Restless Objects

This tune is meant to be a meditation about the results of the so-called “Arab Spring”, or possibly about some of the relationships going on between the "Third World" and Western countries...

Teth Sin : vocals, guitars, bass guitars, samplers (electric piano, kalimba, drums)

Original composition, arrangement, lyrics, mix, mastering & cover artwork design by Teth Sin

Objectified

Shamanic Bass Roar

"Initiation" is a piece from my coming album.

© 2020 Berlin, Marilyn Veber

Coverdesign: Marilyn Veber © 2020 (mit freundlicher Genehmigung von Elisa Weiss, ehem. Chemik)

"Initiation" - from my coming album

Principles of Nothing (1997-2010)

First

L - Ror - First

ember

Ember

Location: Zone A ----- 51.4545° N, 2.5879° W

LAXWORKS Transmission ----- VOLUME NINE ----- REKA TOSO

Epicentre ----- 55.7558° N, 37.6173° E

Movement ----- 55.7558° N, 37.6173° E

...-- .---- ---.. ...--

@rekatoso

Laxworks Transmission 09 - REKA TOSO

Meet You In The Endless Forest
Amanda Kim Sanderson can be found at, https://soundcloud.com/phoebeelena

Sounds Divine, Stars In Heaven

Sounds Divine, Stars In Heaven (Amanda / numbers in the dream)

Scary techno-tales from the gloomy darkness of Chelyabinsk and the Kaliningrad suburbs, in the debut cassette from Reka Toso and Ex. Int
Releases: Reka Toso & Ex. Int - Oblivion |2020|
Label: (@rawrussian)
RAW RUSSIAN -
@rawrussian
rawrussian.bandcamp.com
www.instagram.com/rawrussians
www.facebook.com/rawrussian

Reka Toso & Ex.int - Frankenstein [RAW RUSSIAN]

Based upon original collab of Mystique Wind and EnigmaCurry :::
https://soundcloud.com/mystique_wind/arabic-shortwave-mystique-wind-enigmacurry

Mystique recorded shortwave radio
Enigma filtered and remixed audio into song
Mystique added additional instrumentation
Myrh added vocals & made artwork from her photo of a plant

*title line from the english translation of a poem by Zohra Fakirni
It is sung in reverse meaning/spirit then what she meant it to be...
I think that... she meant it in pride, i mean it as if we forgot.

Two Full Moons

We Were A Robed People* | of mystique & myrcury

Incorporated

For...Robert - Redit Primate Gtr

Do masks protect?
	•	Neil Orr’s study, 1981 in the Annals of the Royal College of Surgeons of England. Dr. Orr was a surgeon in the Severalls Surgical Unit in Colchester. And for six months, from March through August 1980, the surgeons and staff in that unit decided to see what would happen if they did not wear masks during surgeries. They wore no masks for six months, and compared the rate of surgical wound infections from March through August 1980 with the rate of wound infections from March through August of the previous four years. And they discovered, to their amazement, that when nobody wore masks during surgeries, the rate of wound infections was less than half what it was when everyone wore masks. Their conclusion: “It would appear that minimum contamination can best be achieved by not wearing a mask at all” and that wearing a mask during surgery “is a standard procedure that could be abandoned.”
	•	Ritter et al., 1975, “the wearing of a surgical face mask had no effect upon the overall operating room environmental contamination.”
	•	Ha’eri and Wiley, 1980, applied human albumin microspheres to the interior of surgical masks in 20 operations. At the end of each operation, wound washings were examined under the microscope. “Particle contamination of the wound was demonstrated in all experiments.”
	•	Laslett and Sabin, 1989, “No infections were found in any patient, regardless of whether a cap or mask was used,” they wrote. Sjøl and Kelbaek came to the same conclusion in 2002.
	•	In Tunevall’s 1991  a general surgical team wore no masks in half of their surgeries for two years. After 1,537 operations performed with masks, the wound infection rate was 4.7%, while after 1,551 operations performed without masks, the wound infection rate was only 3.5%.
	•	A review by Skinner and Sutton 2001 “The evidence for discontinuing the use of surgical face masks would appear to be stronger than the evidence available to support their continued use.”
	•	Lahme et al., 2001, “surgical face masks worn by patients during regional anaesthesia, did not reduce the concentration of airborne bacteria"
	•	Figueiredo et al., 2001, in five years of doing peritoneal dialysis without masks, rates of peritonitis in their unit were no different than rates in hospitals where masks were worn.
	•	Bahli  2009 “no significant difference in the incidence of postoperative wound infection was observed between masks groups and groups operated with no masks.”
	•	Surgeons at the Karolinska Institute in Sweden, “Our decision to no longer require routine surgical masks for personnel not scrubbed for surgery is a departure from common practice. But the evidence to support this practice does not exist,” wrote Dr. Eva Sellden.
	•	Webster et al., 2010, on obstetric, gynecological, general, orthopaedic, breast and urological surgeries performed on 827 patients. All non-scrubbed staff wore masks in half the surgeries, and none of the non-scrubbed staff wore masks in half the surgeries. Infections occurred in 11.5% of the Mask group, and in only 9.0% of the No Mask group.
	•	Lipp and Edwards 2014  “no statistically significant difference in infection rates between the masked and unmasked group in any of the trials.” Vincent and Edwards updated this review in 2016 and the conclusion was the same.
	•	Carøe, 2014: 6,006 patients, wrote that “none of the four studies found a difference in the number of post-operative infections whether you used a surgical mask or not.”
	•	Salassa and Swiontkowski, 2014, “there is no evidence that these measures [masks] reduce the prevalence of surgical site infection.”
	•	Da Zhou et al., 2015, “there is a lack of substantial evidence to support claims that facemasks protect either patient or surgeon from infectious contamination.”

