Excelent track guys amazing beats & sounds congrats Oscar te felicito por el remix genial tio 💣💣💣💣🔥🔥🔥🔥!!!!

MELODIC TECHNO for U

Featuring heavily on most of Drumcode’s shows due to his impeccable DJ’ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks. Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour’s territory with the help of the subtle percussion.

Bart Skils - The Sweep - Drumcode - DC143

Arcane

Bo Sound  -  Minimal Psy Goa - 30.08 -

/\ JAM002

Tracklist:
A1. Sam Paganini - Candy 
B1. Sam Paganini - Skin

Release date: 
(Vinyl + Digital) 13th March 2017 


www.wearejam.net
www.facebook.com/wearejammusic/

Sam Paganini - Skin (original mix)

Drumcode favourite Bart Skils kickstarts the new year with his sixth EP for the label Bark Skils opens new year's season with his 6th hard hitting EP released on Drumcode

Since his debut on Drumcode in 2012, Bart Skils has been one of the label’s most regular contributors, with the Dutchman’s brand of functional, hook-driven techno a go-to weapon for Adam Beyer; from his stellar ‘Shadowprint’ EP in 2014, to last year’s classy remix of Moby’s ‘Go’. One of The Netherland’s hardest working ambassadors for techno, he is the organiser of the beloved Voltt Love Summer Festival that’s has been a favourite of Beyer’s for many years. 

His latest work for Drumcode, ‘Bells of the Revolution’ continues his impeccable reputation for quality with everything he does, with four cuts all with their own distinct storyline. The title track is characterised by dark driving grooves and bubbling acid line that slowly evolves into a lush melodic riff. ‘Ocean Drive’ nose-dives into deeper techno territory, while maintaining a sense of exquisite tension throughout. ‘Vocalized’ follows, a stomping acid techno cut that slides into the deep courtesy of skilfully programmed vox and elegant licks of melody. The EP concludes with ‘Retrodade’, a track that’s been one of the biggest in Beyer’s sets in 2017 and features the famous vocal from Rozalla’s ‘Everybody’s Free’. The sample was used with kind permission from the iconic ‘90s singer.

Bart Skils - Ocean Drive - Drumcode - DC184

BUY IT NOW(Beatport): https://www.beatport.com/release/let-there-be-dark-ep/2250332

STREAM (Spotify): https://open.spotify.com/album/0eGQMz3V6dinVs3hdX2g4P

Arriving on the heels of Pleasurekraft's debut album, Argentine duo Beico & MT93 join the Kraftek family with their first release : Let There Be Dark EP. Brooding & dark as the name suggests, the title track goes full throttle from the getgo, armed with an infectious hook, it is a joy to watch audiences connect with the record on the dancefloor. For the flip side - fellow Argentine Nicolas Taboada joins the boys for their more melodic and emotive effort on "Polaris". Incredibly excited to be adding such talent to the kraftek catalogue, names that are certainly the rising stars of future techno.

Let There Be Dark EP

BUY IT NOW

Polaris

Pre-order: https://www.beatport.com/release/vortex/2352217
⠀
Recent addition to Alan Fitzpatrick's WATB roster, Southhampton born A.S.H makes his debut on the label with two peak time techno tracks. ‘Stranger Things’ takes a tighter and crispier percussive road compared to the first track of the EP ‘Vortex’. Its synth lines are melodic in their approach, with a moody synthetic palette of stabs and riffs. We hope you enjoy our premiere of A.S.H’s ‘Stranger Things’, exclusively on Techno Cave.

Label: We Are The Brave 
Release Date: 03.08.18

Premiere: A.S.H - Stranger Things

Exclusive interview: www.6am-group.com/interview-and-premiere-alex-mine-lost-remix-roberto-capuano-carl-cox-terminal-m

Rewind back to 2015, and this was the year that Alex Mine actually produced the original track ‘Lost’, a track which remained homeless yet waiting to be unleashed on the right label. It wasn't until he bumped into Monika Kruse whilst in Barcelona for Sonar, where she signed it after the first listen to her beloved Terminal M imprint.

Initial feedback was outstanding, but it really all started to happen when Carl Cox said he loved it, and wanted to do a remix, alongside fellow Italian producer Roberto Capuano. Carl drops a funky, chunky groove rework with tech house vibes, whilst Roberto throws in his techno cut. A hypnotic combination of synthetic movements, vocals and acid rhythms.

Follow Alex Mine
SoundCloud: @alexmineofc
Instagram: www.instagram.com/alexmineofc
Facebook: www.facebook.com/alexmineofc

Follow Roberto Capuano
SoundCloud: @robertocapuano

Follow Terminal M
SoundCloud: @terminalm

Follow 6AM Group:
Website: www.6AMGroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: www.soundclod.com/6amgroup
YouTube: www.youtube.com/6amgroup

Lost 2018

Premiere: Alex Mine "Lost" (Roberto Capuano Remix) - Terminal M

Layton Giordani steps up for his first solo EP of 2018.

