At 43 seconds the riff just kills. Very nice work. Another great arrangement.

great atmosphere, loved the fill of spectrum

Rockin tune yall was fosho jammin on this one

I love main riff! good energy! keep it up

Hen Wlad fy Nhadau meaning "Land Of My Fathers" is the Welsh national anthem that has been adopted in Brittany for the Breton hymn: Bro Gozh Ma Zadoù. It is also the hymn of Cornwall.
Here is my version played with a bombard tuned in B flat. 
Enjoy!
--
Hen Wlad fy Nhadau (Pays de mes Pères) est l'hymne national gallois qui a été adopté en Bretagne (Bro Gozh Ma Zadoù ou Vieux Pays de mes Pères). C'est aussi l'hymne de la Cornouailles britannique.
Voici ma version jouée sur une bombarde en SI bémol. Bonne écoute!

Bro Gozh Ma Zadoù

Another track I did, it gets pretty crazy.
A demo track.

Gonden - True Deception

Perseverance

Duration: ca. 9'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation:  soprano, baritone, and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Marnie Breckenridge, Soprano, and Jorell Williams, Baritone

Purchase Sheet Music (available with In Real Life II and In Real Life II): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778
Extraordinary may be performed as a stand-along work, or with In Real Life I and/or In Real Life II.

For more information:
Version for Soprano,  Baritone, and Chamber Ensemble: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-chamber-ensemble
Version for Soprano, Baritone, and Piano: https://robertpaterson.com/in-real-life-ii-version-for-baritone-and-piano

PROGRAM NOTE
As a follow-up to our song cycle for soprano and chamber ensemble (or piano), Robert and I  agreed the concept of five characters looking for love online should have a male counterpart. Written for baritone and chamber ensemble, In Real Life II looks at five contemporary men clicking their way to second chances and romance. In “No Frog” we meet a prototypical player, a guy who fluffs his profile, but the truth keeps slipping out. The tone shifts with “Sola Fide,” in which a U.S. veteran of the war in Afghanistan explains the tattoo on his chest and the wounds inside. An older gentleman envisions one last fling in the irreverent “Die with Me.” In “Still Vamping,” a gay man muses on his start-and-stop romantic history. Finally, in “Nice-Plus,” an everyday guy reveals a hidden passion. In Real Life II was commissioned by American Modern Ensemble with funding from the Doctorow Family Foundation.

American Modern Ensemble: In Real Life

In Real Life

Extraordinary (Version for Soprano, Baritone, and Chamber Ensemble)

short instrumental, cover November rain (Guns n Roses) was recorded in home studio...  pianos, 3 guitars, drums, bass

November Rain instrumental short (cover)

Went away for a few days and stayed at a house in middle of nowhere, there was nothing around but cows, on the side in the house was a little information sheet about the place, the lyrics are loosely based on that.

LYRICS

John Wild was staring at his pile of stones. He piled them together till he had a home.
In the fields full of gagel, where bog myrtle grows.
He'd raise up a family where no one could know. 

And, the cows do not care how you feel.
The cows stand and stare in the fields.
Oooooooo. 

There are herbs on the hillside and fish in the stream, 
There's game to be poaching to make good the lean. 
All the animals crowd as the north-easter blows.
The short days of winter approach from below. 

And the cows stand and stare through your face. 
The cows that belong to this place.
The cows do not care how you feel.
The cows will not move from these fields.
Ooooooo-ah. 

And the hills do not know,
of the valley(s) below. (x2) 

ahhhhhh (x4) 

The cows do not give much away.
The cows in the wind do not sway.
The cows are not ever forlorn.
The cows stay right where they are born.
Oooooooo. 

Oh, to be free,
in the wild valley.
Now, look at me.
With my land, far from sea. 

Oh, look at me.
No stopping me now.
Oh, look at me.
With my field; full of cows. 

And, the hills do not know,
of the valley below. 

John Wild was staring at his pile of stones. He piled them together till he had a home.
In the fields full of gagel, where bog myrtle grows.
He'd raise up his family where no one could know. 

And the cows do not care how you feel.
The cows stand and stare in the fields.
The cows do not show on their face.
What they think of this place.
Ooooooooo.

Cows (Wild Ones)

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Stonewall St Blues - Blind Blake 1927

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"The Drill, the Bit, and the Woodworker's Grit" by Stoney Bair

High school music teacher / hobby musician & producer.  I have a lot of fun creating rock/metal, and other genres just using software/sampled instruments.

Perseverance

tempoTronix

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