Bækkens Sang Til Pigen

Bright sin of the ether
Blurry in the ambit, like a red shield
With a ray, opens up to the eye
Divided sky in two
Eastern, despicable poison
Gathered in an instant

There are fields ready yet unrecognized sky
Like a felon in broad daylight
Bitterness, hurries down - burns behind the marshes
This fleeing distance of the corners - It throws a weak beam.

Over all these years, going through the motions in busy streets, courts and ballrooms, marching along with the parade, one will see an endless gallery of facades, masks, faux costumes, and contrived personas. Only a sensitive hand can tear down this adhered wallpaper of imitation. Standing under this gleaming sunrise is not an act of defiance, anger, or detachment; it is invitation, albeit a futile one, to see what lies beneath.

Copenhagen-based visual and musical artist øjeRum presents 'Lav Sol', an album of symbolistic landscapes seen through intuition. In his music, Paw Grabowski effortlessly combines traditional, classical themes and motives into contemporary poetic forms. The three long-take recordings of Lav Sol inspire to look for the truth under the surface.

*Vocals by @iunaniva

Lav Sol

øjeRum - Lav Sol

Pierre Henry
Malefices
6CACK
Often evading the composer ’s official discography lists Cacophonic present this outstanding, commonly undetected Pierre Henry film score providing fans of early electronics, femme vocal manipulation and horror soundtracks with an indespensable "dream record" that ticks every box and crosses out every line in the rule book. Widely recognised as one of the original sonic architects of the movement known as musique concrete, having joined Pierre Schaeffer's forward-thinking initiative as early as 1949, Pierre Henry was arguably the first musician to entertain the notion of this defiant musical revolution coexisting with traditional and poplular music. Initially using the mediums of modern dance and spoken word as a platform to contextualise his tape-music mutations (notably in unison with Maurice Bejart) Henry's foresight to fuse accademic with thematic ideas lead to the birth of electronic sound design for film and theatre, expemplified most prevalently in the macabre.

The missing link between his earliest avant garde recordings and his later celebrated pop experiments with Michel Colombier and Spooky Tooth and rivaling the likes of Daphne Oram's uncreditted SFX work for The Innocents this rare score to the 1962 Juliette Gréco vehicle Maléfices (aka The Hex or Where The Truth Lies) hears Henry at what is perhaps his most melodic, fragile and enchanting (especially for this unforgiving sheen-free formative era). Layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial treated piano textures Henry provides a series of conceptual poison peons to magnify this films intoxicated halluciogenic narrative. This concise set of complete set themes is presented here fully remastered for the first time alongide rare excerpts from two of the composer's very earliest and least obtainable forays into theatrical sound design with instrumental parts of Henry's first stereo reconstruction of Bejart's Orphee from 1961 and his seldom heard concrete interludes from Darius Milhaud and Max Gérard's Mariage De La Feuille Et Du Cliché from 1958, both of which command rapidly increasing ransom fees amongst serious electronic music collectors.

