Name: make by tehn
Duration: 4 min 2 s
Description: 2006. opl3 soundcard inside my first portable computer circa 1996. maxmsp playable sine transposer.

It's been years and im still struggling to make music like this, son I am proud

We got to interview one of Will’s favorite filmmakers Adam Curtis about his new movie HyperNormalisation. We talk about Trump, the curse of bloodless liberalism, science fiction, Escape From New York, living in the Zone, and tough medicine for the left. Adam was extremely nice and is now Chapo UK correspondent. 

We also plug our friend Katie Halper's live show and party this Wednesday, 12/14 at 7pm: https://m.facebook.com/events/211681455954839/?ti=icl

And this book of Juggalo photography by Daniel Cronin: https://www.amazon.com/Gathering-Juggalos-Daniel-Cronin/dp/3791347527

And this graphic novel, "Laid Waste" byJulia Gfrorer: https://www.amazon.com/Laid-Waste-Julia-Gfr-rer/dp/1606999710

Episode 65 - No Future feat. Adam Curtis (12/12/16)

Marcus Fischer has been a staple figure in modern ambient and experimental music for the better part of the last decade. Characterized by his masterful use of tape loops, Fischer's works also build space and emotion through layers of baritone guitar and modular synths. His solo debut, 'Monocoastal', was released on 12k in 2010 to international acclaim. Over the course of his career, he has partnered with several artists: Matt Jones (as Unrecognizable Now), Ted Laderas/The OO-Ray, Simon Scott, Devin Underwood. His collaborations with Taylor Deupree, with whom Fischer released 'Twine' in 2015, are masterclasses in shared voice and restraint.

Fischer is a longstanding member of lines (www.llllllll.co), the online community that surrounds Eurorack module and instrument maker monome.

To explore and support Fischer's work, please visit:
www.mapmap.ch
www.marcus-fischer.bandcamp.com
www.12kmusic.bandcamp.com

To support future development of SOUND + PROCESS, please consider becoming a contributing listener at: www.patreon.com/soundandprocess

Special support for this episode came from:
Jason Wehmhoener, Evan Hartzell, Thorsten Vieth, Nick Sanborn, Rodrigo Constanzo, Brian Anderson, Robert Pitts, and Brian Crabtree

Photo credit: Brian Young www.instagram.com/losingtoday/

Marcus Fischer: SOUND + PROCESS # 5

This my version of Fovea Hex's piece "All Those Signs" released on 21 June 2017. I was particularly inspired by the original song and was very pleased to contribute to this release.

This remix is contained on the Bonus Cd only which can be found here:
http://janetrecords.com/2017/buy.html

Their original version can be listened here:
https://www.youtube.com/watch?v=kA0dEukZyfQ

The Salt Garden II

FOVEA HEX - We Dream All The Dark Away (Abul Mogard Remix)

My second Freerotation yurt set. It was at a weird, uneasy time, just after the EU referendum result. The recording was played on Rinse FM by Ben UFO on the Hessle Audio show on 9/11/17 (thank you).

Jo Johnson - Live at Freerotation 2016

MIXES

SUI ZHEN - SANPO 103

"I've pieced together some music here that has stood out to me for it's capacity to move me/you/us through emotional states. It's probably something I would listen to alone or with a loved one - I made it with my daughter playing blocks next to me and tugging on my leg at 15 min intervals asking me to read her a book. Thankfully they are long songs and she prefers short books. It was really nice to play some sad music together and enjoy the calmness that it created in our lounge room with her as I skipped between mixing tracks and reading picture books. She had a big nap after it was done. I hope you enjoy and go deep inwards with it if you can."
-Ben Taaffe
Recorded on two Technics 1200 turntables and one Condesa Lucia mixer, in Highgate, WA.

Girls Who Chat Mix - Part 1

GWC BEDSIDE MIX VOL. 18 w/ Ben Taaffe

Rodrigo Constanzo is a seasoned improviser + performer, which directly influences his approach to designing software interactions. Through careful consideration of the needs of the performer, he builds software that can be easily manipulated through gestures akin to playing acoustic instruments.

Since 2011's The Party Van, Rodrigo has built many incredible bits of software, ranging from dynamic varispeed loopers to huge leaps in concat re-synthesis, but at the core of these tools is an aesthetic that can only be described as "lo-fi, broken, digital stuff."

Beyond the performance videos and audio artifacts housed on his website (https://rodrigoconstanzo.com), Rodrigo has also written a considerable amount of essays trying to understand the mechanics of how improvisers improvise. His findings are fascinating, annotated with interactive examples and self-reference. Rod's academic + artistic endeavors often play out as a non-linear looping mechanism.

(some choice ones: http://www.rodrigoconstanzo.com/thesis/, http://www.rodrigoconstanzo.com/2016/03/just-making-things-up/, and http://www.rodrigoconstanzo.com/2015/04/making-decisions-in-time/)

Throughout the episode, Rodrigo shares insights into his performance practice, unpacks the importance of formal training when working within an experimental context, and plants flags in the common ground between comedy + music improvisation.

As always, Sound + Process explores the artists of lines (https://llllllll.co). Come join the conversation.

Rodrigo Constanzo: Sound + Process # 14

Karen Gwyer and Johanna Knutsson ready their split EP on Oscillate Tracks. Hear Gwyer’s kaleidoscopic and fast-paced ‘Caught You’ now... 

More info: https://dj-m.ag/2Y52vr2

Oscillate Tracks 003

Premiere: Karen Gwyer ‘Caught You’

2006. opl3 soundcard inside my first portable computer circa 1996. maxmsp playable sine transposer.

make

we are new and we are the same.

we make monomes, chop wood, grow apples, chase chickens, watch clouds.

make

tehn

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