The Mighty Himalayas

Video: https://www.youtube.com/watch?v=5gsbLFTcD-I

The first part depicts a beast who has been asleep for thousands of years snoring as fireflies gently hang in the air, wind up toys that have come to life move about and a chime plays a demented lullaby. The room is dimly lit with a pale shaft of light. An undulating carpet of small but noisy creatures which cover the monster and the floor carelessly skitter about. 
The metal guitar is the beast waking which frightens the creatures. The monster starts it’s hunt for the human. The creatures are now stirred up. The new percussion is it’s footsteps. 
The quiet bit in the middle is where we find a hiding place. The percussion which represented the creatures is now flickering as our personal life-force that guides us. The beast can be heard searching not far away. 
They find us, we dart out into the forest and the chase is on. The monster noise is the kill, dripping blood can be heard. The hand drum to end is the sacrifice.

K G G - Monster's Wake

EP in collaboration with patchbaydoor

Vocals and melody production by patchbaydoor
linktr.ee/patchbaydoor

Presque

walks w/ patchbaydoor

What it may sound like if we became microscopic and physically transported into another dimension via telephone wires.

K G G - Down the Line

An old Horace Silver tune, more than honoured to have it done in the best tradition of the Lunatics!

https://soundcloud.com/joerxworx
https://soundcloud.com/cosmic-ratzzz

https://soundcloud.com/cosmic-ratzzz/lunatics-41-sister-saidiespecial-guest-florian-luthi-joerxworxratzzz
https://soundcloud.com/joerxworx/sister-sadie-cosmic-ratzzz-joerxworx-special-guest-florian-luthi

me: keys
them: the huge rest

Sister Sadie with ©️osmic ®️atzzz and joerxworx

Hello Darkness. Found on all streaming platforms.

Hello Darkness...

i don't think i'm going home, this thing won't leave me alone..I've got fragments of the sun and moon imbedded in the core of my cerebral stem.. and of course there is that key That's allegedly buried in this pile of sacred rocks in space that supposedly unlocks the gate that holds the dog and holds the bone and blocks the path that takes me home.

Check yourself, what are you feeling at the present moment..Some times i can feel the giant moving slightly in it's sleep.. just like Vishnu dreaming high in the mountain valleys of the mighty Himalayas.

The tiny silver thread, transcendent of the reckless life we led, A raging river way down below. The moment when you finally realize it's finally time to go..
oh beloved sister's of the Storm, thank you for appearing in your human form 

what could i do, what could i say, i guess i thought that i was on my way to another nervous breakdown..The taste of life so sweet upon our tongues, We were Gods when we were young...

These lyrics are to be found in an entirely different  setting in a collaboration with Furico Music Team and Teth Sin, on Teth Sin's site called "The Mighty Himalayas"

Beloved Sisters Of The Storm

News for tonight show 15.7.21 at 8pm CST: Audiovisual experience!

Radio Ensayo: https://radioensayo.com/via
Soundcloud: https://soundcloud.com/viadeacceso https://soundcloud.com/ois-agver https://soundcloud.com/enternetboy
Instagram: https://instagram.com/viadeacceso.radio
Facebook: https://facebook.com/viadeacceso
Twitch: https:twitch.tv/viadeacceso
Mixcloud: https://mixcloud.com/viadeacceso

Vía De Acceso

News from Vía De Acceso 12 on taRka+

Retransmision del primer año de residencia de @viadeacceso en Radio Ensayo, explorando las obras visuales y sonoras de artistas emergentes del área new media experimental así como trabajos de colegxs que han aparecido en transmisiones pasadas. Con las creaciones de: https://soundcloud.com/ombeach, https://soundcloud.com/tunadisplay, https://soundcloud.com/ivan-abreu-ochoa, https://soundcloud.com/cndsd, https://soundcloud.com/enternetboy, https://soundcloud.com/ois-agver, https://soundcloud.com/deserticgarden, https://soundcloud.com/morlita, https://soundcloud.com/flyingtonefish, https://soundcloud.com/tony-morris-308328247, https://soundcloud.com/digitonica, https://soundcloud.com/user-541428630, https://soundcloud.com/dianaazzuz, https://soundcloud.com/rina-priduvalova, https://soundcloud.com/sabiwa, https://soundcloud.com/queimadaa77, https://soundcloud.com/agarwoodduo, https://soundcloud.com/vincent_eoppolo, https://soundcloud.com/swimminginhyperspace, https://soundcloud.com/noxpox5, https://soundcloud.com/funa-t, https://soundcloud.com/user-806072699, https://soundcloud.com/lijel, https://soundcloud.com/cmn90, https://soundcloud.com/antimateriasonora, https://soundcloud.com/standard-deviation, https://soundcloud.com/chinabot, https://soundcloud.com/systemma1 y más.

