Semiramis

Peter Wheeler: Lyrics - Music - Vocals
Johnny Vienneau: Bass - Guitar - Drums - Vocal Coach
Produced by Peter Wheeler & Johnny Vienneau

See the video for this song on YouTube: https://www.youtube.com/watch?v=PdHLMCKSArg

Recorded at Rawkin' J Production Studio - Montreal

In 2021 there were 2,755 billionaires in the world. They are guilty of committing ECOCIDE - yet they continue to choose profit over battling climate change.

Billionaires are the leading cause of climate change. More than 70% of global emissions come from just 100 companies as stated by the Carbon Majors Report.

Amazon alone emitted 61 million metric tons of carbon dioxide in 2020 - the equivalent of 16 coal-burning power plants running for a year.

Some of America’s most prominent companies, including Apple, Amazon, Microsoft, and Disney are backing business and lobbying groups that are fighting landmark climate legislation despite their promises to combat the climate crisis.

Time is running short - THERE IS NO PLANET B


                             Billionaires Are Destroying The Planet

Billionaires are destroying the planet
just so they can make a profit
pollution is killing Dear Mother Nature
melting - wiping out all our glaciers.

CHORUS
Greta Greta Greta U Da Man
you're the woman with a plan
Greta Greta Greta U Da Man
you're the woman with a plan.

Heat waves are killing more and more people
we keep on burning more and more diesel
you don't have to be a rocket scientist
to know why fires destroy our forests.
Politicians are climate change deniers
in the meantime, our homes are on fire
the air we breathe smell like hell
thanks to the coal and oil cartels.

CHORUS

MONOLOGUE

Rising sea levels from China to California
causing devastation - Hallelujah
writings on the wall with plastic in our seas
welcome to the world of climate refugees.
Every year when it's hurricane season
the rains and floods are beyond reason
subways flooding thanks to carbon emissions
now our planet is in remission!

Billionaires are destroying the planet
Billionaires are destroying the planet

So start listening to the children
and heed the words of Mr. Bob Dylan
or it's a "Hard Reigns Gonna Fall"
your need for greed will be our downfall.

CHORUS

Billionaires are destroying the planet
Billionaires are destroying the planet

28/10/2021

Billionaires Are Destroying The Planet

Hey how are ya
Nice to meet ya
Don't be shy
Just sayin' hi

Hi
Howdy
Hello

Hey How Are Ya

Where Time Has No Meaning

In maya, «Itzá»'s are the founders from the ancient most important town of Yucatán and it means «Water wizard», due to a big cult of their place.

[ES] Inspirado por sus memorias y el pasado de su residencia actual, enternet boy retrata un lugar con tesoros exo-téricos, sabiduría y habilidades ancestrales heredadas de la tierra maya así como algunas muestras de la aportación cultural de Medio Oriente en la Peninsula yucateca. El álbum nació durante la visita a un lugar específico de la moderna ciudad meridana de T'Hó.

«Plaza Internacional» (anteriormente el Hotel Itzá), que colinda con el Palacio de la Música (antes el Congreso del Estado de Yucatán) es el recuerdo fugaz en el interior de sus nostálgicos pasillos secretos y una revelación creativa entre la arquitectura abatida. «Plaza Internacional» es un punto de análisis, introspección y autodescubrimiento de enternet boy como un ciudadano actual de un antiguo reino maya, brindado luz sobre su origen, desarrollando auténtica espontáneaidad y llevándola a la práctica en este LP de 40 minutos.

En esta ocasión, los sonidos brillan por su originalidad como resultado de un estudio autodidacta de tres años en el diseño de sonido experimental. Algunas canciones fueron hechos en vivo durante el Festival de Pajama 3 (track 1, 2, 3, 4, 6 y 13 https://www.youtube.com/watch?v=s5E-awImOmQ) y el resto salió durante un trance meditativo aka momentos de claridad/improvisación. Mejor experiencia con audífonos.

[EN] Inspired by his memories & the past of his current residence, enternet boy portrays a place with exo-terical treasures, wisdom & ancestral abilities inherited from the Mayan land as well as some samples of the cultural contribution from Middle East in the Yucatan Peninsula. The album born during a visit to a specific place in Mérida, the modern city of T'Hó.