Arthur Firstenberg, August 11 2020

no masks (FREE DL)

taRka with SâVge & The Muses present
PACTS MADE IN DARK NOTHINGNESS
___________________________________
First layer (foundation):
4003 bass, Linnstrument, various synzzz n sequencing, percussion
Cross Rotations https://soundcloud.com/user-208097705/cross-rotations
SanjajnaG aka Agitation aka THEE 5TH BRAIN CITADEL
@user-208097705 @agitationphi @user-126729602 @user-685450274

Second layer:
Lyrics, Vocals & their Pre-Mix, Cover Design
Mariam Zohra D : Myrh
@myrhyum @tariqa-kali @myrhyummy @dreamspeakum

Third layer:
Space Drum, Didgereedoo, Flute, Field Recording, Lyrics, Vocals & their Pre-Mix
SâVge with guest The Owl 🦉
@bissecta @bissecta_de_kinsame @kins-me
Myrh does final arrangement of SâVge's additions w. some fx

Final layer:
Lyrics, Vocals, FX, Modulars, Final Mix/Master
INRGD 
@inrgd @maquinasemdialogo @nuitsacrifice @agarwoodduo

Cover features SanjajnaG; Photographs by Astarte23 @astarte23 and Myrh

All seeds in the soil are in darkness. Pacts made in darkness are sprouting hope, beyond nothing and something. Through concrete and uncertainty, the glow is on!
Weave On!
>SMSI<
------------------------------
lyrics by myrh with inrgd’s lyrics in brackets and SâVge's with “ _ “
PACTS MADE IN DARK NOTHINGNESS
____________________________________
by all means necessary 
to weave
by all means necessary
above all considerations
to weave
in love
in love

in love

A yo!
before birth
saw - fate-ye
A yo!
pacts made in dark nothingness 
eh say now, saw - fate-ye
aligned my Self before the realization
A yo!
eh say now, saw - fate-ye

A yo de vie des!
(oh, you got me like fever)
at the mercy of the web
(feeling everywhere)
at the mercy of the web

(feeling everywhere, and oh it got me fever)

(and oh it got me fever)

oo yada ray o yay ooooo

- dark already candelight- 

(feeling everywhere, and oh it got me fever)

- before illusion - 

eee feray eh eru ve yeoo

- don’t tie me! cha! - 

pacts made in dark nothingness
pacts made in dark nothingness

submitted my life

aligned my Self

 - dark ... - 

pacts made in dark nothingness

(until you realize)

nothingness
submitted my life
Lal Ded*
my life
Lal Ded

the dark seed
the dark seed

(desire, thunder, 
.......
desire, thunder
and then you realize)

more flowers blossoming

- brightening! -

more pain more love more joy - more empathy - more joy more love more pain

>SâVge speaks the sounds of a seed busting through the concrete!
- MHHMMHMMHHHMMMMMMMHH -

seeds to blossom
seeds to blossom
flowers!

(how you feel: when ever you feel all)

*Lal Ded (1320–1392), known as Laleshwari in other parts of the subcontinent, was a Kashmiri mystic of the Kashmir Shaivism school of philosophy.[1] She was the creator of the style of mystic poetry called vatsun or Vakhs, literally "speech" (from Sanskrit vaak). Known as Lal Vakhs, her verses are the earliest compositions in the Kashmiri language and are an important part in the history of modern Kashmiri literature.[2][3] Sufis missionaries utilized her philosophy.
https://en.wikipedia.org/wiki/Lalleshwari

Pacts Made In Dark Nothingness <||> SanjajnaG+Myrh+SâVge+INRGD

made by recording bass while listening to https://soundcloud.com/mauri-konttinen/guitar-and-synth-jam-08082020  then recording to that bassline.

