Honestly, Fuck You

Theo

Thank You for Trying: ACT I

Impossibly Incredibly

Thank You for Trying: ACT I & II

Interlude: Morality Play

Paragraphs

Interlude: A Greenroom Painted Orange

The Equivalent

End: Grand Finale (Record Full Band Unless Out of Money)

Critics (Fifty Bucks)

Still Up Late

Still Up Late (Acoustic)

Lying in the Grass Thinking About Death

Lying in the Grass Thinking About Death (Acoustic)

A Few Songs Live off the Floor

God, Love, Prescriptions, and Politics (Acoustic)

girl of my dreams

*Free Download: http://bit.ly/2Bs4tWA
Cover of 'Something About What Happens When We Talk' by, Lucinda Williams
Cover by, Ten Kills The Pack (sean sroka)
Toronto, Canada
www.tenkillsthepack.com

Something About What Happens When We Talk- Lucinda Williams (cover- Ten Kills The Pack)

When I Say You Are Killing Me’ is a poem. It’s an intensifying rhythm of words that build and grow as fast the idealistic story it’s telling. The piece embodies how great moments leave us more quickly than we can acknowledge or appreciate them. And how the idea of time can become so irrelevant when adjacent to the idea of love.

When I Say You Are Killing Me

Force Majeure

Relaxing Apartments

The Only Place

Ten Kills The Pack (a.k.a. Sean Sroka) applies a deep level of intimacy and eloquence to confessional songs rooted in modern motifs. He seamlessly translates cosmopolitan, commuter lifestyles through thought-provoking, indie-folk soundscapes as he embodies the role of a “city songwriter” through and through. 

His debut EP, Force Majeure, is a series of definitive moments delivered through artful songcraft and organic instrumentation as he defines “city folk” as a genre. These songs were crystallized through recording sessions held in Toronto high-rises, where the sights, sounds and shapes of the city were woven into the music. 

It’s for this reason that Sean Sroka proves his title as modern poet, composing songs that are uniquely his. His strength as a songwriter is a result of his acute awareness. His music allows us to view genuine human experiences through an unfiltered and impartial view. His songs say self-pity and self-destructive tendencies only prove your humanness; that happiness and sadness are two sides of the same coin and that healing takes time. Instead of focusing on the grandiose, he shines a spotlight on the granular, taking pause to celebrate those small moments. The unglamorous is interesting, because it’s relatable.

Ten Kills The Pack

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