Audiovisual experience: https://www.twitch.tv/viadeacceso

TRACKLIST: Tony+Morris - The House of God
Desertic Garden - Fossil Fuel Extraction
Morlita M - Right Here, In This Place
DIGITONICA - Galaxy
Sabiwa & Queimada - Tomorrow You
Sabiwa - Display Me
Future Light - Ist es denn ein Wunder
Agarwood - Chaotic
DROME (INRGD, Motion X, Tur Cois) - Speed of Sound
Tuna Display - X
CNDSD - Flux
Om Beach - Naurrari
Fun.at - PEHRESOMNI109º
Sofia HT - 1100 (Sz9090 remix)
Oriental Love - 胎動 ( fetal movement )
Vincent Eoppolo - Theater of Consciousness
Rina Priduvalova, Diana Azzuz - Now and Then
noxpox & LIJEL - Wrong Planet Syndrome

Artwork: www.instagram.com/vda.adv

www.radioensayo.com

Playlist en Soundcloud: https://soundcloud.com/viadeacceso/sets/via-de-acceso-12-radio-ensayo
En Mixcloud: https://www.mixcloud.com/viadeacceso/via-de-acceso-12-radio-ensayo-17621/

Vía de Acceso 12

Audiovisual experience

Showcase: Vía de Acceso 12 @ Radio Ensayo (17.6.21)

music, vocal arrangement & final mix/master by Monkey Blood Lowdown @monkeybloodlowdown
lyrics & accapella by Mariam Zohra D : Myrh

stanzas from this poem create the lyrics for the song
LONGEST NIGHT
https://nothingispersonal.wordpress.com/2016/08/21/the-shadows-of-our-love/

hey, i dealt you a hand
a hand of wishes
but the staff for the ridge
found you no wood

and the water under the bridge
offended you to boot
and the whole thing fell through.

i dealt a hand
at the bank
of this sinking beach

a hand that stuck
trembling between the breaks
pressing against our feat.

alongside privilege
blind hope feigns abundance,
a deep self betrayal seats itself
and faces you in the audience –
my eyes on you…

deal the hand
that holds me now?
the bridge that held us then?

your distance is a moon
that lit up the longest night

and I won’t deal
and I won’t gamble;
I won’t pretend
to know your plight.

Our Collection

The Longest Night | The Consolers

Arcs Of Tangled Light

I wrote this song after an in-depth conversation with my mother who spent years searching for her mother.  It's in 7/8; perhaps reflecting the irregularity of relationships.

Bouzouki, harp, bass and drum programming, mixed and premastered by Dónal Lunny
Mastered by Ivan O'Shea
Editing/Vocals/BV/guitar/photo of my mum by SuZanne

(Because you asked Jeff.  When my Ma met her mother she commented on the colour of her eyes and said, "They're brilliant blue..." and it's the way she said it and looked that stuck in my mind)

Brilliant Blue
Her eyes are brilliant blue, mine are brown
I take after my father, they say he was a farmer
My mother's at the window as I say goodbye
I've only just met her, she is 84 0r 85

Refrain: Brilliant blue eyes, greet my brown
I've waited all my life, for this

2lb 4oz wrapped in cotton wool, placed in a cardboard shoebox
given to nuns in Bloom Street
Manchester in 1940, I was one of many a child and mother
sent from Catholic Ireland

Refrain      Lahlahlahs

Sixty-two years since we met, mother
I just wanted to see you one time, if you want me too
Your eyes are brilliant blue, mine are brown
as I leave the white-haired woman
It was dead of winter I was found

Lahlahlahs   Refrain

Brillinat Blue Master         

Brilliant Blue feat: Dónal Lunny

Hi Guys!

Ain't no analog snyths this time! Just some soft melancholy with a few piano keys and pads here and there. I hope you enjoy this short lullaby!

Feel free to download lossless format as well!

Thank you for your great support!

Blank

Project Silent NOISE

Bjerke

It's need-to-tell-this-to-my-therapist music Thursday! Please welcome our new imaginary combo "The Lamineers":

Sergio Párraga: Congas, Campana y Güiro
Jeff Roberts: Electrified Bass
me: what's left

Thank you a million Jeff and Sergio for having joined me with this ride. The road to get there was rather stony and winding --- some conversation excerpts: "I chose to enter the labyrinth of twisted meter and rubato alleys" --- "shall we call this one quits?" --- "man that is one idiosyncratic piece" --- "I take it as an adventure" --- "get that suckah out there!!!!!!!!!!"

https://soundcloud.com/jeff_roberts
https://soundcloud.com/sergioparraga

------------------------------------------------

There's no voices in my head, but they must be right
Danger's everywhere
Everything is fine, but you need to keep in mind, you really need to keep in mind
Little white round enemies

Alligator's coming

Come on, let's hide in the swamp
Nobody can see us, we're hidden, just shh
Kwui

Alligator's chasing its own tail
How did we get here?
Nobody can remember, but it was a perfect plan
OK there's a way out, but we need to find a bar

Left? Right? Straight?
Wrong direction, wait!
Light, streft, reight!