Oh Eight Oo!!

The project was created in collaboration with Karin Tarabochia @augenmerk  and me in 2016. We divided Karin's beautiful poem "Aufbruch" into six parts, which I was allowed to edit music and sounds. Lets go ⇢
https://exner.bandcamp.com/album/aufbruch

Karin Tarabochia: Text / Voice / Image
Jan Exner : Guitar / Synths / Mix / Production

Aufbruch
1
Aufbruch! Was war, fällt ab. Knöpf’ meinen Kragen auf.
 Zieh’ die Weste aus, an der noch Land hängt. Warte ab.  
Was klammert, saugt, im Zaum hält, bröckelt und springt. 
Mein Schneckenloch, mein Honigfuß, mein Schritt ins Leere  
und endlich Fall, Bruch, Sturz … und Landen!

Departure. What was, falls off. Unbutton my collar.
Take off the vest with land still hanging on it. Wait.
What clings, sucks, bridles, (now) crumbles and cracks.
My snail hole, my honey foot, my step into the void …
And finally fall, break, plunge ... and landing!

2
Neubeginn verschieben, unendlich lang?
 Das Ende aufzäumen und den Anfang aufspüren? 
Erfüllung vorwegnehmen?

Postpone a new beginning, infinitely long?
Bridling the end and tracking down the beginning?
Anticipate fulfillment?

3
Schnipp’ die Leine durch, lass' Haus und Hof 
und was ich schuf, rollt durch den Kopf. 
Dreh' mich aus dem Schleiertanz.
Spann' meinem Wagen andere Pferde –  
höher geht’s und weiter!
Sonnenfahrt!  Der Täuschung abschwören - 
Wütend platzt mein Innerstes und gibt frei: 
Anemone, Traumpferd, das ein Holzbein schwingt.
 Am goldenen Wagen im Sturmwind treiben –  
den Füßen fehlt Boden, den Händen fehl'n Sprossen. 
Nichts da, nur Lederhaut an Sohlen und Schwielen.

Snap the leash, leave house and yard
and what I created rolls through my head.
Turn me out of the veil dance.
Bring other horses to my carriage -
Higher it goes and further! Sun trip!
Renounce deception -
Enraged my innermost bursts and releases:
anemone, dream horse swinging a wooden leg.
Floating on the golden chariot in the storm,
the feet are missing ground, the hands are missing rungs,
nothing there, just leather skin on the soles and calluses.

4
Träume meinen Flusslauf vom Anfang zum Ende
und schwimme zurück, dorthin wo ich bin.  
Fisch sein! Springen! Am Ufer lachen sie
und manchmal hält das Fischmaul die Trommel an  
und hört Sirenen singen.

Dream my river from the beginning to the end
and swim back to where I am.
Being fish. Leaping. On the bank they laugh.
Sometimes the fish's mouth stops the drum,
hears sirens singing.

5
Wir müssen diesen Platz verlassen,
so schnell wie möglich unsern Kopf vergessen,
 der benommen Geschichten schwatzt, vergisst.  
An Scheiben rinnen Tränen. 
Was befürchtet war, wird wahr, vergeht.  
Am Weg besteht, was ist.

Mich nicht messen an anderen, mich nicht missen! 
Nicht verkaufen, dem Anderssein weglaufen!  
Mich am Fluss einfinden, wer ich war, wer ich bin,
im Zwischenraum die Zwischenfrau. 
Den Mädchentraum beenden,
den Zeitraum größer drehen und kleiner,
 Schritte sehen, die fest am Boden.
Ich war weg und komme wieder.

We have to leave this place,
as soon as possible forget our head
who gossips stupid stories and forgets.
Tears run down the panes.
What was feared will come true and pass.
On the way persists what is.

Not compete with others, not miss me,
not sell myself nor run away from being different.
Find myself by the river, who I was, who I am,
in the interspace the interwomen.
End the girl's dream, turn the period bigger and smaller,
see footsteps firmly on the ground.
I was gone and I'll be back.

6
Lass’ mich nicht hängen und bis zum letzten Tag warten, 
bis ich mein Blut abgebe und mein Gesicht sich ins Tuch drückt.
Nicht bücken und suchen, zwischen Spuren verfluchen. 
Das Ziel sehen nahe bei mir:  Ich bin Traube, ich bin Straße, ich bin Mensch.

Not leave me hanging, waiting until the last day,
until I give up my blood and press my face into the cloth.
Not bend down and search, curse between tracks.
See the goal close to me: I am grape, I am street, I'm human.

