels with it.

These “Diversified” remixes continue the story that the LP started. The initial tracks demonstrated the multiple facets of Tantrum Desire's sound and now, even more layers have been revealed. This is an array of tunes equipped for every selector's set-list.


Tracklisting:

A. Tantrum Desire – Pump (Drumsound & Bassline Smith Remix)


For interview requests and further information, contact:

info@techniquerecordings.co.uk

Pump (Drumsound & Bassline Smith Remix)

Tantrum Desire - Pump (Drumsound & Bassline Smith Remix) Friction Fire

Out Now on Beatport: https://lnk.to/GenesisRemixso
All Buy & Stream Stores 26th December

It's become clear that Tantrum Desire's debut album project, “Diversified”, had way more high-octane in the tank than was revealed when it first dropped in 2015. Monumental though it was, the succession of nitro-charged remixes that we've been treated to show that those sounds have a lot more to offer. And now one of the indisputably biggest names in drum and bass music has joined in the action. Yes, BBC Radio 1 and Shogun Audio's very own Friction has reported for remix duty.

“Genesis”, in its original form, was one of the breakout hits of the album, and is set to reach those heights again. Friction stamps his authority on the track immediately, and reconfigures the elements into a savagely gritty and grimy intro. Dark swathes of bass and ominous pads leave no uncertainty: this is going to be heavy. The point is driven home by a massive, rumbling kick-build, pushing the rave's anticipation off the scale.

The version we all know was marked out by those bouncy swing-time beats, and Friction delivers them in all their irresistible glory. The sharp call-and-response between high and low-end emphasises the groove even further. Friction's retained all that dancefloor energy, while adding his own extra twist of filth in the bassline.

We couldn't help skanking out to the original and this remix is just be as addictively floor-filling. With this most recent chapter of the “Diversified” story, one of the scene's heavyweights has proved that there are still twists in the tale. Another one for discerning selectors on all sides of the scene.


Tracklisting:

A. Tantrum Desire – Genesis (Friction Remix)


For interview requests and further information, contact:

info@techniquerecordings.co.uk

Tantrum Desire - Genesis (Friction Remix)

Buy//Stream https://Technique.lnk.to/DocOne7So

TECH 149 – Document One – 7th Dimension

There's something about Document One's highly individual style which has resonated with DJs and ravers alike. Throughout 2016, their releases took up almost permanent residence at the top end of DnB download charts and in the sets of the most discerning selectors. They defined their own sound, culling elements from multiple genres and weaving them into dancefloor mayhem. And, if this release is anything to go by, they're going to do it all over again in 2017.

The ethereal horns and vocal sample in the intro set the scene, building an edge of tension. It's got all of that smoky moodiness that Document One can deliver, combining tech darkness with a jazz sensibility. Delicate hints of percussion mark the way, and there's still no hint as to whether we're heading towards laid-back cool or road-hard savagery in the drop. It's Document One, after all, and they can do either.

The eponymous MC sample gives us the signal. And the atmosphere is ripped asunder by the arrival of crisp drums and a pulsating, irresistible bassline. Its stripped-back production gives those core sounds the chance to really make their presence felt. And when the vocals ride over the top, it all comes together to make complete skank-out sense. This is a roller that's going to do some serious damage in the rave. 

Altogether, this track takes us on a tour of the multiple facets of the sound Document One have marked out for themselves. It's got the tech percussion and sample programming, a hip-hop edge, that hint of jazz in the horns and undisputed funk energy in the bass. Simultaneously heavy and subtle, this is proof that the Doc One style is ready and able to make even greater strides in 2017.


Tracklisting:

A. Document One - 7th Dimension


For interview requests and further information, contact:

info@techniquerecordings.co.uk

7th Dimension

BUY/STREAM

Document One - 7th Dimension (Friction Fire)

L Plus – Hideout LP (10th March)
Out Now Technique.lnk.to/HideoutSo

After our anticipation was pushed to breaking point, it's finally here. Pieces of this album have been circulating for a while now, chalking up support from the likes of Radio 1's Friction, DC Breaks, Tantrum Desire, Crissy Criss, Drumsound & Bassline Smith and a whole host of other heavy hitters. And you wouldn't really expect anything less, given this artist's pedigree. He's been in the game since the late nineties, chalking up some hugely successful releases on some of the biggest labels in drum'n'bass. As a DJ, he's a regular fixture at huge shows in his native Slovakia and beyond. And, since signing exclusively to Technique in 2011, his position as one of the scene's top tier producers, able to flex engineering skill and musicianship in equal measure. So strap in. It's L Plus's debut LP and it's a monster.

