slow vibes

Newen Afrobeat Alice Coltrane Turiya Freek Banning Ramakrishna Fela Kuti

linkyt

confessin (that i love thelonious monk)

Cool jazz radio show on www-radio-maestral.hr Thos edition features two albums: Horace Silver - Song for My Father,  Sonny Clark - Sonny's Crib. Track list:
Horace Silver - Song for My Father – 7:18
Horace Silver - The Natives Are Restless Tonight – 6:09
Horace Silver - Que Pasa – 7:46
Horace Silver - Calcutta Cutie – 8:30
Horace Silver - Lonely Woman – 7:02
Horace Silver - The Kicker – 5:27
Sonny Clark - With a Song in My Heart (7:55)
Sonny Clark - Speak Low (6:24)
Sonny Clark - Come Rain or Come Shine (7:24)
Sonny Clark - Sonny's Crib (13:29)
Sonny Clark - Blues for Tiny (8:13)


Cool jazz 132 ( 7.8.2025. ) Horace Silver - Song for My Father,  Sonny Clark - Sonny's Crib

Primrose Blues

Since its inception, the music of Portland, Oregon’s 1939 Ensemble has always explored the relationship between rhythm and melody.

On the quartet’s new EP Beats & Saints, that connection — between pulse and phrase — is turned inside out. The record finds vibraphonist José Medeles, percussionist David Coniglio, trumpeter Josh Thomas, and guitarist Knate Carter in a loose, playful mode, interpreting songs by Charles Mingus, Björk, the Breeders, and Stereolab, alongside two new 1939 originals.

Melodic, surprising, and rhythmically dense, Beats & Saints finds the band teaming with experimental music legend Ralph Carney, known for his work with Tom Waits, Bill Laswell, Jonathan Richman, and Martin, Medeski, and Wood, and any more, along with Josh Klinghoffer (Red Hot Chili Peppers, Tinariwen). Demonstrating the band’s inside humor, a Korg Rhythm 55 drum machine also receives a “guest” credit. Hunkering down in the 1939’s own B-Sides Studios, the band and guests indulges in the time-honored tradition of musicians simply blowing off steam, seeing what happens when combustible elements are combined.

“We tried to have fun with it — that was the most important thing,” Medeles says. “There was a sense of ‘How far do we take this thing?’”

The answer ends up being “pretty far out.” Opener “Bullseye” strings together noir cinematics, G-funk grooves, and thick ambience. Next, 1939 takes on Björk’s “Pluto” nudging the song forward by with a heavy synth bass under Thomas’ electronically treated trumpet. On Mingus’ “II B.S.” — “You gotta be crazy to play a Mingus’ song without a bass,” Medeles laughs — the combo translates the song’s familiar melody to vibes, Carney’s sax adding a bawdy heft. The original “Illinois Lead Shot” and Stereolab’s “Percolator” prove exhilarating workouts of the band’s cool jazz/lounge sensibilities, and the band’s take on “Off You,” Kim Deal’s classic from 2002’s Title TK — Medeles played drums on the original — feels like an audible swoon, Klinghoffer and Carter locking in together with liquid guitars over shimmering surf motifs. “Our tip of the spear is making music we really enjoy,” Medeles says. “We hope that translates to people out there. I think this record’s a cool snapshot into 1939’s world.

The record is an example of open collaboration. “It was such a great energy,” Medeles says of the band’s collaborations with outside musicians. “It was really about friendship and energy as much as anything.” Since 2013’s Howl & Bite, recorded by Coniglio and Medeles as a duo in 2010, 1939 Ensemble has expanded its parameters with each release, adding members like Thomas and Carter as time’s gone on. Beats & Saints finds that expansion playing out stylistically, tying together and ultimately transmuting disparate threads of groove, noise, and rhythm. It’s a casual assemblage, “a nice collage of songs,” Medeles says, but a picture of a band “recording music in their own space — in their own terms.” The resulting recording is a demonstration of that sonic vocabulary used to stun and wow — the musical equivalent of a friend laying some knowledge on you just because they know you’ll like it.

Beats & Saints

1939 Ensemble - II B.S. (Charles Mingus)

1 hour vinyl set with some of my current fav' 90s house cuts I own on wax.
recorded with love on sunday 19-11-17 in paris.

photo - Thomas Reka

deep 90s vibes (vinyl set)

Herbie Hancock - Cantaloupe Island (Syntheticsax remix)

Wes Montgomery - Bumpin' On Sunset (1966)

Mario Penati #20 w/ C-Sides

Lately I've been collecting quite a few tracks that flow around 100 beat per minute. I rarely got the chance to play them loud so I decided to do a mix with them. To be more exact a mix of 100 min of tracks playing at 100 bpm, so you know what you get... 10.000 kicks. Check it out if you're looking for some slow vibes this morning.

https://www.facebook.com/carlothings

artwork by @ranpark

Carlo on Spotify

100 MIN x 100 BPM MIX Vol. 1

100 MIN x 100 BPM MIX Vol. 2

Find out more about Mario Penati at
› www.lemellotron.com/mario-penati/
› @mariopenati

Mario Penati • Le Mellotron Lockdown session

Bringing to you the best tracks from the 70s, 80s and even 60s

Wes Montgomery - Bumpin' On Sunset (1966)

Slowcords

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