01 - レイニーデイ

Waiting Room 

Phoebe Bridgers - Waiting Room (live)

IMPULSFESTIVAL 2021 | OCTOBER 13 | HALLE (SAALE), GERMANY

October 13 I Halle (Saale), Germany
Steintor-Varieté
Am Steintor 10, 06112 Halle (Saale)
http://www.impulsfestival.de/2020/

Program
Premieres from IMPULS CAMPUS  

Veronika Reutz Drobnić (*1999)

CAMPUS Masterclass led by: Annette Schlünz

Musicians
Flute: Jaume Darbra Fa
Clarinet: Hugo Queirós
Piano: Itxaso Etxeberria
Percussion: Moritz Koch
Viola: Alice Vaz
Cello: Ella Jarrige
Double bass: James Banner
Performer: Veronika Reutz Drobnić 

Conductor: Rémi Durupt

Director of Tempus Konnex: JiYoun Doo
www.tempus-konnex.com

Video: Sascha Kummer

Artistic Directors of Impulsfestival: Hans Rotman, Julian Rieken

Sponsored by Ernst von Siemens Musikstiftung, Lotto GmbH Sachsen-Anhalt, Land Sachsen-Anhalt, Neustart Kultur/Stadt Halle

No.2 (2021)- Veronika Reutz Drobnić (*1999)

My Preludes (for piano)-III- "Mystic".                                                                  
The third and final entry in my "Preludes (for piano)" suite. 
Dedicated to David Victor Feldman. This composition is in 4 sections, each expressing a different character.

Prelude II: https://soundcloud.com/user-708155291/preludes-for-piano-ii-1

Prelude I: https://soundcloud.com/user-708155291/preludes-for-piano-i

Preludes (for piano) -III- "Mystic" [2024]

Entwurf zur Bühnenmusik für WÜRGEENGEL Schauspiel Frankfurt, Premiere 20. Januar 2024, Regie: Claudia Bauer, Musik: Alexandra Holtsch /Hubert Wild

Flow My Tears Entwurf Würgeengel 2024

Aim of this

Ta La Me Lin

DESERT    1

method: first, I created a shaman-monk-version (mostly ‚Gregorian‘ voice and jaw harp) on cassette tape (this is where some of the noise - especially in the first section - derives from) and zoom r20 with a vacuum-tube pre-amp for the voice ….. all of which I then treated like a field recording sample in Samplitude - sculpting it with vst instruments and effects. 
narration: it feels like I have sonified this poem a million times before …. which might be the case because I have lived through it that often - I and others I dearly care for …. but then again … I might have actually done so. it is also part of the cycle SONIC CASCADE published in  A SINGLE LOOP OF FORTUNES. Alternative titles are ‚TWO-PLACE‘ and ‚04s SAMPLE‘. For this publication, I simplify the title to  ‚SAMPLE‘.
Image: copyright jo richter. you see some of the instruments used in the shaman-monk-version, arranged with a bracelet as though displayed in a museum. 

poem / copyright jo richter:

two-place sleeps on the ground
and still doesn‘t know where it is -
all of its strings sound sound
in heaven-hellish bliss -
nothing, it says, goes amiss
that doesn‘t want to be found

sample

Excerpt from "L'Être contre le vent" – Composed improvisation by Matthias Krüger, performed by Adrian Foster (organ) and Matthias Krüger (electronics)

Ascension of Our Lord, Westmount (Montréal)
March 17th, 2024 – 08:30 p.m.
As part of "La Semaine du Neuf" festival by Le Vivier - Carrefour des Musiques Nouvelles

L'Être contre le vent (2024) – Excerpt#1 // Kruger/Foster

www.tempus-konnex.com
info@tempus-konnex.com

No.2 (2021)- Veronika Reutz Drobnić (*1999)

Tempus Konnex

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