The title track, “Hideout”, lays out the blueprint. Never quite predictable, the tune takes us on a quirky journey through unexpected chord patterns and structural experimentation, and that's just in the intro. Make no mistake, though, L Plus hasn't compromised on sheer rave-hyping ability either, the huge build-up is definitely warranted by the weight and power of the drop. And that trend continues. You'll probably already be familiar with cuts like “Creature Must Die” and “Avenger”, which strike that perfect balance between individuality and dancefloor energy.

And that's just the start of what the album has to offer. Take the warm nostalgia of “Battleground” for example. There's real depth of emotion in the classic-synth melodies, delivered in a way you won't have heard before. Then there's “Make You Feel”, a twisted and techy journey through rhythm programming, and the half-speed madness of “Get Ugly”. The one constant feature is that all of these tunes, however expressive or resistant to pigeon-holing, are built to make ravers move.

Of course, this wouldn't be a Technique Recordings album without some heavyweight collaborations. The mighty John B passes through on “Original 80's”, to push some synth-pop and electro flavours to the limit. Muffler joins in on the uncategorisable orchestra-meets-filth of “Cinematic”. Drumsound & Bassline Smith add their spin to the melody and griminess collision of “Jetpack”. Plus the rock-solid mic man Coppa graces “Lock to the Greatest” with his presence to add a whole new facet to the sound.

You'd better believe this just scratches the surface. We all know L Plus's productions have layers to uncover, so this album is going to bear repeated listening as well as heavy rotation in raves and across airwaves. When that's true of every single track on an LP, you know we've got something special on our hands. The anticipation was justified. Check it.

Tracklisting:

1.	L Plus – Hideout
2.	L Plus – Creature Must Die
3.	L Plus & John B – Original 80's
4.	L Plus – Get Ugly
5.	L Plus – Avenger
6.	L Plus & Coppa – Lock to the Greatest
7.	L Plus – Battleground
8.	L Plus – Everyone VIP
9.	L Plus – Ghost
10.	L Plus vs Drumsound & Bassline Smith – Jetpack
11.	L Plus & Muffler – Cinematic
12.	L Plus – Timelapse
13.	L Plus – Make You Feel
14.	L Plus – Serum
15.	L Plus – Final Chapter

For interview requests and further information, contact:

info@techniquerecordings.co.uk

HIDEOUT

Battleground

L Plus - Battleground  [Hideout LP]

Document One – How Low Can You Get? / Girl
Out Now https://Technique.lnk.to/HowLCYGetSo

Without compromise, without fuss, the Document One boys have established themselves as certified production dons. They've managed to weave strands from soul, jazz, hip-hop, techno and funk together into something that's always just a bit unpredictable. Well, that's not quite true. The one thing you can predict with certainty is that, every time, they'll do some serious damage in the dance. And here's their new release to prove it.

“How Low Can You Get?” opens in a sci-fi landscape populated by sweeps of pad and distant shimmers of reverberating hits. As high-pressure swells of bass signal the approach of the drop, digital glitches in the high-end take us further into tech paranoia. How low can you get? Pretty damn low, as the stripped-back, kick-heavy beat supports the drop of weighty sub-shattering basslines. This is dark, insistent and powerful, playing at the borders of the DnB genre without ever sacrificing dancefloor vibes.

“Girl”, on the other hand, might just be Document One's deepest excursion into soul territory so far. An RnB vocal riff, surrounded by loose percussion and fragile keys that meld into pads, hints at where this track is headed. Make no mistake, though, along with the melodic elegance and that beautiful lighters-up breakdown, there's an undercurrent of energy. Expertly constructed surges of bass drive the track onwards under popping beats. This is fluid drum 'n' bass music for raves and airwaves alike.

Once again, Document One have shown their ability to combine production technique and musicality with the fundamental quest to get the party moving. The two tracks on this release are almost opposite in tone, night and day, tech and soul, but the fingerprints of Doc One are unmistakeable on both. It seems there's still a lot more genre-bending innovation left to come.