Come my brave soldier, shelter is near
We're out of provisions, but we still have a beer

Alligator's coming
Alligator's
Alligator's coming

Little white round enemies, mean mean calamities
Little white round enemies, leave me my identities
Alligator's coming

Soon we're there, just six bars more to visit
One
Two
Three
Four
Five
Yahoo
Alligator's coming

Little White Round Enemies ft. Sergio Párraga and Jeff Roberts

The words are from the closing paragraphs of the Michael C Ruppert book Crossing the Rubicon.

His plea seems more pertinent now than when penned in 2006.

Crossing the Rubicon

Crossing The Rubicon

It's a real pleasure for me to introduce this work, which has probably been the most interesting, complex and somehow challenging collaborative session I ever joined so far, at least in terms of rearrangement tasks.
It all started with an early version of a piece by The FURICO Music Team (@user-596493783) called "Mood Of Two" (https://soundcloud.com/user-596493783/double-beat-swing - feel free to take a look at the production notes as well, at https://furicomusicteam.blogspot.com/p/mood-of-two.html). We had been planning a collaboration for a while, so they sent me this groovy composition of theirs, both audio and midi files, allowing me the freedom to do whatever I wanted with them. 
On the one hand, I was intentioned to respect the original structure of the piece, and after listening to their own final version of it, released in late February 2021, I was literally blown out by all of the cool electro-psych features they'd added to the original tune, so my aim was delivering a rendition of that new vibe as well. On the other hand, I wanted to do it my own way, spicing it up with a typical Teth Sin flavour. 
First of all, I resampled the original drums tracks, trying to give them an acoustic feel. Then I replaced the bassline with my own, somehow developing it with a fair amount of variations; I overdubbed a couple of electric guitar tracks, and an electric piano part.
It was about time to add vocals as well, so I asked my friend Stonerjazz (@user-911083679) if he wanted to join in, remembering him being a big fan of The FURICO Music Team too. He enthusiastically accepted, as I'd expected, and a few days later he sent me a recording of him singing one of his amazing poems on the pre-existing, swingy backing track. He's recently released a ballad version of these lyrics (at https://soundcloud.com/user-911083679/beloved-sisters-of-the-storm), which is of course totally different and still very cool. 
I adapted his vocals stem on the sections where I wanted the singing to appear, and I finally added to most of the tracks a few weird, stuttering effects. This final sound design stage was crucial in order to deliver the kind of sound I was looking for. My aim was distilling a proper mixture of our combined styles, and I think my efforts paid off. Regardless of the aesthetic value of this work, it has been an extremely interesting experience for us, we all had fun and we're satisfied with it. 
I'd like to conclude by quoting Stonerjazz's first reaction when he listened to the final mix: "Well, Mick... What can I say about this elixir...?"
Big thanks to my awesome collaborative partners!

LYRICS:

The tiny silver thread, transcendent of the reckless life we led,
the raging river way down below...
It's like the moment when you realize it's finally time to go.
Oh beloved sisters of the storm,
Thank you for appearing in your human form...
What could I do, what could I say... I guess that I was on my way to another nervous breakdown.
The taste of life so sweet upon our tongues...
We were gods when we were young.
I don't think I'm going home, this thing won't leave me alone

I've got fragments of the sun and moon enbedded in the core of my cerebral stem...
And of course there is that Key that's allegedly buried in this pile of sacred rock in space
that supposedly unlocks the gate that holds the dog and holds the bone and blocks the path that takes me home.
Check yourself, what are you thinking at the present moment.
Sometimes I can feel the Giant moving slightly in his sleep.
Just like Vishnu dreaming high in the mountain valley
of the Mighty Himalayas...

---

The FURICO Music Team: drums, percussions, piano, organ, synth

Stonerjazz: lyrics, vocals & their premix

Teth Sin: guitars, bass guitar, electric piano, drums resampling, final vocal rearrangement & mix, sound design

Original composition by The FURICO Music Team, Teth Sin & Stonerjazz
Arrangement, mix, mastering & cover artwork design by Teth Sin

The Mighty Himalayas - The FURICO Music Team, Teth Sin & Stonerjazz

Theme for an Imaginary Western - Part 1

“I can stop the heartbeat of angels…”

Revenant

A little soundcheck with my historic Framus archtop from 1958. The guitar is solid built and strongly arched. The subsequently installed AZ48 pickup fits perfectly on this old but well-preserved instrument. The string distance to the fretboard is high, as the most guitars of that time didn't have a tension rod (means: not too easy to play them today :). But on the other hand this guitar is very lightweight and has a stunning natural feel in the hands of the player. Well, this little improvisation came out while my first try with it.

More music: 
https://soundcloud.com/axelweis
https://hearthis.at/axelweiss
www.axelweis.bplaced.net/wordpress
www.youtube.com/user/azzelweit

more

Framus Sound Sketch

It's been a while

original guitar demos and performances with little-known scales and other things...

Cmaj7 + E Minor

Production Note
https://furicomusicteam.blogspot.com/p/mood-of-five.html

MOOD OF TWO

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

The Mighty Himalayas

Teth Sin - Reposts, Collaborations & Covers