Chaos To An End is an early track composed by Terminus Infinite, during his early stages in working with audio and music composition. This release follows with the upcoming release of an EP of Heart Without Art, to be released as a collaboration with Infinite's early counterpart, Vocal Strain.

Chaos To An End

Beyond Vision, is an experimental piece, by Terminus Infinite, infusing the initial stages of development toward a fully articulated compositional system that offers the viewing listener an experience of literature-based works made into compositions, seen as 'music' in order to allow for an alternate experience from just reading the original transcripts.

Beyond Vision

DWAD, is a responsive piece, for an exhibition called 'Broken Toy Company Presents an exhibition of Dex Hannon & Dexuality Valentino' - the piece responds to not a single piece of work by Dexuality Valentino, but to a descriptive text requested, then through Williams' compositional system, transformed into what it is now.

The name is extracted from the text.

Dreamer Within A Dream (Synthetical)

Never Felt So Alone is an experimental, autobiographical composition, using Williams' compositional methodology for producing works based on the English Language and experiences, where in this particular case, this is the synthetic experience of the artist. This is the stepping stone towards a final set of pieces, for exhibition at the final year show in June 2014, Huddersfield University.

Never Felt So Alone

Reattach The Heart is second in a series of tracks produced by Williams, using autobiographical texts - this particular track features in full, 2 left tracks, 2 centre and 2 right when mastered and played on the appropriate 5.1 system.

Reattach The Heart

DTV is the follow-up in a series of autobiographical, experimental and experiential compositions made by Williams (Terminus Infinite). This is not the full composition, rather it's a snippet; the full composition in length is approx. 13 minutes and has been shortened for means of preview/demonstation.

Detach The Vein

EotM is a preview track, from Heart Without Art, soon to be ready to devour your ears whole.

Eclipse of the Mind

In a series of biographical works produced, Across The Sky is the latest installation, to be played as part of A New Colour Of Sound, a project undertaken by Williams (Terminus Infinite)

Across The Sky

Broken Reflection, from Heart Without Art, is an early demo release, demonstrating the modifications and updates to the project.

Broken Reflection

In a revisit for Heart Without Art, Empty Hopelessness undergoes a processive remix of both speed, pitch and tempo, to refresh its material experience and invoke change.

Empty Hopelessness

All That Consumes, is one of the final tracks in the ANCOS project.

All That Consumes

In Sentiment, a short composition made in the streets of raining Yorkshire one day a week or so ago, in patient waiting for the tides to change and for the balance to shift. 

In Sentiment

Disintegrate is a purely experiential piece by Terminus Infinite, taking a compilation of works unpublished, known as Sore due to their anatomic structure in origin being very sore sounding upon the ear

Disintegrate

After a short departure during Summer 2014, Terminus Infinite returns to composing for the upcoming year - keeping to the standards and hoping, to experiment further and develop onwards with new collaborations. This week's experiment is Exit, a short but simple composition.

Exit

In The Last Shimmering Hours of Daylight, an experimental track brewed early Monday evening and renewed on a late Tuesday evening. The work encapsulates a commentary compositional text, feeds into Cage's concept on silence.

There will be no silence, even in the night.

In The Last Shimmering Hours Of Daylight

Dark Matter, is the first of any tracks to be made by Terminus Infinite in 2015 in a while - this particular track is based off the system used to compose previous pieces. Enjoy.

Dark Matter

A Nightmare Is Born is an experimental composition by Terminus Infinite, that reflects further upon his writings, that recently been condemned to an unfortunate silence in the absence of time that was to be given, but fear not!

Time has been given and A Nightmare Is Born...

A Nightmare Is Born

Path To Your Decay is a follow up in a series of new tracks that I'm working on, as part of my No Silence regime, in order to produce compositions in my own free time when and if capable. Path To Your Decay remains no different.

Path To Your Decay

In The Shadows is an ambient track, following onwards from Path To Your Decay, where I am to produce as many tracks as humanly possible, in order to retain some form of human sanity in this world at present.

Shadows

A few days in the quiet, but back from the shadows, with an attempt at changing what instruments I choose and how I go about editing, so this is a small little experiment.

Corrupted Data

Multiverse is a new experiment track I've been working on, as of rewatching Reddick, which has inspired me to push forward a new piece, with my concept of what I'd think said place would sound like to me, on untrained ears, but do note this is only my opinion, not fact.

Multiverse

Orbit, produced on August 2015, is an experimental composition made by Terminus Infinite after a hiatus due to technology issues. Orbit defines a shift, a change in the balance and so practice has moved on, but now with more certainty.

Orbit

Surround

Spirit Walk is an experimental track composed by Terminus Infinite in 2015 - following similar principles to each track that is produced using the compositional system put in place by Terminus Infinite.

Spirit Walk

Hardware is another experimental track by Terminus Infinite, produced in 2015 with its focus on the subject matter as mentioned in the title, processed and created using the same system that is employed throughout all tracks created by Terminus Infinite.

Hardware

In The End is a close reproduction of its early cousin, Mechinus Animo, utilising the current input system and borrowing the early techniques in order to produce a track similar to that age. 

In The End (Only Then)

Immortal, composed in 2015, was the rest of a more relaxed approach to composing, still making use of the standard composition that is employed throughout all other compositions, which will soon be publicised on the website. This composition is a more calmer but still atmospheric as per the norm.

Immortal

First track in quite a few months, so a short teaser on what I've been experimenting with. 

Flourish (In Binding)

Side track-ed, experimenting on making compositions.

Obcursus

I haven't done any experiments recently, so thought it was worth getting back at it - minus a few things.

Ascension

Times are changing, the flow has been disturbed, the mood has shifted and we cannot avoid it any longer, for now, the times are changing and we are adapting.

Tempora Mutantur

In your room, through these empty hallways, our eyes lock from afar.

Vacua Atria

Stellarum Nocte

Sine Dolore

And into the darkness, may these demons recoil once more.

Recoil

Where your voice once echoed, your heartbeat once thumped in the sound of the night, it goes unheard and forgotten, tumbling into the void and the empty.

Lucis Vacui

I'm calling for a home between the spaces in your reverberation.

Calling Home

There are no limits to our imagination and potential.

Non Finis

I'm heartbroken, I'm stressed... but why?

Afflictus

Compassio Veraque

Terminus Infinite, is an experimental writer, poet and composer, working towards linguistic-based approaches to composition, through the form of semiotic dissection of poetry and literature.

Co-host of Transdimensional Space Goats, based in Manchester.

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