Tracklisting:

A. Document One – How Low Can You Get?
AA. Document One – Girl


For interview requests and more information, contact:

info@techniquerecordings.co.uk

Document One - Girl

Out Now on Beatport https://Technique.lnk.to/2dBleaveSo
Out Everywhere tomoz 25th Aug


TECH 160 – 2DB – Leave

It's been a while since we've seen Drumsound & Bassline Smith's rough-edged alter-ego 2DB make an appearance. In fact, the last time the Technique bosses' slightly more evil doppelgangers showed up was in 2015, when they delivered the masterpieces of filth “Terrahawk”, “Check Out the Bounce”, and “Quaalude”. So, have those two years away dulled the raucous sensibilities of the 2DB style?

Well, “Leave” opens with some dancehall-tinged chords and a pop-soul vocal that might lull the casual listener into a very mistaken sense of security. But then there's that tom-roll into building kicks and pitch-bend madness that signals it's time to brace yourself for a major onslaught. When it's time to switch up the mood and raise the energy in the dance, this is going to be an essential tool.

The powerhouse drop is where we see that 2DB griminess come into full effect. That metronomic battleaxe strike of the mid-range bass, supported by chest-rattling sub and those monstrously stomping drums is going to hit any rave like an earthquake. This is insistent, driving, dancefloor music that's made by people who know exactly what deejays want on their USBs. In short, it's an absolute beast of a tune.

It's clear that the 2DB moniker is the cloak that Drumsound & Bassline Smith to hide their dark side. Of course, they've got all the production skill, the technical ability, and musicality a producer could want. But, in tunes like this, they also get to show off undiluted raw savagery. And DnB dancefloors love it.


Tracklisting:

A. 2DB – Leave


For interview requests and further information, contact:

info@techniquerecordings.co.uk

leave

2dB - Leave [Friction Premiere]

Rudeboy Fashion

Document One - Rudeboy Fashion (World Premiere)

Stream//Buy https://Technique.lnk.to/ComeWithMe

Follow us on Spotify http://bit.ly/TechniqueRec

If you tried to make a list of the DnB producers who've achieved the kind of success Drumsound & Bassline Smith have, you'd find yourself running out of names very quickly. Prolific output, underground credibility, rave-destructive potential, foundational innovation, even mainstream-radio appeal, they've nailed every metric. And, now, they're dropping their third artist album, and, with that reputation preceding them, we already know it's going to be a killer. If proof were needed, though, the first taste is here.

“Come With Me”, as the title suggests, pulls us in immediately. Drumsound & Bassline Smith set us up with a slow-jam bass and R&B vocal. Even as gentle Rhodes arpeggios signal laid-back vibes, though, a kick-build indicates approaching danger, and the tune drops us into beat and bassline fury.

There's a grinding mid-range timbre that's pure dirt. It cuts through the mix, underpinned by Drumsound & Bassline Smith's trademark ultra-tight and punchy rolling drums. However, this might be a dancefloor powerhouse of a tune, but it's a lot more than that. Woven through the track are suggestions of other tunes from across the eras of DnB, giving the tune a depth and timeless quality which is going to mean this isn't just a vicious deejay weapon. It is a vicious deejay weapon, sure, but it's a lot more besides.

We might have been given a clue as to where Drumsound & Bassline Smith are going with their LP. “Come With Me” is a party tune, a dancefloor smasher, there's no mistaking it. But, with it's collision of subtlety and hype, soul and aggression, it places itself as part of a narrative about DnB music and its history. If one track can do all that, the whole album might just be something monumental.


Tracklisting:

A. Drumsound & Bassline Smith – Come With Me


For interview requests and further information, contact:

info@techniquerecordings.co.uk

Drumsound & Bassline Smith - Come With Me

Stream//Buy https://Technique.lnk.to/DocOneHSSo

Since Document One's first release on Technique Recordings, they've formulated a particularly volatile compound of jazz, funk, hip-hop, and tech. And they've proven its effectiveness by chalking up enviable levels of radio airplay, DnB chart status, and rave destruction. Now, there's a brand new five-track EP to deliver another dose.

This time, Document One are exploring the darker side of their nature, guiding us into the shadows with the upright-bass-meets-murder-minded-rap of “Haunted Spaces”. The EP's title track builds through a sparse intro into a rhythmically-twisted drop. The punch and snap of kick and snare are coupled with a driving fusion of natural and synthetic basses. There's a heartbeat of dancefloor funk, but this is no laid-back, casual groove. It's a gritty, evil piece of music that sets the template for the rest of the release.