In terms of pedigrees, it doesn’t get finer than Layton Giordani. The Brooklyn-born DJ/producer followed up his lauded debut album of 2017, with a collaboration with Danny Tenaglia to close out the year and marked the summer of 2018 with a three-way collaboration with Adam Beyer and Green Velvet, ‘Space Date’. The period has been a big one for Layton personally, also. From humble beginnings in his native NYC as an Output resident, to being thrust into the bustle of the European club and festival circuit, he’s enjoyed a stint living in Amsterdam, growing and developing over this time. All these experiences have had a fundamental influence on him and his music. The four-track EP ‘Phase II’ represents a new chapter for this exciting talent.

Beginning with ‘New York to Amsterdam’, a track that draws inspiration from a classic by Yves Deruyter, Layton’s work packs a memorable punch as tough acidic undertones and brain scrambling synth effects undulate raising the intensity, making it a perfect opener for Adam Beyer when he played Berghain earlier this year. ‘Body Language’ follows, a track written when Layton was scrubbed out of touring for a month courtesy of a shattered elbow from a skating accident. Not wasting the downtime, he’s crafted a cut that’s sleek, sexy and smart, with a seductive vocal and rousing melodic riff that runs throughout. ‘Black Mirror’, stays true to its dystopic name, a stomping rave cut that pummels dancefloors with a menacing lead synth that’s purpose built for the cold months ahead. ‘Enter the Stratosphere’ is steely electro-tinged techno paired with atmospheric licks of melody, awhile maintaining the artist’s trademark low-end chug. A classy conclusion to an EP from one of techno’s brightest talents.

Layton Giordani - Body Language - Drumcode - DC198

Moonwalk EP [Out Now]

Buy/Stream: https://fanlink.to/moonwalkep

Connect With @ENiGMADubz
www.facebook.com/ENiGMADubz
www.twitter.com/ENiGMADubz
www.instagram.com/ENiGMADubzOfficial

Connect with @SlimeRecordingsGroup:
www.facebook.com/SlimeRecordings
www.twitter.com/SlimeRecords
www.instagram.com/Slime_Recordings

ENiGMA Dubz - Moonwalk (ft. Ed Geater)

Spartaque - My Innocence

Agents Of Time - Santiago

Label: Tragedie
Release date: December 18th

1. What We Think (Lunar Plane Remix) 
2. What We Think (Oscar L Remix)

Info:
As you know, in a rush of optimism, the German duo Teenage Mutants decided to launch now in 2020 their new label Tragedie. A perfect place to stay independent and demonstrate their true passion like never before and after releasing great music on Terminal M, Stil vor Talent, 1605 or Tronic, to just name a few...

It is time now for the 3rd reference of the imprint. A 2-remix pack where Lunar Plane and Orcar L are dealing with the outstanding “What We Think”. On the one hand Lunar Plane heads in a fresh take of melodic techno, on the other the strong personality of the Spanish producer Oscar L energetic techno-driving rework slamming all over the place with a darker direction, a narcotic still very

Premiere: Giorgia Angiuli, Teenage Mutants - What We Think (Oscar L Remix)

Fur Coat’s Oddity label starts 2021 with a fresh edition of the acclaimed various artists “Odd Echoes Vol.4”. This instalment showcases some artists that are already known to the label, as well as many new additions to the family.

Fur Coat’s commitment to their label over the last few years has seen the imprint amass a dedicated following and an ever growing list of respected and lauded releases. Utilising their Various Artists compilations, the duo have unearthed some extremely exciting talent in this world and given emerging artists a platform to exhibit their craft.

Diving into the package we are greeted with the melodic and emotional sounds that Oddity has their recognisable stamp. Its clear though that each artist involved has developed their own signature sound and presents something unique to the VA. The first half is formed of well crafted tracks which ease us into the sound. Tracks the build and develop over time and help to kick start out musical exploration.

In true Oddity style the second half of the package leans towards darker and more driving pieces. Casting the listeners mind to the dancefloors which the tracks were meant to be played on. Its a VA formed of 21 original tracks mostly from first timers on the label, that all together solidify the identity of the series and sound of Oddity.

Odd Echoes Vol 4

Odd Echoes Vol. 4

Illusory, Enai - Epica (Original Mix)

Lost Spirits

Some Kind of Trip

Mezclado, Pt. 2 is on the way. For the second edition Einmusika teamed up with Jonas Saalbach and SKALA.

"Immerse" is a dark and floating track with choppy hihats and a filtered clap. Effect sounds blend in and out next to deep drowning brassy synths.

"Carnival" has housy chords and some crazy lead synths. During the break an 80s style arpeggiator opens up with the typical Einmusik progression.

Premiere: Giorgia Angiuli, Teenage Mutants - What We Think (Oscar L Remix)

Techno Cave

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