Interview and tracklist: http://www.thefader.com/2015/02/27/fader-mix-lilacs-champagne

FADER MIX: Lilacs & Champagne

Artist: Envy
Title: Footsteps In The Distance
Album: Atheist's Cornea
Release Date: July 10, 2015

Pre-Order LP / CD: shop.temporaryresidence.com/trr259
Pre-Order Bandcamp: envy.bandcamp.com
Pre-Order iTunes: itunes.apple.com/us/album/atheist…rnea/id990747563

By now Envy's influence on various strains of underground music has been cemented – and reiterated by artists as varied as Thursday, Mogwai, Deafheaven, MONO, and Touché Amoré. With legacy comes expectation, and expectation often breeds complacency. It takes only 20 seconds into opener "Blue Moonlight" for Envy to dispose of the gentle, lilting guitar figures that have marked much of their past couple albums. So begins the journey that is Atheist's Cornea, their first album in five years.

Despite its relative brevity (at 43 minutes it is Envy's shortest album since their early 90s thrash days), Atheist's Cornea is easily the band's most progressive work. Beginning with a punishing pummel, holes of light are gradually punched open to reveal an uncanny series of dynamic, emotionally charged epics. Not only does Atheist’s Cornea showcase some wholly unexpected new turns for Envy, it also often reaches transcendent heights that could overwhelm a major blockbuster film — all while vocalist Tetsuya Fukagawa sings, screams, and speaks like his life depended on it.

Atheist's Cornea is the purest, most distilled example of Envy's brand of brilliance. It is also their bravest album, taking new risks with a much welcomed, broader vocal palette — the stripped-bare confessions of "Ticking Time and String" are particularly revelatory — and an instrumental experimentation that navigates blistering shifts from impenetrable noise to poetic, pin-drop introspection with astounding grace. Envy have finally mastered the art of being effective and efficient without sacrificing an ounce of either – a truly inspired evolution from a band whose mastery of both remains unparalleled.

© 2015 Temporary Residence Ltd.



Envy - Footsteps In The Distance

Artist: Prefuse 73
Title: Search The Sky
Album: Every Color of Darkness
Release Date: July 10, 2015

Pre-Order LP: http://shop.temporaryresidence.com/trr255
Pre-Order Bandcamp: https://prefuse73.bandcamp.com/album/every-color-of-darkness
Pre-Order iTunes: https://itunes.apple.com/us/album/every-color-of-darkness/id997744107

Search The Sky

ZOMBI - "Shadow Hand" from 'Shape Shift' out now via Relapse Records

Order at Relapse: http://bit.ly/ZombiShapeShift
Order on iTunes: http://geni.us/ZOMBIssIT
Order on Amazon: http://geni.us/ZOMBIssAZ
Order on Google Play: http://geni.us/ZOMBIssGP
Download via Bandcamp: https://zombi.bandcamp.com
SUBSCRIBE: http://bit.ly/RelapseYouTube

Official links: 
https://www.facebook.com/ZombiBand
https://twitter.com/zombiband
http://zombitheband.tumblr.com/

http://www.Relapse.com
http://www.facebook.com/relapserecords
http://www.twitter.com/relapserecords

Order

Zombi - Shadow Hand

Artist: Parlour 
Title: New Syntax Preserves
Album: Parlour 
Release Date: June 17, 2016

Pre-order CD / LP: parlour.bandcamp.com/album/parlour

If there is one constant with Parlour, it is that nothing is ever the same. For nigh two decades, the Louisville, KY experimental troupe – led by Tim Furnish of influential, defunct Louisville art-rock band, Crain – has had more line-up changes than albums. This consistent creative movement keeps the sound of Parlour forever curious, and impossible to predict. While that flies in the face of conventional wisdom for commercial prospects, it unquestionably makes for more compelling and mercurial music.
On the band’s self-titled fourth album, Parlour pushes ferocious, dynamic guitar rock to the brink with hypnotic repetition and shifting, stabbing rhythms. In fierce Parlour fashion, the driving crunch of guitars is punctuated with shimmering buzz of synths. The difference here, though, is Parlour has shed their trademark woodwinds in favor of a leaner, heavier aesthetic. With a reduced instrumental palette and increased focus on beats and riffs, the songs are more naked and intense – equal parts crashing krautrock, and crushing prog-rock.