As we move through “Pulse” and “Newton”, we're taken deeper into the neuro side of Document One's sound. Epic sci-fi landscapes build into claustrophobic cyber-nightmares, populated by gritty basslines and metronomically savage beats. “Pulse” explores the call-and-response structure, giving us an intergalactic frequency-range war. “Newton” does things differently, focusing on laser-guided missile strikes of low-end to drive the track along. Here, these producers prove they can strip away the jazz and go for the pure dark tech flavour without sacrificing any of their dancefloor energy.

“Rudeboy Fashion” does something different again. Still, though, there's no lack of that wide cinematic space, even when the rap vocal motif rolls in. The ultra-clean drums that drop with pitch-bending and modulating basses give this a feeling of classic techsteppers but brought bang up to date. Here, Document One show that they're capable of exploring multiple sub-genres without losing the essence of their style.

To round off the EP, “Clergy” adds yet another twist to the tale. Reverberant pads and effects swirl around a restrained but rolling beat. Basslines morph and modulate in the low registers, while the emcee verse conjures night-shrouded imagery. This is a stripped-back production, with Document One combining just a few perfectly-constructed elements to create the vibe. Very dark, and a tune that discerning dancefloors are going to love.

This EP is set to reconfigure our expectations of Document One. It has their production fingerprints all over it, but presented in a different, more midnight-tinged, package. It just goes to show the artistry in their style, and it's clear these tracks are another milestone in the onwards-and-upwards Doc One progression.

Tracklisting:

 1.	Document One – Haunted Spaces
 2.	Document One – Pulse
 3.	Document One – Newton
 4.	Document One – Rudeboy Fashion
 5.	Document One – Clergy

For interview requests and further information, contact:

info@techniquerecordings.co.uk

Buy//Stream

Document One - Clergy

Out Now Technique.lnk.to/TDhorizonSo
Follow On Spotify http://bit.ly/TechniqueRec

When Tantrum Desire dropped the multi-dimensional “Diversified” LP in 2015, it seemed that we must have finally witnessed every facet of his sound. We'd seen the epic orchestration, the soulful depths, the gut-wrenching nastiness, and the straight up dance-bubblers. But then there were remixes, which took things even further. And now, somehow, there's a new EP which twists the TD style into yet more configurations, and this release gives us a glimpse.

“Ricochet” features the vocals of Laura Bayston, who last linked with Tantrum Desire on the big-room thunderclap of their track “Underground”. Once again, she delivers a soaring, emotive performance that draws us into the music over trip-hoppy atmospheric vibes and a hands-in-the-air chord sequence. And then, under-pinning it all, is a subtle arpeggio, which guides us through the harmonic changes and pulls us upwards until we're dropped into a sea of bass.

That bassline wraps around the tune enveloping it with warmth and power, while a typically-tough Tantrum Desire beat lays out the rhythm for the ravers. That arpeggio moves through the mix, taking us further on the journey into the sound, until extra layers of melody bring the vocal back around again. This is late night, float-away-on-a-cloud music, that will keep dancefloors deep in its thrall.

Bear in mind, this is just one track cut from Tantrum Desire's “Horizons” EP, but, even by itself, it leaves no doubt that we're listening to the product of assured mastery. To create the balance between banger and beauty is something not every producer is capable of, but it's intrinsic to the skyscraper-large TD sound. And you already know the rest of the EP will have even more to reveal.


Tracklisting:

A. Tantrum Desire – Ricochet feat. Laura Bayston


For interview requests and further information, contact:

info@techniquerecordings.co.uk

Tantrum Desire - Ricochet Feat Laura Bayston [Rene LaVice Premiere]

No Concept – Grave Digga (feat. SMK)
Beatport Excl. http://bit.ly/GraveDigga

The No Concept boys, formerly known as Dubba Jonny & Russla, have wasted no time in establishing themselves as an integral part of the Technique roster. Their huge “Soundcheck EP” set the tone, with heavy rave and radio rotation, and the download chart success to match. Then, we've seen them demonstrate their versatility with their contributions to the Technique Summer 2018 album. Now, it's time for another twist in the tale.

