Reminds me of some of Yonder Voice's works, but more dyanmic in tone and vocals.

Are there any plans to release a digital version of the album or at least this track?

Yeah. This lyric interesting because; if you were born in Japan and just passed your days, you would be confused by this choice of words.

Lapix - オッド♡ラヴィ Feat. PANXI [Beatmania IIDX 32 Pinky Crush]

This song is so upbeat!
LOP STEP RABBITS! Camellia has done it again!
I don't own this.

Nanahira - Kimi no Koe wa

【太鼓の達人】vs.VIGVANGS / MisoilePunch♪

恋感♥キミイロDelight!

THE ODYSSEY [HARDCORE DUBSTEP] — ALBUM DESCRIPTION

Sing to me of the man. And then drop the bass.

The Odyssey is a 36-track hardcore dubstep concept album adapting Homer's complete epic — every island, every monster, every homecoming deferred — in Skrillex-era destruction. Filthy wobble bass. Distorted synth stabs. Aggressive breakbeats. Nothing clean survives the drop. The sub-bass is physical. The drop is the monster.

VOCALS: Aggressive male vocals throughout — Odysseus, Telemachus, Poseidon, all male POV tracks. Clean female vocals on four tracks only: Penelope, Circe, Nausicaa, and the Sirens. These are the four tracks that hit hardest because of the contrast.

STRUCTURE: Every track built differently. No two songs the same. The Cyclops is a boss fight structure with three distinct drops. The Lotus Eaters has a warm seductive drop that is the danger. The Sirens has the most beautiful female vocal in the album sitting on top of the most filthy wobble bass, the beauty being the trap. The Underworld never drops — the bass just goes lower until it disappears. Argos replaces the drop with silence. Penelope's Shroud builds for the entire track and the drop never comes — the most uncomfortable track in the album.

FIVE KEY TRACKS:

Track 03 — Penelope's Shroud: The only track where the drop never arrives. Builds and builds and holds. Clean female vocal over chaos that never releases. Twenty years of not knowing compressed into one track that never resolves.

Track 15 — The Sirens: The most beautiful and most deadly. Clean female vocal on the surface. Filthy wobble underneath. The melodic line makes you want to sail toward the rocks. The rocks are the drop.

Track 22 — Argos: The hardest track to make. The buildup rises, the drop should come, and instead: silence. Four bars of near-nothing. Then one bass pulse. Then done. Twenty years and one moment and then the dog lets go.

Track 24 — Penelope and the Beggar: The second no-drop track. Both of them in the same room. Neither knowing. The production at maximum. The drop doesn't come. The silence is the recognition that hasn't happened yet.

Track 27 — The Bed: The only track that ends quietly. Aggressive opening from Odysseus, the test in the pre-chorus, the recognition drop resolves like a chord after twenty years, and then both vocals together in near-silence. The olive tree. The unmovable bed. Done.

The wine-dark sea. The filthy wobble bass. The man on two timbers who held on. The dog who waited. The woman at the loom. The bow strung like a swallow singing. The hardest drop in the album is the slaughter. The second hardest is the name called back to the Cyclops from the ship that started it all.


Penelope's Shroud

iTunes : https://itunes.apple.com/jp/album/horizon-note/id1280395796
Bandcamp : https://endorfin31.bandcamp.com/album/horizon-note
Also available in Apple Music, Google Play, Spotify and so on.

From Endorfin. 1stAlbum "Horizon Note" track.01!

Album XFD...https://soundcloud.com/endorfin31/horizon-note-xfd
Learn more...http://endorfin.jp/cd/horizon_note/

Horizon Note

Horizon Note【M3-2016春】

Endorfin. - Spica

(Supposedly) not too late for a Valentine release.
From Signal-E 4th Album "Seasons/Winter"

Composed & Arranged by 天游
Vocal by 东京塔（a.k.a. Tawako）
Lyric by 夢紗
Mastered by CodePhoenix
Illustrated by Makuri

雨音に打たられた
人混みの駅前佇つ
「おかえり」と
甘過ぎる夢でも
今ひとりだけ


急げなきゃ間に合えぬ
盲目の逐う遊戯が
いつ終局になるのか知らぬ
教えてください

灯火の下で隠された
寂しげそうな面影を
見つめてる日々が
痛み過ぎだけど


（だって）好きだから
嘘だと知っても許し
長い夜渡って
慰さめて
待ち続けても
答え出せぬ

（だって）ウソだから
玩ぶでも大丈夫
手心残された温度
今未だ覚える


雪雨が降りしきる
絶やさえぬ戯言さえ　　
耳を塞いでも鳴り響いて
もう放さないで

月明かりに照らされていた
長く伸びる人影と
声掛ける度が
恐く躓いて

ジレンマの隙間で走り込む貴方　
手を伸ばす　涙を拭って　
「もう泣かないで」と呟いた

荊棘の径で歩き通すワタシが
違う自分になり
段々君に遠ざけた

（だって）好きだから
忌まわしい思い抱いて
踏み躙られても信じてて
何度でも追い掛け続けて

（だって）愛してる
違う道を選んでも
もう一度　僕を見せて
雪華の下で

Seasons/Winter

雪の雫·雨の音 feat. 东京塔

BIGHEAD NEW PROJECT
VOCAL:MAU
TRACK:BIGHEAD

LAST DREAM feat.MAU

【オリジナル vo. 藍月 なくる】 桜色プリズム (2017 Spring Edition) 【 Endorfin. 】

夜明けまであと3秒

Producer, Composer & Co-Founder @ Signal-E Audio Productions
Director @ Aerial Audio System

Projects

2022
(TBA)
(TBA)

2021
Azur Lane

2020
Girls Frontier
Rhythm Fighter

2019
Swords of Legend Online

2018
Muse Dash
INVAXION

2017
Bilibili Macro Live SP
Sharpkey Virtual Idol "Yuan Xiao"

2016
永远消失的幻想乡
战舞幻想曲
水时计

2015
Zyon/Zion

New Project Coming Soon!!
Contact: tenyuhuang(at)gmail(dot)com

雪の雫·雨の音 feat. 东京塔

tenyuhuang

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