it's a bit creepy and that's why I like this track 

ben ufo - tracks played or posted by bufo

Written, produced and mixed by Davide Perrone and Gabriele Giuggioli.
Artwork by Davide Perrone.
Mastered by Mattias Fridell.

A1. @primalcodemusic - A-Breeze (06:03)
A2. @primalcodemusic - Infected Biome (06:00)
B1. @primalcodemusic - Nanotecna (06:50)
B2. @primalcodemusic - Electric Sheep (05:15)

Love and light

2099 Saga

Primal Code - 2099 Saga

from the Air Texture VIII compilation curated by Anthony Naples + DJ Python 
https://airtexture.bandcamp.com/album/air-texture-viii

Aurora Halal & DJ G - Off The Top (Air Texture VIII)

Celebration of motherhood...The song is to encourage my children to eat the fruit of life,, like it was their last fruit ...everytime.   To quench the thirst of life in every breath they take. Polepole.. slowly but surely ...feel the blessed up joy!!!! 

POLE POLE by Mim Suleiman 2004

Buy/stream: https://kompakt.fm/releases/agartha_lp_dl

‘Where is Agartha? What is the specific region in which it lies? Along what road, through what civilizations, must one walk in order to reach it?.’ Saint-Yves d’Alveydre in 1886

Agartha, the debut full-length album by Japanese producer Wata Igarashi, is a mysterious, divine thing. Named for the mythical secret kingdom, understood as a complex maze of underground tunnels, perhaps designed by Martians who colonised the Earth tens of thousands of years ago, it’s a similarly mystical, perhaps even cosmic trip – but this time, exploring an inner, deeply personal cosmos. Beautifully detailed and bustling with rich incident, it takes Igarashi’s music to new places, which still retaining his unique sonic imprimatur; in this respect, it’s perfectly at home with Kompakt, a label that’s always encouraged artists to make the visionary music they need to create, to take risks and make sideways steps into uncharted territory.

An eloquent producer and DJ, Igarashi has been releasing techno for eleven years now, appearing on such imprints as The Bunker NY, Delsin, Midgar, and Time To Express; he has also self-released his productions via his WIP net label. Throughout, Igarashi has consistently explored his unique approach to techno and electronic music, one that’s eloquent and poised, even when it shifts into more psychedelic terrain; he’s a master at balancing the sensual and the functional, and he has an unerring ear for the right texture, the right tone, at the right time. He brings all of this into Agartha, his most thorough-going expression of self to date.

For Agartha, Igarashi had a strong concept he wanted to explore. Visualising specific scenes from an imaginary film based on the titular secret kingdom, he created soundtracks for those scenes, spending time during the pandemic in his studio, working away carefully at the ten tracks here. Given his background in creating music for television and advertisements, Igarashi is well-placed to explore the marriage of the sonic and the visual in such intimate ways, but freed from commercial concerns, he let his imagination run riot. He also drew on a rich palette of musical influences – techno is in there, of course, but you can also hear the smoky, improvised jazz of the likes of Miles Davis (to whom the album’s title is an indirect nod), and the minimalism and systems music of Steve Reich.

The latter is particularly pronounced on the gorgeous, beatless drift of “Floating Against Time”, where an arpeggiated sequence lingers, lovingly, around your ears for nine blissful minutes, coasting across swooning drones and waves of ambient noise. “Ceremony Of The Dead”, originally composed as part of a Sony 360 Reality Audio spatial sound concert, is a deep pass into systems composition, with various patterns overlaid and interlocking, before a wordless vocal rises from the depths, a gorgeous counterpoint to the swarming textures that gather across the track. On the other hand, tracks like “Burning” and “Subterranean Life” nudge toward Fourth World territory, painting deluxe dreamscapes of uncertain provenance; the title cut is an abstract drift-world, Igarashi painting an alien tableau dotted by shape-shifting creatures.