If you've been paying attention, you might have already heard “Grave Digga” doing damage in Drumsound & Bassline Smith's sets over the last few months. That tension-laden intro, made of post-apocalyptic sirens and insistent flecks of guitar, gives notice something dangerous is on its way. Add DnB's punchline slinger SMK into the mix to provide another touch of the darkside, and it all adds up to some weapons-grade rave material.

When the drop crashes in with it's octave-switching basslines, rising chords, and jaw-breaking drums, then you'd better get set for the reload. No Concept have gone full Frankenstein and designed a monster, every element designed to ramp up the energy. Bars for the spit-along crew, rolling beats and bass-weight for the skankers, and all the fills and modulations required to grab the dance's attention and never let it go.

The No Concept name reflects the duo's full-spectrum, no-pigeon-hole approach to production. And, so far, everything we've seen from them has shown us a new angle on their sound. With “Grave Digga”, they've definitively proved their ability to deliver pure dancefloor mayhem, and it begs the question, where can they take us next? Seems like the ride's just beginning.


Tracklisting:

A. No Concept – Grave Digga (feat. SMK)


For interview requests and further information, contact:

info@techniquerecordings.co.uk

Grave Digga Ft. SMK

No Concept - Grave Digga Ft. SMK (Rene La Vice Premiere)

PRESS RELEASE – FOR IMMEDIATE PUBLICATION
 
AMAZING EP – L PLUS
 
RELEASE DATE: 24th June
 
Hailing from Bratislava in Slovakia, D&B producer L Plus has already  
forged an enviable career as a DJ and producer. Since signing  
exclusively to Technique Recordings in 2011, he’s been honing his  
unique sound, with releases like his “Time Travel” EP, “Catastrophe”,  
and remixes for scene luminaries like Crissy Criss and Tantrum Desire.
 
This style is evident in this release. The title track sets out L  
Plus’s blueprint straight away, with sweeping atmospherics cut with  
strong vocal hooks. The bass hits hard, but it’s the melody that  
drives the tune, evoking the early days of rave while maintaining  
precision-tooled production quality.
 
Next, “Taking Me Higher” moves even further into old skool euphoria.  
The beautiful vocal and filtered strings of the intro, swooping into a  
instant-classic riff, offer a perfect lighters-in-the-air moment.  
After an epic drop, L Plus twists things up with another of his  
trademarks, a half-speed breakdown allowing the harmonies he’s created  
to shine through.
 
As the name suggests, “Challenger” goes harder. L Plus is a master of  
atmosphere, and here he shows off this skill to build tension. His  
high-end patterns blend and contort until the drop, when he throws  
down a complex array of synth-work to send ravers crazy.
 
The last track, “Close To You”, takes us back in time again.  
Mid-nineties spacey sounds are held together with the eponymous vocal  
sample. Percussive stabs and building drums introduce the low-end  
which sparks the track into life, which L Plus balances with his  
customary melodic work.
 
This EP shows exactly what L Plus can do. He’s a true music producer,  
not a “beat-maker”, able to manipulate melodies and vocals as easily  
as he can twist up a bassline. Add this to his calling-card soaring  
atmospherics and it’s clear that these tracks are equally capable of  
blowing up dances and airwaves.
 
Tracklisting:
 
1. Amazing
2. Taking Me Higher
3. Challenger
4. Close To You
5. Amazing ( Radio Edit )
 
For interview requests, and further information, contact:
 
info@techniquerecordings.co.uk

PreOrder

L Plus - Taking Me Higher

Own It Now: technique.lnk.to/20YearsRmx

Celebrating two decades in business, Technique Recordings have opened up the vaults and handed out the stems of some of their biggest tunes to some of the sickest producers around. We had warnings of what was to come with DC Breaks' remix of Tantrum Desire's 'Airhead' and Glitch City's take on Drumsound & Bassline Smith's 'Skumbag', and cuts from this album have been shelling down raves and festivals all summer.

Now, here's what we've been waiting for.

This album, spanning the full twenty years of Technique history, showcases the real strength and depth of the catalogue. Anthems like Crissy Criss & Youngman's 'Kick Snare', Drumsound & Bassline Smith's 'Crossfire' and Tantrum Desire's 'Reach' all get reconfigured to take heads off all over again. The bossmen have even resurrected their Future Tech moniker to give a 2019 upgrade to TECH 001.