4 träume meinen flusslauf (Augenmerk / e✕ner)

3 schnipp die leine durch (Augenmerk / e✕ner)

2 neubeginn verschieben (Augenmerk / e✕ner)

1 aufbruch (Augenmerk / e✕ner

Performed & Recorded by Matteo Mariano in 2019. http://macrogramma.com
Original cover art by Dario Panzeri (2020). http://dariopanzeri.org

"Metafonia" is the Italian word that identifies the phenomenon known in parapsychology as "electronic voices". Metafonia VI is the first track in order of publication, and the last in order of numbering, of a series of compositions inspired by this phenomenon.
Each piece was made starting from vocal samples recorded and processed in real time with a laptop (and with the addition of some synths). The only voice behind these pieces is mine (at least I think, and above all I hope, even if I can never be completely sure), recorded while I was improvising random phrases, as if I were my own medium.
I waited a long time before deciding to finish and release this series of songs, the gloomy atmosphere of this end of October 2020 made me realize that it was time to let them go.
The project is to release all the tracks, one or two at a time, between today and the evening of October 31st (as per pagan tradition), to collect them in a single album that will be available on Bandcamp ...
---
"Metafonia" è la parola italiana che identifica il fenomeno noto in parapsicologia come "voci elettroniche". Metafonia VI è la prima traccia in ordine di pubblicazione, e l'ultima in ordine di numerazione, di una serie di composizioni ispirate a questo fenomeno. 
Ogni brano stato è realizzato a partire da campioni vocali registrati ed elaborati in tempo reale con un laptop(e con l'aggiunta di un po' di synth). L'unica voce alla base di questi brani è la mia (almeno credo, e soprattutto spero, anche se non potrò mai esserne del tutto certo), registrata mentre improvvisavo frasi casuali, come fossi il medium di me stesso. 
Ho aspettato diverso tempo prima di decidere di terminare e pubblicare questa serie di brani, l'atmosfera cupa di questo fine di ottobre 2020 mi ha fatto capire che era arrivato il momento di lasciarli andare. 
Il progetto è di rilasciare tutte le tracce, una o due per volta, tra oggi e la sera del 31 ottobre (come da tradizione pagana), per raccoglierle in un unico album che sarà disponibile su Bandcamp...

Released October 18, 2020

all rights reserved

Metafonie Volume 1

Metafonia VI

Performed & Recorded by Matteo Mariano (2019/2020) http://macrogramma.com
Original cover art by Dario Panzeri (2020). http://dariopanzeri.org

"Metafonia" is the Italian word that identifies the phenomenon known in parapsychology as "electronic voices". Metafonia I is the second track in order of publication, and the first in order of numbering, of a series of compositions inspired by this phenomenon. 
Approaching Halloween and the dark atmosphere of this historical period are reflected in the dark character of the song.

Each piece was made starting from vocal samples recorded and processed in real time with a laptop (and with the addition of some synths). The only voice behind these pieces is mine (at least I think, and above all I hope, even if I can never be completely sure), recorded while I was improvising random phrases, as if I were my own medium.
I waited a long time before deciding to finish and release this series of songs, the gloomy atmosphere of this end of October 2020 made me realize that it was time to let them go.
The project is to release all the tracks, one or two at a time, between today and the evening of October 31st (as per pagan tradition), to collect them in a single album that will be available on Bandcamp ...
---
"Metafonia" è la parola italiana che identifica il fenomeno noto in parapsicologia come "voci elettroniche". Metafonia I è la seconda traccia in ordine di pubblicazione, e la prima in ordine di numerazione, di una serie di composizioni ispirate a questo fenomeno.
Halloween che si avvicina e il clima tetro di questo periodo storico traspaiono dal carattere cupo del brano.
Ogni brano stato della serie è realizzato a partire da campioni vocali registrati ed elaborati in tempo reale con un laptop (e con l'aggiunta di un po' di synth). L'unica voce alla base di questi brani è la mia (almeno credo, e soprattutto spero, anche se non potrò mai esserne del tutto certo), registrata mentre improvvisavo frasi casuali, come fossi il medium di me stesso.
Ho aspettato diverso tempo prima di decidere di terminare e pubblicare questa serie di brani, l'atmosfera cupa di questo fine di ottobre 2020 mi ha fatto capire che era arrivato il momento di lasciarli andare.
Il progetto è di rilasciare tutte le tracce, una o due per volta, tra oggi e la sera del 31 ottobre (come da tradizione pagana), per raccoglierle in un unico album che sarà disponibile su Bandcamp...

Released October 21, 2020

all rights reserved

Metafonia I

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Restless Objects

Teth Sin - Reposts, Collaborations & Covers