First track of our album "Frühling" available on Bandcamp:
https://stefanstrasser.bandcamp.com/album/fr-hling-2
Recorded in our rehearsal room in Cologne

Licht

For the 601th haiku proposed by Naviar records: 

pulling light from the other world . . . the Milky Way
 
by: Yatsuka Ishihara

Yatsuka Ishihara (1919–1998) was a Japanese poet and co-founder of the journal Aki 秋 with Akira Matsuzawa. He also served as an advisor to the Modern Haiku Association (Gendai Haiku Kyōkai) and the Association of Haiku Poets (Haijin Kyōkai).

https://www.naviarrecords.com/naviarhaiku601-pulling-light/

Pulling light (naviarhaiku601)

Marco Lucchi : synthesizers

*

from 2017 - relaunching it 

The previous interpretations are compiled here 
https://on.soundcloud.com/ErfDeawBKABInIzoNn

The path [you to play with, if you like it]

https://www.naviarrecords.com/naviarhaiku610-dropped-glass/

Portrait of Philip Glass by Graziano Origa: https://commons.wikimedia.org/wiki/File:Philip-glass-by-origa.jpg

philip [ naviarhaiku610 ]

My submission for the Naviar Haiku Challenge #613. More on Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Star Above The Peak - naviarhaiku613



Composition pour le Naviar Haïku Music challenge 614.
Sur un haïku de Kaya Shirao (born in 1738 in Fukagawa, Edo, now part of Tokyo):

The coming of autumn
determined
by a red dragonfly

www.naviarrecords.com/haiku-music-challenge/


autumn dragonfly

YOSHIMITSU

Another beautiful collaboration with my fellow ambient producers from Studio Obscura.

Lead synths: Blooming Rains
Synths, Pad, Vocals: Enea Gorè
Pads: Our Forgotten Future, Ellipses, Outerlab
Guitars: dreamwarper, Enea Gorè
Ambiences, tones, metals, texture: Outerlab, Ellipses, Bleeptwig, Our Forgotten Future 
Production, mastering: Bleeptwig

On concrete fields

This track was created for the Naviar Haiku group.
617
https://www.naviarrecords.com/naviarhaiku617-an-autumn-nightfall/

2025-10-31

an autumn nightfall (Naviarhaiku 617)

Pianaura - Once Upon a December (Piano Version)

Listen on Spotify: https://open.spotify.com/track/3NvmJ1lNJzOhjbGctp2Cie?si=ca23230acd2840e6

/// Pianaura:
- Spotify: https://open.spotify.com/artist/0Pi9OAmjDj1P4XoJXzlRUw?si=ce6adeec3d1043bf
- YouTube: https://www.youtube.com/channel/UCBJMlTY0PbwCZ4y_-FOWwTg

/// Instrutalica Records : 
- Instagram: https://www.instagram.com/instrutalica/
- Facebook: https://www.facebook.com/instrutalica
- Spotify: https://open.spotify.com/user/31bsrg52sqn3vsf4ujyhekttsdyy?si=92feb4dad80e4c5f

Instrutalica Records / Town Music Group. All rights reserved.

Once Upon a December (Piano Version)

Stream on Spotify

Pianaura - Once Upon a December (Piano Version)

"Shipley’s claustrophobic prose sweats and mutters in an 
ecstatic delirium of isolation, the embodied mind locked 
inside its own system, a synthetic cosmos where perception 
and language mutate into a self-writing, self-destructive 
protocol. Siratori’s “void topology” maps that fever as a 
biospiritual, machinic womb where philosophy, eros, and 
parasitology fuse into recursion. Together, their texts pursue 
compulsive analysis from opposing coordinates, one visceral 
and the other structural, until confession and theory form a 
Möbius strip of nausea and reﬂection, a self-metabolising 
hybrid organism. Inside this sealed inﬁnity, thought 
corrodes into revelation, cognition disperses through a 
techno-mediated wormhole sustained by excess, and the void 
asserts itself as boundless possibility. Dear Void is both 
eruption and contagion, a luminous collapse where thought 
and ﬂesh exchange places, a poetics of decay in which the 
posthuman body persistently rewrites itself against the 
horror of existence and the horizon of sense.” 
- Zoetica Ebb, 
Gary J. Shipley / Kenji Siratori.
“Dear Void”  
_-_
@unsampled

Dear Void,

Musical experimenter using all sorts of techniques, ideas, and devices.  Open to exchange of ideas and materials and collaboration on tracks.

philip [ naviarhaiku610 ]

tetkik ve tedavi

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