ALL VINYL FORMATS INCLUDE MP3 DOWNLOAD COUPON FEATURING DIGITAL BONUS TRACKS!

TRACK LISTING
1. New Syntax Preserves 
2. Nadeemed 
3. Fempire 
4. Catnip 
5. Resist Ants 
6. Kármán Line 
7. Decadence Herd

Released by:
Temporary Residence Ltd.
Release date:
17 June 2016
P-line:
℗ Temporary Residence Ltd.

Parlour - New Syntax Preserves

Artist: Zammuto
Title: My Dog's Eyes
Album: Veryone EP
Release Date: July 12, 2016

Buy: https://zammuto.bandcamp.com/album/veryone

Over the past few months Nick Zammuto has been digging back into his seemingly endless backlog of rare tapes and LPs collected during the Books’ tours from 2005-2011. Veryone compiles the first three tracks that mark the beginning of a new line of sample-oriented work that Zammuto plans to develop into a full-length album in 2017. Of this new work, Zammuto says, “In many ways it feels like coming home.”

“My Dog’s Eyes” is based on an outdated list of children’s favorite things. Zammuto took each image, found its rhythmic heartbeat and intrinsic melody, and put them in order of increasing tempo as a structural basis for the track. He then composed additional instrumentation around this structure, in the process revealing the natural cadence and harmony within each phrase.

On “It Can Feel So Good,” Zammuto built a tuned array of PVC pipes and a device that holds a small speaker in the optimal position for re-recording sounds though them (pictured on the Veryone's cover). Using Zammuto’s well- documented, innovative record-scratching process, unique vinyl rhythms were pushed through the pipes to create the rhythmic and melodic structures of the track. He coupled this with a beautiful voice from a vintage meditation tape from the 1970s, chopped and tuned to match the pipe resonances. A portion of this track originally appeared in the 'New Now' episode of Adult Swim's show Off The Air.

For the final track, “Smolt,” Zammuto guitarist, Nick Oddy, donated an old Epiphone SG electric guitar, of which Nick Zammuto removed the frets. By tuning, pitching and delaying improvisations on the fretless guitar, Zammuto sequenced a number of interlocking melodies and rhythms. An old choral tape sample, which happened to be in the same key as the guitar, became the counterpoint. To complete the piece, a lot of 'noise' from recordings of rain and fire were adapted as a kind of “smoldering” backdrop.

TRACK LISTING
1. My Dog's Eyes
2. It Can Feel So Good
3. Smolt

© 2016 Temporary Residence Ltd.

P-line:
℗ 2016 Temporary Residence Ltd.

Veryone EP

Zammuto – My Dog's Eyes

Artist: Tangents
Title: Oberon
Album: Stateless
Release Date: July 8, 2016

Pre-Order: https://tangents.bandcamp.com/album/stateless

Stateless is the second full-length album of genre-hopping	post-everything	experimentalists Tangents. In a delectable hybrid of styles, Stateless cuts up and weaves together rich instrumental passages from the multi-talented ensemble of musicians whose collective resumé spans decent swathes of recent experimental music history: British electronic music producer Ollie Bown (Icarus, Not Applicable); Adrian Lim-Klumpes (Triosk, 3ofMillions) on piano, Rhodes, vibraphone and marimba; Peter Hollo (FourPlay String Quartet) on cello; and the duo Spartak (free improviser Evan Dorrian and singer/producer Shoeb Ahmad on drums and guitar respectively). Sparse metal-coated drum hits stumble over glistening reverse vibes, Saharan guitar licks, Fender feedback and washes of filtered piano. Moments of acoustic jazz surface, flowing into stoic upbeat anthems, drenched with multilayered patterns of glitched strings.

TRACK LISTING
1. Jindabyne 
2. Oberon 
3. Masist Cau 
4. Directrix 
5. N-mission 
6. Along The Forest Floor 
7. Maze Crescent – Part I 
8. Maze Crescent – Part II 
DIGITAL BONUS TRACKS
9. Jindabyne (Four Tet Remix)
10. Dank Memes & Things(The Cheech Diva's Evensong In The Time Of Orange Skinned Camachos And Shrill DM Masons) 
11. N-MIssion(Rabit Remix)

© 2016 Temporary Residence Ltd.