"Plaza Internacional" (formerly the Hotel Itzá), which adjoins the Palacio de la Música (formerly the Congress of the State of Yucatán) is the fleeting memory inside its nostalgic secret corridors & a creative revelation among the dejected & descontinued architecture. "Plaza Internacional" is a point of analysis, introspection and self-discovery of enternet boy as a current citizen of an ancient Mayan kingdom, binding light to his origin, developing authentic spontaneity & taking it to the practice in this 40-minute LP.

This time, the sounds shine for their originality as the result of a three-year self-taught study in experimental sound design. A few songs were made live during Festival de Pajama 3 (track 1, 2, 3, 4, 6 & 13 https://www.youtube.com/watch?v=s5E-awImOmQ) while the rest came out from a meditative trance aka moments of clarity/improvisation. Better experience with headphones.

Release oficial en Mayo 24, 2021.

El artwork fue fotografiado por mi, en el segundo piso de la Plaza Internacional. Más fotos del mismo dia aqui: www.instagram.com/p/Bsb4LMEF7LiVYAszQPdqpRn9x84SSgh4tfmGvM0/

Plaza Internacional

Itzá

Out next on IONO Lounge is Shabboo Harper with her three-track EP  titled 'Pacha Camaq'.
An introspective journey into the Incas culture, driven by three amazing chapters carefully crafted by this talented female producer. The title track is an entering into the world of peace and mystery with a mesmerizing ambience surrounded by ethnic vocals and haunting textures. Followed by 'Tayta Inti' which is more rhythmically progressive part of the EP filled with the organic vibe. Finalizing we have 'Mama Quilla', a mixture of mystical and uplifting beats enhanced by the unique effects of nature and magical sonic ingredients.

Tracklist (shortcuts):
1. 'Pacha Camaq' [0:00 - 2:39]
2. 'Tayta Inti' [2:40 - 5:09]
3. 'Mama Quilla' [5:10 - 7:47]
...................................................................................
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WEBSITE: www.iono-music.com

Pacha Camaq

Pacha Camaq EP

Shabboo Harper - Pacha Camaq  EP [shortcuts]  IONO Lounge 🔆

trumpet in my noisy head (r.s.stropharia + malte heseding) 10.02.2022

studio per trio d'archi

Let Them Eat Soap

Escucha un mix de música IDM, chillout y ambient de diversos artistas: https://soundcloud.com/kaerian-1, https://soundcloud.com/negative_headphone, https://soundcloud.com/idglitch, https://soundcloud.com/inrgd, https://soundcloud.com/lijel, https://soundcloud.com/moritavargas, https://soundcloud.com/lilithmors, https://soundcloud.com/auraauraofficial, https://soundcloud.com/patros15, https://soundcloud.com/labjure, https://soundcloud.com/natalie-nagpal, https://soundcloud.com/killedherself, https://soundcloud.com/changeofaddressminusone, https://soundcloud.com/myrhyum, https://soundcloud.com/belial-pelegrim, https://soundcloud.com/scilentsymphony, https://soundcloud.com/rodrigo-assa5, https://soundcloud.com/auralcognizance, https://soundcloud.com/demonsymphony and https://soundcloud.com/enternetboy

TRACKLIST:
1. Labjure - the woods
2. Kaerian - Lacuna (2018)
3. IDGlitch - Audn
4. Scilent Symphony - Madly Cosmic Candy
5. Negative Headphone - Rule
6. Patros 15 - Spectrum (feat. AuraAura)
7. Assá - Earth Asks For Help
8. Change of Address - Replied Fields (feat. Myrh)
9. Lilith Mors - Flying In Darkness
10. Dr. Lightful's Lovely Demon Symphony - Delicate onions (feat. Eugene Kogan + friends)
11. Expansion of the Aural Cognizance - Interlude (The Passage of Time Controls Us)
12. Expansion of the Aural Cognizance - The judgment of the Toroid
13. Natalie NagPal - Knight World
14. Belial Pelegrim - Murmurs
15. INRGD - Pluto Consurgens
16. LIJEL - DAY
17. killedherself - Jade
18. Morita Vargas - Ginseng
19. Enternet boy - Untitled

