This is in return for the high rating. Thank you very much !!

Tortoiseshell cat loneliness

Gravitational

Recalling some tequila, love words and more with them in that Ibiza bar, I wondered: “What if Pink Floyd met the spirit of Camarón de la Isla… in my bedroom?” I used lots of guitars, basses, etc. on a 12/8 beat, to enclose 3/4, 6/4 & 8/8 rhythms along.
> Pic: ruined well at hometown countryside

Letra / Translated Lyrics: EL POZO DE TU AMOR  /  THE WELL OF YOUR LOVE

Fui a abrir el grifo, estaba sediento,  /  I turned on the tap, I was thirsty,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Fui a abrir el grifo, necesitaba hacerlo,  /  I turned on the tap, I needed to do it,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el grifo de tu amor.  /  I needed the trap of your love.

Fui a bajar al pozo, me estaba muriendo,  /  I was going into the well, I was dying,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Fui a bajar al pozo, y me caí dentro,  /  I was going into the well, and fell inside,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

Por bajar al pozo, yo me caí dentro  /  Because of going into the well, I fell inside
y no quiero que nadie llore por mis lamentos  /  and I don’t want anybody to cry for my laments

Caí… por ti.  /  I fell … for you.
Caí… caí… caí por ti.  /  I fell … fell … fell for you.
Caí… a tu pozo, caí por ti.  /  I fell … into your well, fell for you.
Caí… caí… caí… caí a tu pozo por ti.  /  I fell … fell … fell … fell into your well for you.
Caí.  /  I fell.

Me he caído al pozo, y ahora que estoy dentro  /  I have fallen into the well, and now I’m inside
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Vine a beber al pozo, pero el pozo está seco,  /  I came to drink at the well, but the well is dry,
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

ER30HC9 ©1995 ®2015

Grab it !!

El pozo de tu amor (Caí por ti)

Deep Inside

nur mit dir

Composé, réalisé par Jacques Lemaire alias idematoa, janvier/février 2021 via Studio One, 120 bpm
En version YouTube : youtu.be/GH7IGCJuSbI

Merci infiniment à toi Franck pour ta merveilleuse création, une flûte enchantée en quelque sorte !
Ma première collaboration sur Soundcloud ! 

Franck Douvin : https://soundcloud.com/franckdouvin
> Flûte Prima Sankyo en argent, embouchure « FAULISI / PARIS » avec noyau en or 9K et bouchon réglable Logicork du luthier E.FERRON

> 01 - Spitfire Audio - Contemporary Drama Toolkit - Vocals + Combi Textural - Fireflies
> 02 - Spitfire Audio - Contemporary Drama Toolkit - Combi Textural - Frozen Textures
> 03 - Spitfire Audio - Ólafur Arnalds Composer toolkit - Felt Grand Piano
> 04 - Spitfire Audio - Ólafur Arnalds Composer toolkit - Evo Ambience + Reversed Pad 
> 05 - Arturia - Modular V3 - Bass Sequence

Broken Heart [Franck Douvin & Jacques Lemaire]

Unexpected gravity

ANCESTORS inspired by a conversation with Mabel Bravo (Machu Picchu) director’s cut

Lyrics and vocals by It! 
Explore the universe of It! here:  https://soundcloud.com/samantha-hubbs

Facade

I can't pretend anymore that everything is okay
Hold my breath to ignore the sweet smell of decay
Growing nauseousness from the miasma that surrounds
Is my worldview askew or am I upside down?
It's fine...

CHORUS
It's a facade-what you see is not real
It's a facade-everything that I feel 
What seems like magic is a trick of the light
The smoke and mirrors in which I hide
I can barely see out of the nebulous fog
It's a facade...

A mind fractured, shattered into sharp shards like glass
Defensive weapons to fight off the ghosts of the past
Cut them down just to find I'm my own enemy
Both victor and vanquished battle eternally
Hold myself together as my guts spill out
Put on a show of strength when I want to shout
Fake a smile, how do you do?
So transparent, can't be hard to see through
It's a facade...
 
CHORUS x 2

Facade          with It!

amazon

The 3rd Area

A small excerpt from a recent Expanded Cinema project by Dani Kirby ( Keyboards/Voice) and Mat ward (Bass), presented Live at MONA FOMA festival 2021 in Hobart, Tasmania. 
Project Synopsis/Media release....

The Smiling Madame Beudet
Germain Dulac, 1923

Kirby/Ward present the the latest chapter in their ongoing investigation both the history of sound in the era of silent cinema and the pioneering role female artists played (most often overlooked) in the avant garde. They have written and will perform a new score for voice, piano and bass to accompany Germain Dulac’s ground breaking 1923 film The Smiling Madame Beudet.
The Smiling Madame Beudet is credited as the first Feminist movie. The protagonist Madame Beudet is trapped in a suffocating marriage with her only escape being music and the fantasy that she lives in a different world. Her husband is domineering, boorish and frequently pretends to shoot himself (sometimes in front of guests) to taunt and belittle her. Far from portraying Madame Beudet as a victim it casts her as a heroine who, rather than submitting to a life of cruelty, seeks to assert her desires and free herself from the bonds of domestic misogyny.
Dulac uses groundbreaking cinematic artistry to embellish and add detail to both the narrative and the investigation of sexism and gendered roles through techniques such as super-imposition, ultra contrasting of focus, slow-motion, repetition of shots, abstraction and extreme camera angles. These techniques powerfully enforce the Dulac’s desire to show both the oppressiveness of the situation and the absolute need for an imagining of a better life.
The compositional approach focuses on highlighting the sub-text and philosophical underpinnings of the film with emphasis on the meta-narrative behind the protoganist’s story - which is a timeless critique of marriage, gender and sexism. Cinematically this is expressed through Dulac’s focus on Madame Beduet’s internal world as she moves between the disparity of escapism and reality. It is her complex voice and thoughts, as a metaphor for the broader issues of the film that Kirby/Ward bring to life through a dynamic score that incorporates multiple genres ranging from ultra minimalist melody all the way to deafening sub-bass drone.

This is in return for the high rating. Thank you very much !!

Tetsnical Reposts