La Mort Musique - Pierre Henry

𝐔𝐧𝐝𝐞𝐫𝐧𝐞𝐚𝐭𝐡 𝐭𝐡𝐞 𝐛𝐫𝐢𝐝𝐠𝐞, 𝐭𝐚𝐫𝐩 𝐡𝐚𝐬 𝐬𝐩𝐫𝐮𝐧𝐠 𝐚 𝐥𝐞𝐚𝐤
𝐀𝐧𝐝 𝐭𝐡𝐞 𝐚𝐧𝐢𝐦𝐚𝐥𝐬 𝐈'𝐯𝐞 𝐭𝐫𝐚𝐩𝐩𝐞𝐝, 𝐡𝐚𝐯𝐞 𝐚𝐥𝐥 𝐛𝐞𝐜𝐨𝐦𝐞 𝐦𝐲 𝐩𝐞𝐭𝐬
𝐀𝐧𝐝 𝐈'𝐦 𝐥𝐢𝐯𝐢𝐧𝐠 𝐨𝐟𝐟 𝐨𝐟 𝐠𝐫𝐚𝐬𝐬, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐝𝐫𝐢𝐩𝐩𝐢𝐧𝐠𝐬 𝐟𝐫𝐨𝐦 𝐭𝐡𝐞 𝐜𝐞𝐢𝐥𝐢𝐧𝐠
𝐈𝐭'𝐬 𝐨𝐤𝐚𝐲 𝐭𝐨 𝐞𝐚𝐭 𝐟𝐢𝐬𝐡 '𝐜𝐚𝐮𝐬𝐞 𝐭𝐡𝐞𝐲 𝐝𝐨𝐧'𝐭 𝐡𝐚𝐯𝐞 𝐚𝐧𝐲 𝐟𝐞𝐞𝐥𝐢𝐧𝐠𝐬

𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐰𝐚𝐲, 𝐦𝐦𝐦
𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐰𝐚𝐲, 𝐲𝐞𝐚𝐡, 𝐦𝐦𝐦
𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐰𝐚𝐲, 𝐦𝐦𝐦

Something In The Way (Nirvana cover)

Originally released 3.07.2018 on secret press as C40 cassette tape

The other side of feeling of seclusion and loneliness is a closer meet with the thin layer of perception whiteout social suite of it. This moment of meeting nonverbal sensations caused by connections of all life periods into single picture and sense of 'own' story.

Blear Moon -  Gone

This was given to me by James Izzo (Thread) back in 1999. It is unclear as to which song or songs he has remixed by Pan Sonic (Panasonic back then).  RIP James, you're missed.

Pan Sonic, "unknown (Thread remix)"

Exael/uon

Buy Now

ANM035 Exael — Bundle

CE-06

Venetian Roses "The Fantasy Of You And I"

Venetian Roses - Empatica Embrace

Cyberian Ambient Works is a collection of Pixelord's ambient sketches and tracks, remakes of own tracks from previous albums, old and new, presented as one seamless mixtape. Enjoy cyberian cold spirit.
buy and support here: terminaldream.com/album/cyberian-ambient-works
http://terminaldream.com/album/cyberian-ambient-works

Cyberian Ambient Works

Pixelord - CYBERIAN AMBIENT WORKS

Pre-order album: https://fire-records.lnk.to/FatenKanaanAMOC 

Out today the new evocative second single, ‘The Archer’, from Faten Kanaan's new album ‘A Mythology of Circles’ (mastered by Heba Kadry) released on November 13. A transcendent composition with swathes of shimmering electronics overdubbed in real time, it’s beguiling and majestic. Double AA side includes the equally hypnotising companion piece, ‘Hesperides’.

The new album explores cyclical repetitions in nature and time, and the allegories about them. These re-conjured stories are an attempt to temper the anthropocentric hubris. Reminders to revere nature without the need to overpower it. To embrace ‘mystery’ in our feats of discovery and innovation. The album also has an autobiographical side: a story of movement, migration, and return. Of renewing hope in the face of political and environmental struggles.

Inspired by cinematic forms and mythological story structures: from sweeping landscapes and quiet romances, to patterned tensions and dream sequences; Faten brings an earthy, visceral touch to electronic music. In symbiosis with technology is an appreciation for the vulnerability of human limitations and nuances.

‘A Mythology of Circles’ will be available on limited edition coloured vinyl via Dinked along with LP and CD on 13th November.

Faten Kanaan - Hesperides

Through Passages Of Clay

Psychedelic record label operated by Gultskra Artikler. Terminal Dream aims to explore aesthetics of quieter experimental, ambient, lo-fi music, intended for home and nocturnal listening. Releases are available on cassettes and in digital format.
http://terminaldream.com

send demos 

Pixelord - CYBERIAN AMBIENT WORKS

Terminal Dream

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