Name: Tired Eyes Of Setting Sun by Temple Of The Purple Moon
Duration: 5 min 26 s
Description: Track from upcoming album "Tourmaline Tapes". The album will be released on all music platforms on November 6th 2022

From the free album ‘Fabric of Minutes’ available at tunnelwater.bandcamp.com

Roaming Light, Unseen (Album Edit)

Bandcamp: https://expansionoftheauralcognizance.bandcamp.com/track/the-ubiquity-of-arbitrarity
Youtube: https://youtu.be/FgzZsfLIBXY

Image: https://wallpaperaccess.com/bamboo-hd

Bandcamp

The Ubiquity of Arbitrarity

hyperreal

Very delighted to present my first collaboration with fellow ambient guitarist Ray aka Wodwo (@user-364196783-552705040), which we started and completed in July 2022 by sending recordings to and fro. Everything you hear is guitar or electric bass.

Ray also posted the tune on his profile: https://soundcloud.com/user-364196783-552705040/germ-wodwo-encym

Enjoy!

Hyphae

Germ [Wodwo & encym] Out now on Bandcamp

Colorful addictions

Synths in Space. From whence they originated..

A little ditty on two instances of GForce SEM module, one U-He Repro, and a Sugar Bytes Factory track, to get me back in the swing of it all. 

Hope you enjoy

Synths in Space

Track from upcoming album "Tourmaline Tapes". The album will be released on all music platforms on November 6th 2022

Tired Eyes Of Setting Sun

Da Dove Vuoi

"Transcending to Universal Consciousness" is a spiritual journey that involves surpassing the boundaries of individual consciousness to connect with the greater collective consciousness of the universe. This journey requires letting go of the ego and embracing a state of mindfulness and awareness, in which one becomes attuned to the deeper mysteries of life and the interconnectedness of all things. Through this process, one may experience a sense of oneness with the universe and gain insights into the nature of reality that can lead to personal growth, transformation, and a deeper understanding of the world around us. The path to universal consciousness is a lifelong journey that requires dedication, commitment, and an open mind, but the rewards of this journey are immeasurable.


The tune linked below is a collaboration work with Synline (https://soundcloud.com/synline). Always so fascinating working with musicians who I love. Pls enjoy!!  
https://soundcloud.com/synline/transcending-mozawasynline?si=67a745d931f14f1aac15f0b27073e82f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Transcending to Universal Consciousness

I've been trying to make Jazz music by electronic means for a while now. It's been pretty hard.

So much about the ethos of Jazz is dependent on the traditional notion of musicianship: a group of people in a room, trading improvised passages. So much of its tradition is shaped by virtuosos. The thing is, even though I play 'real' instruments, I don't play them well enough and also (and this might be strange to admit) I don't even like playing them that much. I started playing the saxophone when I was 15 and then went for 20 years without playing, I got back into it last year, but I don't really enjoy the process. So I sold it. Now I have a clarinet (because it's quieter, cheaper and sweeter), but I also got a wind synth.

Yeah, the wind synth is not the same, but it's close enough for what I want, it allows me to literally breath some emotion into what I play without it being loud or overly hard to intonate and I have a lot more fun this way. This track features me playing the wind synth.

But another part of Jazz is the collaboration. So I invited the amazing producer and guitarist @ubo-music to contribute some jazz guitar improvisation and that changed everything. It brought a totally new life to the piece.

Overall, the process was: write a very repetitive pattern for the keys and the bass, then use that to play the virtual sax. I sent that to ubo, who send back this guitar part. Based on his part, I then re-recorded a big chunk of the sax parts. After that, I went back and played the keys again to add flourishes and variations, same for the bass. For the drums, I used Superior Drummer and made a bit of a collage of midi parts (I love doing this, it's like sampling, but for midi.)

In the end, even though nobody played together, I hope it still feels organic and if it does, it's because we did collaborate and traded passages, only they didn't happen in realtime.

Honestly, it's strange calling it Jazz. I have so much respect for the roots and traditions of the genre, but it has also evolved so much since the early days in New Orleans that I think I'm entitled, just like everybody else, to bastardize it in whatever way I see fit.

Jazz III (feat. ubo)

Almares

For more music, check Spotify:
https://open.spotify.com/artist/1WlroWfOWSnFuDKgF7vZqZ

Thanks for listening and supporting 🐸 🐸 🐸 

One-man project.
 Various meditations and experiments with synths, guitars, field recordings, noisy DIY-things, and much more.
  Ambient/Drone/Electronic/Experimental


Tired Eyes Of Setting Sun

Temple Of The Purple Moon

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