En Mixcloud: https://www.mixcloud.com/viadeacceso/via-de-acceso-19-radio-ensayo-24222/
Playlist en SC: https://soundcloud.com/viadeacceso/sets/via-de-acceso-19-radio-ensayo

Vía de Acceso

Showcase: Vía de Acceso 19 @ Radio Ensayo (24.2.22)

Licheni

Ashes to Clouds

Ashes To Clouds

"Yada, yada, yada da...dada dada....daaaa....uhhh...." she stopped moving. Her hands holding her head, she felt herself starting to slip.  Perhaps this solitude and no response has started to get to her she thought.  

"How much longer before I have to face this lonliness and anger? How much more can I take?"  she said outloud to herself, like normal at this point.  Crouching by one of the fold down tables, she rocked back and forth holding herself.  She trembled while her arms were wrapped around her body trying to comfort and console herself long enough to enact protocol 7-3Z6A.

She had finished assembling two more sections of greenroom that she had recovered from one of companion ships which had crashed approximately 10km northwest of the cave system that she inhabited.  Having all of rooms full of greenery that was thriving due to the purity of the concentrated Co2 ice that she had been sublimating to feed them, thus creating an inhabitable environment.

She spent a lot of time talking to the plants, but she knew that with the anger and desperation welling up inside of her and reaching its breaking point closer and closer each day, that she had to set the system to run the automation that she had programmed.
Shortly after this, she collapsed into the decent of madness.

Locking herself away from the lab for a 2 week set period on the locks themselves, she had all her basic needs in this room she had been living in as her own little apartment.  The few remnants of what she brought from Earth out here decorated the shelving and table space.  She had even brought a few ferns into this space to add a little life to the otherwise dull looking room.  

She started to cry. She started to cry tears of horrific sadness and dispair. Thrashing her body about and beating on the metal walls, her screams reached the spectrum of blood curdling wails.  She had finally abandoned all hope of ever seeing another human being again.  She was truly in Hell.  After running around in circles screaming bloody murder, she tripped over the leg of her bed. As soon as her head hit the ground, she blacked out.

Vera awoke 2 days later with a massive headache and a parched mouth.  
She went straight for the water.

Project Umbriel

Aggressive In Her Nature

雁が音（a song of wild geese）

「耳を欹つれば、鴻雁雲端に叫びて何事をか告ぐるものの如し」

幸徳秋水『基督抹殺論』に寄せた三宅雪嶺による序文より引用。
出典　幸徳秋水『基督抹殺論』岩波書店1954

Listen carefully, here comes the crying of wild geese from the edges of clouds. 
It sounds like as if it were telling us something ominous.	

From the preface by Miyake Setsurei to Kotoku Shusui's "Christ Obliterated".

雁が音（a song of wild geese）

a little grab from a recent gig in our home town of Hobart

Live@The Founders Room Kirby/Ward

Part 96 of 266
After this track was mixed and uploaded to SC, I just had this feeling that some guitar from the great Carlos Vivanco @carlosvivanco-1 was needed. So very kind of him to oblige. Now, it's done. Thank you, brother! 

Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA VOL. 6 is now available on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-6

TAFFETA VOL. 5
https://belialpelegrim.bandcamp.com/album/taffeta-vol-5

TAFFETA VOL. 4 
belialpelegrim.bandcamp.com/album/taffeta-vol-4

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA 2022 t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | 96 [Feat. Carlos Vivanco]

This song was written and recorded by Pet Spider in June of 2016 in Hopkins, MN as a love song for Emily, wherever she may now be. The track was finally mastered on 7.16.2022 in Colorado Springs, CO.

