Loving the rumble low end and all these sounds coming in!

I love the way this unfolded and that lead synth.

Instalación sonora para cuatro altavoces.

«El oráculo, como modo de decir, ante todo consiste en no dar explicaciones. Explicar es desplegar, y el oráculo es algo plegado»
Jacques-Alain Miller

Instalación sonora inspirada en las practicas oraculares de la Antigua Grecia, en tanto que crean a partir de su propia acción/enunciación; algo que también sucede en un acto performático.
Esta autocreación sempiterna de lo oracular se manifiesta siempre en tiempo presente, dado que tiempo y espacio en el universo oracular son la mismísima cosa.
El presente es la totalidad de todo lo que existe. Y todo lo que existe, existe ahora, existe en este espacio, existe en esta sala donde el sonido se proyecta…

«El pasado no puede recordar el pasado. El futuro no puede generar el futuro. El lado afilado de este instante, de este aquí y ahora, es siempre, ni más ni menos, que la totalidad de todo lo que existe.»


released February 11, 2021
Voices:
Vidente anónima hindú (recorded in New York)
Escritora pakistaní (recorded in Barcelona)
Maia Koenig (recorded by herself in Málaga)

Covert Art: Mariana Gallay

Teatro Oracular, instalación sonora para cuatro altavoces

haiku by Elancharan Gunasekaran https://elancharan.com/

picture by Victor Chartin https://unsplash.com/@vicuts

Skytalk [ naviarhaiku436 ]

I love the smell of the ground after rain (petrichor), which this week's haiku, by Richard Barnes, evokes. It inspired my improvisation (in A Aeolian) played on a VST piano with effects from Guitar Rig 6. Recorded and mixed in Reaper. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Petrichor (naviarhaiku438)

More on this 543rd weekly Disquiet Junto project — Technique Check (The Assignment: Share a tip from your method toolbox) — at: https://disquiet.com/0543/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0543-technique-check/

444(disquiet0543)

Same last week's master reworked and remixed, with great feedback from friends and colleagues (see post here: https://llllllll.co/t/disquiet-junto-project-0545-unself-awareness/56084/11?u=dede)

Original track here:
https://soundcloud.com/daniel-diaz/time-lapse

I did not completely delete and rework from the ground, (considered it as a pretty
I introduced some variation in the new 8 bar sections, dropping tracks completely sometimes for more clarity 
I tried to make a less confusing mix, something that bothered me from the original, albeit keeping the generous amount of melodic-rhythmic stuff)
I tweaked some timing between bass and arp, and added 36 extra seconds, tried to give more focus on the bass and kick that I edited and remixed drastically

and most notably I added some Krautrock drums.

Thanks ffsanton, lazenbeeindustries, Hugh_G_Twatt, gis_sweden, krakenkraft, RPLKTR, fakeg3nius, Glitcher, howthenightcame and blisterpop.
Thanks Mark @disquiet for the wonderful thread.

Time Lapse (Vers.  Motorik) disquiet0545

2022-06-13

Night Time Is Coming

2022-06-15

Time Is Measured Equally By All

Planus

ꜱᴛᴏʀɪᴇꜱ ꜰʀᴏᴍ ᴄᴏᴍᴩᴀɴɪᴏɴ-ꜱᴛᴀᴛɪᴏɴ

ᴀɴᴏᴛʜᴇʀ ʀᴇᴠᴏʟᴜᴛɪᴏɴ

ᴅᴏᴡɴʟᴏᴀᴅ/ʙᴜy

3iatlas sept25

In My Head (Slowed Down)

Musical experimenter using all sorts of techniques, ideas, and devices.  Open to exchange of ideas and materials and collaboration on tracks.

Skytalk [ naviarhaiku436 ]

tetkik ve tedavi

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