And the array of remixers recruited take us all the way across the spectrum of contemporary drum 'n' bass. The likes of Bladerunner and Marky rub shoulders with AMC and The Prototypes...this album is as musically multi-faceted as it is star-studded. Just take a look down the tracklist to see how much there is to discover, taking in dancefloor, jungle, jump-up and more.

In summary, this is how to celebrate a birthday in style. Some of the biggest tracks from the back catalogue given the remix treatment by some of the biggest artists in the scene. And Technique aren't even done yet. There's a part 2 of the '20 Years of Technique' LP project, and it's coming soon...

20 Years of Technique - Remix LP

Tantrum Desire - Reach (The Prototypes Remix)

Own It Now: technique.lnk.to/TesenUs

With releases on labels like Low Down Deep, Young Guns and Bites, Tesen has been rubbing shoulders with the elite of dancefloor-destroying jump-up for years now. But his Profile collab 'Fusion', which dropped on Technique, marked a shift in his style, adding a shadow-tinged edge of darkness.

This time, now officially part of the Technique roster, Tesen's flying solo. Will we see a further evolution of his sound?

A sparse and moody intro sets things off in “Us”. Then Tesen wrong-foots us with a building synth-pizzicato tone that keeps ramping the pitch and the tension higher. Then we drop hard into a stripped-back beat and bassline science display. Enough funk and energy to move a dancefloor, with added technical twist-ups of timbres at every turn.

Then we have “When the Lights Go”. And this one brings the sunlight. Gorgeous piano and delicate atmospherics define the intro, before Luca Mia's vocals drop us into a pool of liquid soul. This is as much about Tesen playing games with melodic elements as it is aimed at the dance. For those who appreciate musicality in their DnB, you'll be feeling this one.

So this is Tesen at the next level, reconfiguring the formula to give us something brand new. And, now he's allied with Technique, the possibilities are limitless.

Us / When the Lights Go feat. Luca Mia

Tesen - Us

PRESS RELEASE – FOR IMMEDIATE PUBLICATION

MaxNRG – Hide Away My Heart / Danger Zone

RELEASE DATE: 12th May 2013

Itunes http://bit.ly/MaxNrgHideEP
Beatport http://bit.ly/MaxBeat
Trackotdown  http://bit.ly/MaxTIDhide
DNBA http://bit.ly/MaxNRGdnba
Juno http://bit.ly/MaxJuno
Tech http://bit.ly/MaxNrgTech
 

Ukrainian drum and bass pioneer MaxNRG signed to Technique Recordings last year, and instantly proved his credentials to the UK scene. His debut EP, “Prometheus”, showed off a melodic sensibility that provides an ideal counterpoint to his tough beats and basslines, resulting in heavy radio and rave rotation. So, time to show off more of this flavour.

And that flavour, as MaxNRG has already proved, has a lot to do with melody, which is at the top of the agenda for “Hide Away My Heart”. A sing-along refrain and cleverly interweaving riffs create the calm before the firestorm of the drop. An, proving the flexibility of this style, on top of the D&B mix, there’s a selection of other delivery systems for the payload. A Radio Mix, an Instrumental Mix, a savage Dubstep Mix and even a electro-plosive House Mix, proving that, whatever your flavour, MaxNRG’s style can get you hyped.

This flavour’s all about melody, but that’s not the end of the story. “Danger Zone” flips the musicality into another dimension. Now, it’s deployed to create an unsettling horror-movie landscape, populated by tormented samples, before filtered beats and a gravelly bassline slowly move into view. On the face of it, this is a simple, if dark-hued roller, but as the tune progresses, sounds become modulated beyond your wildest expectations to draw you further into this paradigm.

If you don’t know about MaxNRG yet, then you’d better not miss out on this release. In these two tracks, he’s shown that his style can encompass both the light and the darkness, making his
output vital parts of any selector’s armoury.

Tracklisting:

1. Hide Away My Heart (Original Mix)
2. Hide Away My Heart (Radio Mix)
3. Hide Away My Heart (Instrumental Mix)
4. Hide Away My Heart (Dubstep Mix)
5. Hide Away My Heart (House Mix)
6. Danger Zone

For interview requests, and further information, contact:

info@techniquerecordings.co.uk

iTunes

MaxNRG - Hide Away My Heart (Original)

Home to: Drumsound & Bassline Smith, Tantrum Desire, L Plus, Crissy Criss, Kronology, No Concept, MaxNRG, Digital, 2DB

www.techniquerecordings.co.uk

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