Ben Watt's SpinCycle - part 2

Live at Barrowland

Taste of Cindy (Live)

Sometime Around 3
(c) J. Murdock McInnes Vasey


I wish there was a way
I wish I could suggest
A place for you to stay
A place where you could rest

A place to bring your wife
Where your children could stay too
A place to stay forever
We both know the answer's never

There is no point in trying
We all know we all are lying
We all know that time is short
and that soon we will be dying

[bridge]
We have no way to leave
And we know that we can't stay
It seems that we are stuck
I guess it's just our luck

[instrumental]

This world is out of room
Lots of space now on the moon
We can't afford the rent
All our money has been spent

Day by day we have less food
Day by day a little sicker
I think I know a way
To make all this a little quicker

Every night a little closer
Every day I push on through
But next morning around three
It might be the end of me

[bridge]
We have no way to leave
And we know that we can't stay
It seems that we are stuck
I guess it's just our luck

[instrumental]

There is no point in trying
We all know we all are lying
We all know that time is short
and that soon we will be dying

We have no way to leave
And we know that we can't stay
It seems that we are stuck
I guess it's just our luck

[guitar solo]


Next Morning Around 3

Television

1880 Or So

Farm

Your Weather

Pauline Murray and the Invisible Girls

Dream Sequence

The Reason Why Vol. 3

Ibakish Tarekigne

Agree

Fleetwood Mac

Landslide (Early Version)

Lucid

Elektra/Asylum is of course famously associated with the earth-toned California sound of the ‘70s. Meanwhile, on the New York City underground, something both weird and wonderful was happening. Led by guitarists Tom Verlaine (née Thomas Miller) and Richard Lloyd, Television formed in 1973 from the ashes of the legendary Neon Boys, which featured Verlaine, drummer Billy Ficca, and a gifted poet/bassist by the name of Richard Hell. With Lloyd as second guitarist, Television persuaded CBGB’s owner Hilly Kristal to give the fledgling band a gig at his recently opened Bowery bar, making them the first rock band to officially play at the soon-to-be-celebrated venue.
A demo recorded with producer Brian Eno failed to get the band signed and by 1975, friction between Verlaine and Hell saw the latter leaving Television to co-found The Heartbreakers with Johnny Thunders and later, his own hugely significant Richard Hell & The Voidoids. Now counting original Blondie bassist Fred Smith among their ranks, Television began turning heads with their geometric dual guitar interplay, psych-garage energy, and Verlaine’s cryptic lyricism.

The band soon signed to Elektra, whose long history of releasing brave new artists continued with 1977’s milestone debut, Marquee Moon. Epic and eloquent, the album remains an all-time masterwork of forward-thinking rock‘n’roll. Television’s sophomore effort, entitled Adventure, followed in 1978, bearing a more textured sound than its esteemed predecessor.
Television broke up shortly after their second album’s release, with Lloyd and Verlaine each opting to pursue their own singular creative visions. In Verlaine’s case, that included a brilliant self-titled solo debut, released on Elektra in 1979.

By the 1990s, Television was appreciated as both pre-punk pioneers and one of rock’s all-time most important bands. As such, they reunited in 1992 for an eponymous third album and then continued performing live on a semi-regular basis. In 2007, Lloyd was forced to leave Television following an extended hospital stay that prevented him from performing at the band’s sold-out concert in New York’s Central Park. Though Lloyd was replaced on that evening by guitarist Jimmy Ripp, the gig now officially stands as Television’s last.

1880 Or So

Television

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