Name: Drunken Kong - How Far Do We Go by Terminal M Records
Duration: 5 min 10 s
Description: I love their unique style, rolling grooves, warm melodies and they are always funky. Another 4 track ep with tracks for every occasion! (Monika Kruse)

f*****g track como se baila como la abuela de  javi

Beatport - http://ow.ly/c1TK1
iTunes - http://ow.ly/hRnxb
Vinyl w/ bonus track -Debris: http://www.decks.de/index.php

Teaser video: http://youtu.be/onUTtz6crew

OCTVS: It was Jeremy (aka JPLS) who turned me onto the RAZOR plug-in from Native Instruments which, when running thru the different patches on a channel strip with some heavy side chain going on, i came across the "Broken Jetpack" sound and it was instant. It sounded like a rave siren, a call to arms sort of thing with peaks and lows. So yeah, sometimes the hook/music comes before I've worked out what I want to do with the drums or bassline. At the time I was starting to play the classic "Doppelwhipper" by Gabriel Ananda in my sets again and it had this sort of "pimp" or "bling" thing going on that I'd always loved so that helped shape my ideas about the kind of vibe and groove OCTVS should have. The reaction to the record was interesting as quite a few DJs reacted more positively to the mellower b-side, "Debris." But I like to evoke strong reactions with my music or DJ sets so I was nevertheless happy with this release and it certainly rocked the club:-)

Debris: Coming from a dub background during my early acid jazz/hip-hop days in Washington, DC, I'd always wanted to do something in that vein production-wise; something King Tubby or On-U Sound mixed with my long-time love of what Mark and Moritz from Basic Channel were doing with their Rhythm & Sound project. This is me just having fun in the studio with effects and getting outside my comfort zone a bit by doing something aimed straight at the mellower DJs and dancefloors . The feedback was far more positive than I'd imagined so guess I'll have to explore more of that territory with future singles. - Dubfire

Dubfire - OCTVS

Adam Beyer is back on Drumcode with an impressive array of tracks that will get the senses tingling and shows us what Drumcode is all about. These 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only Beyer can achieve within his productions. The under lying throbbing of the drums drives this EP into the forefront of the heads down Drumcode sound and have been heard in many of Beyer’s phenomenal sets throughout the year.

Adam Beyer - Stone Flower - Drumcode - DC141

Featuring heavily on most of Drumcode’s shows due to his impeccable DJ’ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks. Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour’s territory with the help of the subtle percussion.

Bart Skils - Dark Days - Drumcode - DC143

Acid, Bass, Love, Techno (Extended Mix)

Ron Costa, Alberto Ruiz - In Time EP
http://classic.beatport.com/release/in-time-ep/1761387

Ron Costa, Alberto Ruiz - In Time (Original Stick) [Stick Recordings]

Pig&Dan make their entrance to Drumcode with a full force, four track EP. The ‘Mexico EP’ encapsulates Pig&Dan’s well known signature sound with each of the four tracks bringing their own identity to the release. The tracks, laced with driving kick drums, modulated samples and thumping bass lines, come together to create a heavy yet dynamic EP that prove Pig&Dan are masters of their craft.

Pig&Dan - Chez Dre - Drumcode - DC157

Out now! My new track for the 20 years of Drumcode A-sides.

Grab your high-quality copy here: http://bit.ly/bartskils_voodoochild

Get this track

Bart Skils  - Voodoo Child [Drumcode]_Lo_Res

LR056

Dave Sinner - Into The Void [LR056]

Once again Paco Osuna's Mindshake Records is proud to welcome back Egbert who returns with Lachgas EP, the label's 49rd release and Egbert's 3rd full EP for the label. 

Egbert's special skills both as a producer and highly acclaimed Live Act have attracted the attention of big names from the electronic scene: Secret Cinema, Sven Väth, Paco Osuna, Gregor Tresher and Adam Beyer are just a few of the DJs and producers who have detected the genius beneath the fingers of this slick young Dutchman. 

Accompanying the original work is an artist who is also no stranger to the Mindshake family. Toronto's Carlo Lio returns to the Barcelona-based label on Remix duties to offer his blistering take on the EP's title track.

Egbert - Zaag (Original Mix)

I love their unique style, rolling grooves, warm melodies and they are always funky. Another 4 track ep with tracks for every occasion! (Monika Kruse)

beatport/spotify/vinyl

Drunken Kong - How Far Do We Go

Dynamic DJ/production outfit Leftwing : Kody make a welcome return to the Truesoul fold.

Londoners Leftwing : Kody made their first impression on Truesoul back in 2016, with the excellent four-tracker ‘Telepathy’. Since this time, they’ve dropped strong releases on Moon Harbour Recordings, Green Velvet’s Relief Records and Desolat, all the while developing their sound to explore the breadth of house and techno’s broad terrain.

‘In The Moment’ EP is the embodiment of this development. The title track kicks off the EP and conjures up atmosphere in spades with its stripped back techno approach, tribal grooves and wonky synth line, while a bongo hook line maintains the energy throughout. ‘You Know’ is an attitude-packed beast, led by ghetto vocals and sleek groovy basslines, with the duo’s masterful drum work ensuring the track pops. No surprise it was championed by Loco Dice throughout the summer. ‘Stutter’ lays it down, pure and simple; a mash of stuttered stabs and squelching techno beats, it manages to occupy an otherworldly atmosphere courtesy of some intergalactic synth effects, giving the track its memorable edge.

Drunken Kong - How Far Do We Go

Terminal M Records

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