elevtore

LATIGAZO W/ EL IRREAL VEINTIUNO - 11/04/2025

TODOCHETO

EL PLVYBXY - TODOCHETO

@entranas

Alas, spring is finally here… and while we’re at it, so is MR007)) This latest endeavor, brought together by Entrañas, offers an inspired take on traditional Ecuadorian rhythms like Bomba and Albazo. Criaturas, as the name suggests, dives into various animalistic tendencies, showcasing them across five heavy-hitting tracks.

Sapo (frog), as described by the artist, is someone who likes to gossip. As a final scathing exclamation point for the project, Sapo joins us in two forms: the first being a 160 bpm tidal wave from Entrañas, and the second a grime-riddled remix from Rizla Ops. Both cuts employ various dancefloor tactics to stir movement inside and outside the booth, and we couldn’t imagine a better sonic marriage of label friends, both new and old. We’re particularly fond of the crescendo nature of both tracks as they warp through the speakers and are feeling lucky that they’ve found a home here at the Road.

Till next time,
MR 

www.instagram.com/markhamroadrec/

Criaturas

Criaturas [MR007]

BANDCAMP

Entrañas - Sapo

paltamango — Connected EP
Out now on Terminal
→ terminalrec.bandcamp.com/music

From Valparaíso, Chile, @paltamango_ presents Connected, a five-track EP built on raw percussion, field recordings and minimalist structures. Moving between minimal tech-house, subtle breaks and jungle-informed ecogroove, the record balances organic textures with a deep, low-tempo rhythmic dive.

Each track opens a distinct scene. Termitas sets the tone with raw, corroded textures and a beat that feels elemental — built from field recordings of insect erosion. Pajaritos Terminal follows with a sense of movement and urgency, like a checkpoint in transit, chasing time. Golondrinas del Cementerio shifts the energy: fast, aerial, collective, a tribute to those who are no longer here. Cola de Mono brings tension and release through rhythmic control, agility, jump, energy. The closing track, Connected, reflects on relational systems: a nod to the invisible mesh of shared paths and signals.

Sound design built for the dancefloor.

🛒 Now on Bandcamp → terminalrec.bandcamp.com/music

Link in bio.

Produced and mixed by paltamango
Mastered by @imaabs at Modos Estudio
Cover art by I.M.
Photo by @alejandrosanto.s

Connected EP

Termitas

01 paltamango  - Termitas

Produced, Arranged, Mixed & Mastered by cb Hunter (fka Wizmo)
Artwork by @kno.ware

Reverencia

paltamango — Connected EP
Out now on Terminal
→ terminalrec.bandcamp.com/music

From Valparaíso, Chile, @paltamango_ presents Connected, a five-track EP built on raw percussion, field recordings and minimalist structures. Moving between minimal tech-house, subtle breaks and jungle-informed ecogroove, the record balances organic textures with a deep, low-tempo rhythmic dive.

Each track opens a distinct scene. Termitas sets the tone with raw, corroded textures and a beat that feels elemental — built from field recordings of insect erosion. Pajaritos Terminal follows with a sense of movement and urgency, like a checkpoint in transit, chasing time. Golondrinas del Cementerio shifts the energy: fast, aerial, collective, a tribute to those who are no longer here. Cola de Mono brings tension and release through rhythmic control, agility, jump, energy. The closing track, Connected, reflects on relational systems: a nod to the invisible mesh of shared paths and signals.

Sound design built for the dancefloor.

🛒 Now on Bandcamp → terminalrec.bandcamp.com/music

Link in bio.

Produced and mixed by paltamango
Mastered by @imaabs at Modos Estudio
Cover art by I.M.
Photo by @alejandrosanto.s


02 paltamango - Pajaritos Terminal

Memory Index 3035 is part of an ongoing series of sonic explorations that will eventually become an EP. In this piece, I continue to delve into the psychoacoustics of noise modulated by rhythm, and how this tension creates a perceptual need for melody. What fascinates me most is that these melodies don’t actually exist — they emerge from each listener’s unique auditory universe, built through personal memory and perception.

Microhm is the experimental electronic music project of Mexican artist Leslie García. Her work fuses electroacoustic and electronics, with avant-garde sound design, creating immersive compositions that explore rhythm, distortion, and psychoacoustics. With releases on labels like Infinite Machine and Terminal, Microhm has carved out a distinct voice in the experimental club scene. Her performances and DJ sets blend emotional intensity with conceptual depth, offering deep sonic experiences. Microhm is a laboratory of sound where technology, affect, and speculation converge.

Memory Index 3035

Right Now (Edit)

Livin in Hartley

Buy on bandcamp

Red Richards - Livin in Hartley (Instrumental)

Jive Cuts 3 - picks up where the last two left off with dirty and grime exposure. lookin for raw booty drift between club and weird. jive cuts 3 cuts back with added attitude and additional vocal takes pursue. Distributed by Label Engine - www.label-engine.com

01 paltamango - Termitas

Terminal

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