Name: Megamix 2022 by Teetow in Stompy Thumpy Time
Duration: 9 min 5 s
Description: So, here we are again, 12 years later... Felt it was time to give this old behemoth some love. It's the same track order as the previous one (which I'll leave up in case people prefer it) but if you know it well enough you'll notice some tweaks, and the end part is new-ish. Same vibe, more stuff happening.

New ending is pretty cool btw, somewhat different from the original :)

Is there ANY chance of a download? I love drawing to the old mix, this would be great to have...

Actually, thank you for leaving both versions available. 🙇‍♂️

Stompy Thumpy Time

So I've been meaning to try out this EDM thing people are on about. I dunno about genre, it's all trance to me =)

Also, it turns out I stole the hook from the intro to Sixteen Short, I guess those chords just make sense to me... 

Anyway, enjoy!

Mix updated March 2023

Fastest Cube

So, here we are again, 12 years later... Felt it was time to give this old behemoth some love. It's the same track order as the previous one (which I'll leave up in case people prefer it) but if you know it well enough you'll notice some tweaks, and the end part is new-ish. Same vibe, more stuff happening.

Megamix 2022

Fakebit tune made for the Battle of the Bits - Winter Chip X - Wildchip Compo.

Feedback always welcome :)

Thank you for listening <3

Cover Art by DimWiddy
battleofthebits.org/arena/Entry/The+Summit/16565/

Vanilla Nine

Been a while! <3 Here's some Limoncello for the weekend!

Spotify: https://open.spotify.com/album/5qprWYSm279kfEad36wJuW?si=oYCSN_uWShmcBBaRBadNlQ
Youtube: https://www.youtube.com/watch?v=UN5snBQreo8

Limoncello

Miami Morning Glory Remaster

Glitches in Space

Doomsday is a darkly cinematic journey through the edge of time, where beauty and tension intertwine in glowing waves of sound. The track begins with radiant, glowing arpeggios—a fragile light flickering in the distance, hinting at both hope and inevitability. From the shadows emerge echoes of synth leads crafted with Roland’s ZEN-Core engine, each phrase answering the other like voices calling across a collapsing skyline, weaving a dialogue of urgency and fate.

As the composition unfolds, multiple layers of pads and synth textures rise and collide, their shimmering walls of sound painting a vast, apocalyptic landscape. The Roland tones breathe both warmth and menace, wrapping the listener in a dense atmosphere where every frequency feels alive. The music surges forward, balancing luminous beauty against looming chaos—like the last dance of light before the world fades into silence.

“Doomsday” isn’t merely a song—it’s an aural prophecy, a breathtaking fusion of glowing arpeggios, echoing leads, and enveloping synth layers that transform the end into something achingly transcendent.

Doomsday

This song is the last notable track I made before leaving the games industry in 2012. As is common with tracks destined for games projects, it's riddled with half-finished ideas and questionable decisions, but it still has that raw energy that comes with late-night inspiration. You won't find this anywhere else -- the in-game version is an even less polished "temp render" I gave to the animators to have something to sync the dance to, and that's what stuck. Once an asset is in the game, you don't change it unless you have a damn good reason to waste everybody's time.

I can't quite remember how I made the vocal sample -- It's obviously made with Vocaloid, likely Hatsune Miku, but the original project is somewhere deep in the Starbreeze archives. We did a lot of experiments with voice synthesis for the DART chip voice. The lyrics, as has been stated elsewhere, are "Syndicate, classic franchise, Persuader, happy minigun" written phonetically in Engrish. Just a little inside joke.

If you have access to the game (or, you know, YouTube) play the Aspari Extraction level and find the club / disco scene to enjoy the song in its surround-reverbed glory. Also pay attention to the brilliant dance moves, mocapped and animated by Frida. Good times!

Oh, and if any EA lawyer finds this: Nyah. My song.

Syndicate - Aspari Extraction

Released as part of "Chiptunes = WIN volume 5"
download it for free (specify 0$ as price) or donate to the "chiptune = win" project if you wish:
https://chiptuneswin.bandcamp.com/track/spinning-enigma

download

Spinning Enigma

Nanothruster

Available now: https://ddrkirbyisq.bandcamp.com/album/raven-delivery-service-original-soundtrack

Raven Delivery Service

Another victim of the 2005 hard drive crash, resurrected with the help of Insider, who used to run our Candela BBS back in the 90's. Props, dude. 

This was a particularly fun project to do, since it involved recovering some fairly obscure voice samples. First of all, I bounced 40 stems (one per instrument) from the original XM file, which were then montaged and timesynced in Cubase. For some weird reason, the BPM was 138.080. I then started swapping out some of the most horribly resampled sounds, while giving others some facelifts (trivia: apart from hihats, the drums are all the original samples). I then dug up a YouTube video of the McEnroe rant, did some polishing in Audition, and then went on the abandonware hunt for the Bioforge sample. The samples for the game were all stored in a gigantic 30-minute file, and to top it all off the phrase "This is not an experiment, this is a demonstration" was not actually in the game -- I had apparently edited it together from other phrases. 10 minutes in Vegas later, and Bob's your uncle.

Bright 2010

Another resurrected XM from the dark ages (a.k.a. the 90's). 57 instruments, all out of tune, with fractional BPM changes that sure made me appreciate some of the tempo tools in Cubase. Contains one of my favorite voice samples ever, by our very own Sgt. Hulka from Stripes.

I should probably point out that this song, as well as Bright 2010, are demo soundtracks. They have bit of a cinematic structure (a weird intro, plenty of hitpoints and a grand finale) simply because they're meant to accompany something visual. Usually something with a lot of flying in it.

Bogus 2010

Artwork by Overdrive Girl:
https://instagram.com/overdrive.girl
https://youtube.com/OverdriveGirl
https://overdrivegirl.tumblr.com/
https://facebook.com/TheBoxHeadGirl/

Composed, arranged, mixed and mastered by Toni Leys:
https://youtube.com/tonileys
https://soundcloud.com/tonileys
https://instagram.com/tonileys
https://twitter.com/tonileys
https://facebook.com/tonileys

Based on my track "Follow My Lead" which I composed as a demo for Lethal Audio.

Yoroshiku Ne

Some old tunes from early 2000's to late 2000's!
Just some stuff I came across while browsin' through ye old hard drive.

Got it all backed up multiple times, not stupid here :D

Demotype

Just a little love letter to a genre that vastly broadened my musical horizons. In particular the early works of Simon Posford (Hallucinogen and Shpongle) had this lasting effect on my approach to writing music. The way he borrowed ideas from anywhere and everywhere really made me feel like genres and constraints are determined by the musician, not the listener, which was a good lesson for young me.

Enjoy!

Last Stand at Dawn

I'm just a tiny, yellow ball making funky music.

"Wii sports on crack" -- MorN

"Makes me think of a news station bringing you the most intense news but at a point in time when it's all run by robots and cyborgs" -- RthR

Megamix 2022

Teetow

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