Editing Flow

From "Insitu" original soundtrack, movie produced by PVS Company

LOST IN TIME (Tristan Bres)

From "Invisible String" live album to be released on vinyl from www.unwork.nu and, cassette from www.wearebeaconsound.com mid August 2014. CD released 26th August 2014, distributed via www.12k.com.

AGOA, from "Invisible String" live album

Time

Time (Dotlights Rework)

Floating Lands v2

First Quarter

Monopolzik - Volcano Manor

A Period of Review (Original Recordings: 1975 - 1983)

Two Voices

Ulrich Schnauss & Jonas Munk: "Passage" out now on CD/LP (via Azure Vista Records) and digital (via Pedigree Cuts)!

Order here: www.azurevistarecords.bandcamp.com

Info:

Following the release of ‘No Further Ahead Than Today’ last November Ulrich Schnauss (now a member of Tangerine Dream) wastes little time in bringing us the long awaited sequel to his 2011 eponymous collaboration with Jonas Munk.

There's a prismatic, multi-dimensional quality to these 11 tracks, most likely stemming from the fact that these two producers have each worked with a wide range of styles and musicians throughout their 15+ year careers: Ulrich cut his teeth as a drum and bass producer in Berlin, before releasing a string of highly influential neo-shoegaze records on labels such as Domino and City Centre Offices. Since moving to London in 2006 he's been a member of the bands Engineers and Longview, remixed many artists (from Depeche Mode and Pet Shop Boys to Mojave 3) and since 2013, been a member of legendary band Tangerine Dream.

While Jonas initially became known to the electronica community via his Manual albums on Morr Music and Darla Records, he also has a career as a noted producer on the European psych scene, as well as working on film soundtracks and experimental minimalism.

Fans of the first album’s euphoric and blissful moments will find much to love here, but also themes that gradually unfurl into crisp, symphonic soundscapes. The album is perfectly titled - it certainly has the feel of a journey but not in a literal sense. It feels like an ‘emotional passage’ or one that plays out via a series of dreams.

Opener ‘Amaris’ has many of the Schnauss hallmarks that we’ve come to enjoy from his many shoegaze collaborations and Munk is the perfect foil for this side to his oeuvre - the track chimes and sways beautifully before one of his trademark melodies hits and leaves you breathless. Munk introduces a more progressive aspect to the release than previously heard by the pair on 'genau wie damals', which recalls several 70’s guitar based giants, though in 2016 this is somehow a natural diversion for a record bearing Ulrich’s name.
Mst’ is certainly one for those yearning for the open armed rush of the first album will surely embrace - 80’s guitars and electro drums set the scene for some of the most gorgeous sequencing and melodic synth work on the album. In truth though, there’s no shortage of highlights. The retro futurism of ‘Spellbreaker’ is awesomely addictive and modest standout ‘Caffeine blues’ combines tasteful guitar strokes with a standard of Berlin school sequencing that surely only a member of one of the scene’s key exponents could summon.

Ulrich Schnauss & Jonas Munk: "Ao Hinode"

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Sam And Esther

A Lost Connection

We Travel

▶︎ 'Lavender God' is out now worldwide: https://mau5trap.ffm.to/lavendergod

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▶︎ about #ATTLAS:
Over the course of the past four years, ATTLAS has become one of mau5trap’s most celebrated artists. Canadian musician Jeff Hartford’s enthusiasm for music began at a young age, he grew up playing in bands and learning instruments like piano, trumpet, and guitar. His immersion in songwriting continued to grow when he attended university, and he interned for a composer after completing his courses. It was during this time that he started applying the techniques he’d learned in the studio to electronic music and began sending his completed works to deadmau5’s mau5trap label. The label initially signed a few tracks and then ATTLAS as an artist, and Hartford released three EPs in 2015 via the Canadian imprint. In the years since then, he’s delivered singles, EPs, and remixes – all showcasing the textured, introspective sound he’s spent years cultivating. 

2019 brings exciting new developments to the ATTLAS journey, including a new installment of his lauded Storyline series and a debut album. The album will “synthesize all the experiences and wandering paths that ATTLAS walks,” according to Hartford, bringing together heavier sounds and the emotive melodies he’s built his musical brand on. “[The album is me] trying to learn who I am and tell my story through music, which has given me so much and has been a home for me: a place to create, a shelter from the storm, and a launch pad into the greatest adventure of my life.”

▶︎ about mau5trap:
Over a decade since its formation, mau5trap -- the independent record label founded by groundbreaking electronic music producer deadmau5 -- has become a bastion for trailblazing and genre-defying artists. Casting a palpable influence over the genre, Mixmag readers voted mau5trap among the “Top 50 Labels of the Decade”, placing it in the Top 10; since then, the imprint has been supported by dance music magnates Billboard, DJ Mag, Forbes, Insomniac, and The EDM Network. More recently, mau5trap has maneuvered toward live events boasting curated stage takeovers at the world’s biggest electronic dance music events like Ultra Music Festival, Creamfields, EDC, and beyond.

The multi-genre platform has extensively served as an authoritative platform for dance music heavyweights such as Skrillex, Feed Me, Zedd, Noisia, Dillon Francis, Chris Lake, and Madeon; a combination of dark, forceful techno and complex, electro sounds, the label acts as a hotbed for rising talent such as REZZ, Getter, i_o, ATTLAS, No Mana, Matt Lange, and others alike. Welcome to the horde.

▶︎ ATTLAS online:
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Time (Dotlights Rework)

The American Dollar

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