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Shout To The Top

Fire Island Ft. Loleatta Holloway - Shout To The Top (Hifi Sean mix)

Frankie Knuckles - Gimme Gimme (Disco Shimmy)

We are 500 here : https://www.facebook.com/folamourmusic
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To thank you all, I decided to release a free Soulful edit of the awesome What Cha Gonna Do With My Lovin' from the talented Stephanie Mills.
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Enjoy it friends.

Stephanie Mills - What Cha Gonna Do With My Lovin' (Folamour 12' Mix)

Pop House icon Roisin Murphy is one half of the legendary duo Moloko. It was her voice that inspired us to make this song.
Listen, rate and give us feedback. Thank You very much!

Flash Of Light

Flash Of Light (with Róisín Murphy Vocal)

Norma Jean Bell - I'm The Baddest Bitch (In The Room) (Moodymann Mix)

Mind blowing re-edit by The Revenge.... before he became slightly boooooring and overloaded with crappy remix requests. Classy, respectful. In short, a genuine masterclass for those re-editors wannabes. 
Enjoy it. Up for a limited time. Fully downloadable as WAV... until somebody complains! If you want more of this kind, drop me an email. Up for serious music exchange. This is a promo only. 


gwen mccrae - keep the fire burning - the revenge need ii edit

Taken from 'The Men In The Glass Booth'; a new compilation charting the history of the first DJs to enter the recording studio during disco's heyday. Buy or stream the album here: https://BBEmusic.lnk.to/MITGB

In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry “Ten Percent” by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like “Salsoul Hustle,” “Tangerine” and “You’re Just The Right Size” by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved.
So what was so special about this particular single then? Double Exposure was, after all, just another band, “Ten Percent” just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets.
In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before.
Or so we thought...

Frankie Knuckles - Gimme Gimme (Disco Shimmy)

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