P-line:
℗ 2016 Temporary Residence Ltd.

Tangents - Oberon

Artist: MY DISCO
Title: Our Decade (Regis Mix)
Album: Severe Remixes
Release Date: August 26, 2016

Order: https://mydisco.bandcamp.com/album/severe-remixes

The stark, sinister minimalism of Australia’s MY DISCO is one of the most genuine and chilling examples of psychedelic music in the world right now. Their most realized album to date, Severe, gets remixed by a pair of producers whose work is equally as grave and intense: Regis, and Lustmord.
Regis takes MY DISCO’s penchant for heavy repetition and hammers it into nightmarish factory filth on “Our Decade (Regis Mix)”. On the flip side, Lustmord returns – on the eve of his first new album in over a decade – with a 12- minute, slow-burning meditation on the resonant space between MY DISCO’s iconic, pounding stabs. Taken as a whole, these remixes take the deceptively sparse few elements MY DISCO’s music, and push them to a terrifying precipice. It is that terror, that feeling of uneasiness and pitch-black confusion that makes them ideal companions to the original tracks that make up MY DISCO’s aptly-named Severe.

TRACK LISTING
1. Our Decade (Regis Remix)
2. 1991 (Lustmord 20/20 Mix)

© 2016 Temporary Residence Ltd.

MY DISCO – Our Decade (Regis Remix)

Artist: Eluvium
Title: Rorschach Pavan
Album: False Readings On
Release Date: September 2, 2016

Order: store.temporaryresidence.com/products/trr265

Cognitive dissonance is, at this point, an everyday part of modern society. The difference between belief and reality is blurrier than ever, and there is often sufficient manipulation to both so as to make the distinction intentionally unclear. The source of those manipulations can either be external, or deceptively internal.

False Readings On is the new album from renowned experimental composer, Eluvium. Its creation was originally inspired by themes of cognitive dissonance in modern society. By its conclusion it had become a mirror rather than a magnifying glass, evolving into an hour-long meditation on self-doubt, anxiety, and separation from one's self.

There is an emotional lucidity and melodic ingenuity to Eluvium's music that has made him increasingly stand out from the sea of ambient artists that his earlier albums no doubt helped inspire. Sounding like an orchestra ceaselessly performing even as it sinks beneath an ocean of distortions and tape noise – with the occasional operatic voice piercing the surface – False Readings On is assuredly the most daring, dynamic, and distinct album of his luminous career.

TRACK LISTING
1. Strangeworks
2. Fugue State
3. Drowning Tone
4. Regenerative Being
5. Washer Logistics
6. Movie Night Revisited
7. Beyond The Moon For Someone In Reverse
8. False Readings On
9. Rorschach Pavan
10. Individuation
11. Posturing Through Metaphysical Collapse

© 2016 Temporary Residence Ltd.

False Readings On

Eluvium – Rorschach Pavan

'Brean Down' taken from the forthcoming album '>>>' released on Invada Records & Temporary Residence on 21st September 2018

Beak> - Brean Down

Floating Spectrum is the moniker for Taiwan-born, Berlin-based composer and audio technologist, Mei-Fang Liau. Her debut album as Floating Spectrum, A Point Between – crafted from a combination of synthesizers, everyday household objects, and unique software synthesizers made by Liau herself – is truly a sound and vision unlike any other. To complete the album, Liau relied heavily on a self-made, fractal-inspired software synthesizer called Polyphylla, which simulates the way in which nature creates very complex and organic forms just by repeating slight variations of a simple form. It allowed Liau to create slowly evolving textures and sounds with complex dynamics, and thus the driving influence for the whole of A Point Between. The lone outlier is “Eruption,” for which Liau built a generative sound system that turns visual data into sound. In this hybrid system, sensitively fluctuating analog signals, fine-tuned data analysis, and human intuition perform together as one coherent living being. The technological marvels of Floating Spectrum are, of course, uniquely impressive. But the more astonishing and intangible triumph of A Point Between is its singular ability to collect and shape such abstract sonic organisms into richly textured, immersive works of art. It’s that profound resonance that makes A Point Between such an uncanny work of emotional and structural depth.

Floating Spectrum - The early green outburst

Temporary Residence Ltd

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