И не захочешь, а заплачешь...

"Полонез" Огинского

Reggaeton (Classical Music reload)

A full-length orchestral narrative told in twenty movements, blending the architecture of early counterpoint with the tension of a crime drama. Each track unfolds like a chapter in a case file: solemn organ and strings open the investigation, harpsichord patterns tick like forensic clocks, and solo lines for cello, violin, oboe, and continuo sketch the emotional terrain of detectives, witnesses, suspects, and shifting clues.

The middle movements tighten into layered fugues, sharp dances, and atmospheric recitatives as evidence accumulates and motives collide. Elegant misdirections, analytical motifs, and shadowed harmonies push the story deeper into confrontation and revelation.

The final stretch builds toward judgment: a rising passacaglia, triumphant brass, and a canon of interlocking voices. The closing fugue gathers every motif in the album, weaving them into a towering resolution where each theme finds its place in the larger design. A full dramatic arc captured entirely through acoustic instruments, structural clarity, and noir-infused gravitas.

FINALE: Fugue of Justice

Vanessa Mae-The Original Four Seasons - Winter II Movement

Canzone Da Due Soldi

Das Ergebnis unserer letzten Coverpoll. 

"Where The Wild Roses Grow" im Original von Nick Cave & Kylie Minogue und hier nun unsere Interpretation.

Wir hoffen, euch gefällt unserer Version des 90er Klassikers und wünschen viel Vergnügen bei Lauschen. :) 

Lisbeth&Stotco

CoverPoll

Where The Wild Roses Grow (Nick Cave & Kylie Minogue Cover)

Vivaldi Antonio Lucio - Времена Года (Лето)

Vladimir Cosma - Jeanne et Lucas

6. Ф.Шопен - Вальс №7

Бах сюита №1 виолончель

Бах: Самые известные произведения

Оркестровая сюита №2 си минор, BWV 1067: VII. Шутка (Аранж. для флейты и клавесина)

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

Reggaeton (Classical Music reload)

Terminalose

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