I like it when honest and simple pieces of music won't let me comment anything smart or analytic, it'd be inappropriate to do so. All I can say simply and honestly is that I like this piece a lot. Thank you.

The world's largest iceberg, A23a — equivalent to the size of Rhode Island- is endlessly spinning near the South Orkney Islands, about 375 miles from the Antarctic Peninsula. Its dance is caused by a phenomenon in fluid mechanics known as a Taylor column. It's essentially a rotating cylinder that forms when there's an obstruction in a flow. The A23a is trapped in a kind of ocean vortex, a Taylor column.
There are many paths a collaboration can take you down. Although the typical one tends to be shaped as a kind of dialog or turn-taking, I like the most those that, instead, become as sawing a seed and watching what happens then, including some active intervention: somebody tells an idea, or provides some materials or tracks to you and they start a self-organizing process in one's DAW. That's what happened here: @user-737426987 Ambient Annie provided some tracks that made some musical sense by themselves, but I used them as seeds for something different though related. Another of Ambient Annie's relevant contributions to this track has been in providing a concept, even though this was originally unintentional: some of our email conversations deal with natural phenomena, and therefore Antarctica, its fauna and icebergs gracefully popped up. Some months later, the seeds swelled, stems grew and leaves appeared, giving way to the flowering that you can now listen to.
During the final mixing rounds, Nyarlathotep, the three-lobed burning eye creature from Lovecraft's cosmogonies, passing his crawling chaos through the throat of @lhtrah Lht (another SC artist you should listen to), unexpectedly contributed with some primordial chants to this track: my degree in Miskatonik studies allowed me to decode the singing as "I will die and nobody will remember me", which is quite appropriate for an iceberg that is slowly melting. As far as I could find out this song was first featured in a film by Alejandro Jodorowsky, "Fando y Lis" (1968).
Ship bell by Mateusz_Chenc @ freesound.

A Taylor column

Four Days in February

lightly beaten

Journey of #uap evidence & discovery ,art work is from an original live video footage ,..I film them almost every fine day ,what ever these objects are they don’t like rain ..who does 🫠,these objects fly at incredible speeds clocked by reference points in live footage to be travelling anything up to 2000mph  & over by the maths ,evidence is stacking up exponentially all over the world & is irrefutable evidence,we know they exist ..! ..but no one knows what they are or what their up to ! All except these actual objects existence is supposition regarding what the hell they are ! The subject matter has inspired my music .Thanks for listening 🤗🙏performed on Novation circuit,Novation MiniNova ,Juno 60,,Dave Smith Mopho,vintage Consertmate MG 1 moog synthesiser. Thanks for listening 🤗🙏😊

Dragonz are Swarming #uap

Cracked Foundation

Plinio

I'm often looking for ways of producing drones that wouldn't be slave to beat. Human drones, but not just a 4-bar sample of it, looped.
I'm not yet making music again, but as a start I made myself a wind wand (drone) and tried recording it with different mic placing. You're free to make this one into a new song. CC0 applies here, you don't even need to mention me.
I took a design from youtube, and everything I could find at home to DIY one. The most difficult part was to find a long rubber strap (I ended up knotting 2 together). Wood, bamboo, rubber, plastic handle.
You could record that with a ribbon mic (in mono) for a perfect sound. Instead I used two (close)  condenser mics to get the sound of the metal washers, and accentuate the 'turning' feel.

This drone is for download.

CONFUSIONS

Small fragments of the planet remain visible

2025-06-25

fish in the sky

chimp

Electronic music ranging from ambient to experimental.

Four Days in February

Terry Mullett

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