06XY2016 (Brand New To Me)

This handsome bloke with the the purple hair is Dylan Banks - he builds my Intonarumori, plays them like a genius and is now my percussionist/rhythm master in a new duo project titled (at the moment) Duet for Bass Guitar and a Huge Pile of Crap.  Amongst other projects /life we don't get to work on this regularly so are looking at a 2024 live debut, so this is an early taster. In a nutshell it was conceived when the two of us were standing in a beautiful performance space and  wondered what we would do in it if someone was kind enough to allow us the opportunity. It was quickly decided we should assemble an enormous pile of old car bodies, plant equipment, whatever which Dylan would play whilst I attempted to improvise some sort of bass work over the top... so far ... so good : )

Duet for Bass Guitar and a Huge Pile of Crap #1

eyes of the aspen trees

Sunday July 31 2022 I was given the chance to be on air for an hour set on Vía De Acceso (@viadeacceso) at Lumbung Radio (https://lumbungradio.stationofcommons.org). I sincerely thank my friends Çois Agver (@ois-agver) and Jorge Lara (@enternetboy) for offering me this great opportunity of a full hour show.
I really didn't expect that, so I tried to make the set more exciting by sending them a few unreleased tracks, dating from 1999 to 2005, I had found after an accurate search on my hard disks. I had never considered releasing any of them before, and I personally think they mostly have a documentary value, as they represent memories of my own learning process in making music on a computer. They actually might be thought of as unfinished works, each one somehow resulting incomplete under a different perspective. Still I thought it was a nice chance to introduce a bit of Teth Sin's musical roots to friends, fans and listeners.
A noticeable exception is represented by this ambient piece I had called "Semiramis" at the time, which I actually consider as complete. A few minutes before writing these lines I found out that it dates back to 2002, not 2004 as I thought in the first place. No wonder I have not much to say about the concept, since I can hardly remember when I did it. But it certainly had to be a kind of a meditation on Semiramis' tragic destiny, no matter which of the numerous traditions about her legend we decide to accept as "true". Her figure is mysterious and ephemeral to such a point that she didn't even deserve a plain condemnation by mankind. It somehow sounded tragic to my ears, so I tried to create a sonic sculpture of such an uncomfortable condition.
During the broadcast I heard Çois stating that the track should be officially released. I'm currently working on a few titles after a period of decreased activity, due to some major issues I've been going through lately, but none of them is ready... So I happily accepted Çois' tip, releasing this good old tune today... In wait of something new coming [hopefully] soon!
Hope you'll all enjoy, and even if you don't... Just listen to Vía De Acceso (@viadeacceso) at https://lumbungradio.stationofcommons.org (or to their archive hosted here on SoundCloud at taRka's page @myrhyum) !!!

The Brittle Boy
SCP-116 has the outward appearance of a Caucasian male of around 9 years of age. Skin is cauterized and scarred over 98% of body, limbs, and head. SCP-116’s bone structure is drastically different from standard Homo sapiens bone layout, and all bones are dangerously brittle. The most distinguishing difference between the human body and that of SCP-116 is the non-existence of joints in the latter. SCP-116 is entirely capable of independent movement, but to do so would cause multiple shattering breaks to all bones affected by said movement. To combat this, SCP-116 shows remarkable self-healing, and over a period of minutes can completely regenerate its rigid bone placement. SCP-116 has shown some language skill since acquisition; however, the only language it speaks is a disrupted and broken version of English in which every word has been replaced with an almost entirely unconnected one. Prolonged attempts to make sense of SCP-116’s speech have resulted in some long-term mental degradation in researchers. There seems to be no pattern to the word replacement, and attempts continue to translate it. Research suggests that SCP-116 may be capable of low level telepathy, which deteriorates the victim’s brain functions over a long period of time.

On a side note, the overall vibe of this track is inspired by the album Manifesto by Roxy Music.

From the-scp.foundation: The Brittle Boy
Artwork is ai-generated based on text prompts. Craiyon.com

Amulet

Lyrics

This is the moment when in between your grins your skin reddens in the sun. S.P.F. be damned. I can't remember when the last time you used such foresight was. Wave and wave and wave upon my early grave, we weave our wacky wobbly way into the night. Side by side, right by enticing tides we will sink or swim out here. We need to do this right.

Created by Pet Spider on 7.31.2022 in Colorado Springs between 6:30 P.M. and 10:30 P.M. on a Tascam 8-track recorder, and subsequently mastered in Presonus Studio One 5 Pro.

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Semiramis

Teth Sin - Reposts, Collaborations & Covers