Sounds like something from the 1980s Doctor Who episodes!

Lowkey more eerie and chilling than the actual version in a way

Here's a piece I've had in the works for quite a while but recently got round to finishing. I figured that since Percy is the engine who typically pulls the mail train, it would make sense to mix his theme with the post train theme. I haven't seen (or heard) anyone else attempt this (and certainly hadn't when I began work on it), so here we are.

Percy's Post Train (Percy's theme ITSO the post train theme)

One of the tracks heard in my video - https://youtu.be/A2F0iF-mPqw
Please do not use this.

The Busy Season

Hello there! This is a recreation of "Thomas' S8-12 Theme", some of the instruments were from "ThomasFan1945 Productions™ Inc." and "AngryBirdFan98", you can get the instruments from here: https://archive.org/details/thomasfriendssoundfontrobert

I hope you guys will like it!
*Please remember to give credit if you going to use this in your projects
-------------------------------------
Original by Robert Hartshorne
Thanks to Wisteria Bird Studios for some of the Instruments 
Recreated by StarTom

Thomas' S8 - 12 Theme

Suggested by my friend, Fabian_06

Hooray! Another music track! Expect another one shortly!

Instruments by GuiteThe040F, CGA26, EthanTheEngine7, and FP
Percussion: LM-1 Drum Machine (sent by CGA26)

Thomas Struggles, Toby Hussles

NOTE: Highly inspired by the rendition from Ty (S.A. Music). Please go check out his amazing work! ^^

Here's the finalized form of one of those "WIP projects" I mentioned previously. I've had this in the works for a while due to off-and-on motivation to finish it, but *damn* does it feel good to finally have this done. I hope you all enjoy it!

Instruments by Leah's Music Studio, Ethan's Jukebox Train, Urthie and me
Original Motifs by Mike O'Donnell, Junior Campbell and S.A. Music, rearranged by me
Please remember to credit me when using my music.

"Through the Unrelenting Rain, Percy Strained" ~ A Series 2 Styled Remix

ANOTHER remake 😲 
honestly one of my best themes i’ve ever enjoyed making ^^

CREDITS: 

Isaiah (SwigettySwoody) - Base Midi

somekid, Justintheshitiot, Boyd The Pink Engine - Instruments

11ama6 - Thumbnail

Through The Heavy Wind & Rain; Thomas Pushes Through The Pain

Back at it again! Now with a more triumphant and grand sound than ever! I wasn’t really satisfied with my last attempt (or the fact that the backing piano track was an octave too low.)


Instruments by EthanTheEngine7, Connor(CGA26), MasterOFTrainz, and me. 
Thumbnail drawn by the wonderful HenHouse!!!!

James' Hurrying Theme

https://www.youtube.com/watch?v=NEDTUNvK8Eg
It's bee a while since I sat down at my keyboard and freelanced with some music. This week I finally decided to dedicate some of my time to create a short music piece for fun. I let you guys vote on my twitter with 4 images, which one you'd like me to base a music piece off of and James ended up winning the round.

You just can't go wrong with James here. Somehow I always end up enjoying myself arranging any theme of his just from how fun it always is and this piece is no exception. I took this opportunity to mash-up all his different themes from the series into one short piece, influencing the jazz element from his season 1 theme as a basis.

Hope you Enjoy!
Free to use with Credit!

Vain, but Lots of Fun - James' Jazzy Theme Mash-Up

Haunted Henry Theme but it's done with synthesizers

A piano/orchestra arrangement of Edward's theme, with some excerpts from Mozart's "Piano Sonata No. 16." --which is a piece of music I find Edward's theme to be very similar to.
Mike O'Donnell once said that Mozart was a considerable inspiration on the classic series Thomas music, and the piccolo trumpet led Edward's theme is no exception. 
Edward's theme lends itself very well to a classical style orchestration, as do many of the other themes.

Edward (Arranged For Piano And Orchestra)

MISE-EN is a collection of works that share a common sound ideal and conceptual instrumentation. Work on this collection began in 2018 while collaborating with the Ensemble MISE-EN in South Korea under the auspices of the Oil Tank Culture Park Global Network in Seoul.

The resulting work, MISE-EN Series I, is an electroacoustic work scored for Flute, Clarinet, Violin, Cello, Piano, Percussion, Ableton Live, and Acousmatic Sound. This work was meant to reflect the aesthetic agenda of Ensemble MISE-EN, whose name roughly translates from Korean to English as meaning “decorative beauty.”

To achieve this goal, I decided to write a work for chamber ensemble which would reflect a larger sonic landscape than what might be considered traditional chamber writing. I thus included live and prerecorded electronics in the scoring and composed with two divergent but complementary musical components: “sound tapestry” (“beautiful”), and ornamentation (“decorative”).

Series I is the first of a series of works based on this concept of “decorative beauty”. To simplify logistics, the Ableton Live part, which would otherwise be performed by a seventh ensemble player, can be mixed with the Acousmatic Sound recording. The World Premiere of MISE-EN, Series I in November 2018, was performed by the Ensemble MISE-EN with this alternative version.

It only occurred to me after completing this first work that I could expand and extend MISE-EN as a series of works. To implement this while retaining the underlying sound ideal of “decorative beauty” for all works of the series, I decided to pair electroacoustic devices with a different legacy or standard acoustic ensemble for each follow-on work. Thus, Series I is scored for a slightly modified “Pierrot” ensemble. Series II, this work, is scored for Amplified String Quartet and Acousmatic Sound. In 2021, the first Episode of Series II was selected by the Sirius Quartet for recording by PARMA to be released on the Navona Records label, CD and streaming audio. The opening Episode presents a tightly woven contrapuntal texture that is eventually painted against a contrasting broad and richly scored melodic line. The juxtaposition of this contrasting content awaits further exploration, as this first Episode ends with a question marked by the remnants of an ascending and fading contrapuntal cascade. The ornamentation of the contrapuntal texture frames the beauty expressed in the soaring cantabile, thus delineating a formal framework that harkens back to a bygone era, an era that nevertheless remains alive and essential in my creative work.

Playing on the Edge 3

Mise-En Series II, Episode 1

i make art. 

kofi: https://ko-fi.com/theartofash

Haunted Henry Theme but it's done with synthesizers

The Art Of Ash

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