Agartha’s conceptual framework means that everything on the album sits perfectly together; listening to it in one sitting is a dizzying, lush experience. Its imaginings of inner landscapes recall, in some respects, the nautical, aqueous mythologies of the Drexciyan universe, though from different perspectives. But the result is Igarashi’s own creation, a deluxe, enchanting trip through the visionary Agartha of this unique producer’s cinematic mind’s-eye.

Agartha

Wata Igarashi - Subterranean Life

Single from the upcoming album "A Circle In Stone" by Roots In Heaven.

Oliver Ho has long been motivated by the vast potential of multimedia art. Back in the early 2000s, the veteran producer established the Exist imprint to help light a path from the dancefloor towards the gallery or the theater. There was only one release - a compilation that featured artists such as Mick Harris and James Ruskin - but it left a loose thread that Ho has been biding his time to pull ever since. On "A Circle In Stone", Ho reboots the Veil moniker, following 2004's "Transform" with a cinematic montage of precise sound design, abstract electronics and manicured classical instrumentation. It's a far cry from his beloved industrial techno productions or the rugged EBM scrapes of the acclaimed Broken English Club project, training its focus on Ho's inner world and elucidating a few of the inspirations that have undergirded his musical identity since the very beginning.

"A Circle In Stone" is music that's tangled wholly with the subconscious forces that underpin our every thought: dreams, hallucinations, gods, monsters and the vast open sea of imagination.

A Cirle In Stone

Veil - Embryo

Some kind of up and down yes (asusu remix)

The 030-Files

Let Yourself Go

Swamp Spirit

Throughout 2025, Tresor Records will reactivate Detroit house and techno originator Blake Baxter's vast Tresor catalogue digitally in chronological order, starting with 1992's Dream Sequence, closely followed by his 1995 album, Endless Reflection. 
To inaugurate and celebrate this retrospective of one the genre's true founders, an artist whose connections to Tresor go back to the very beginning, the label announces a special 12" release, Dream Sequence X, featuring remastered tracks from the early days and highlighting the harder side of his output.

Initially inspired by post-punk and funk, Baxter started making music as early as 1985. By 1991 he had already released several seminal records on classic labels like Underground Resistance, KMS, and Incognito, as well as providing multiple tracks to the groundbreaking UK compilation Techno! The New Dance Sound of Detroit, which was many European listeners' introduction to the genre, solidifying the term techno, and launching the international careers of many of the contributors.

1992 saw Baxter make the first trip to play Tresor, on the first UR Europe tour ever, thereby pioneering the now legendary Berlin-Detroit Connection. This visit led to a long and fruitful partnership with the club's new-fledged label beginning with Mills', Banks' & Hood's X-101 and Baxter's Dream Sequence, from which the first four tracks on the new 12" come.

Whilst he would become more renowned for his signature seductive vocals and a smoother music style closer to house music, these early tracks are heavier, classic 90s techno, revealing the influence of industrial, post-punk and pop of the time. 
Indeed the collection is something of a time capsule: jacking 909 drums, intense, ravey synth stabs, samples from classic soul breakbeat and the Speak & Spell voice synthesizer; classic sounds and styles of the era all make appearances on the record.
All tracks have been remastered by Manmade Mastering breathing a new vitality and sharpness for the modern dancefloor.

In a world where longevity is difficult and superlatives are too easily deployed, it is still difficult to overstate the long-lasting influence that Blake Baxter has had on modern music. His visionary output can be heard across modern electronic and pop to this day and with this series of remasters, there has never been a better time for the world to hear it at source.

BANDCAMP

Blake Baxter - Ex- (Remastered)

fatality

A1 Blawan - Say What You Want To Say

B1 Blawan - Lit Up Communicat

Sala One Five

Move Yourself

Remix by @olofdreijer
Original song by @emmanueljal
Also you can download it there https://yadi.sk/d/SsWNAWx9FZfLq

A1 Blawan - Say What You Want To Say

BLAWAN // TERNESC

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