Most of the house tunes that I played at Tally's 50th After Party.
A couple of tracks missing, and I have made some ok substitutions where I could not find the exact song played.

The most notable missing song is Sunset by Monkey Safari (https://www.youtube.com/watch?v=OCJvy0HzOHU).
Enjoy!

Tally - 50th - After Party Tunes

Chris Malinchak - So Good To Me (Original Mix)

This one's an old belting jazz house smasher by Schmoov's John Buckby and Toan Vu Huu (our supertalented designer and friend responsible for the artwork on Road014-Road024).  Bloody ace saxophone, as ever, by Mr Ben Martin.  "You stole my song...you turned it down....you thievin' RAT!"

Sweet Clones - Vince's Big Con

Caught in the rhythm (Breathe in House Remix)

Artist : DJ Disse
Titel : When I'm Bored, I Change Colour (Deluxe)
Cat # : zzzcd0039
Format : Digital
Release Date : 30/10/15

DJ by night and producer in daytime, this 37 year old kid has always had the desire and hunger to be on the forefront when it comes to music. So it’s no wonder he eventual ended up in Music For Dreams.
For inspiration to his music he search obscure flea markets for weird and strange vinyl - anything with a crazy beat/sound can be used. Because of his friendship with DJ Kjeld Tolstrup who immediately saw Disse’s DJ potential and ability to rock a party, Disse presented a homemade demotrack to label honcho Kenneth Bager. A deal was done quickly and his first real release, the single “Egyptian Disco” on Music For Dreams, was a dream come true! The result was a 11 minute monster, a spaced out journey that will rock the floor in any club at any time and now an all time classic.                                       
And now DJ Disse is ready with his first album “When I’m Bored, I Change Colour”. Based around a mix of electronic sounds, loops, samples from reggae beats, balkan melodies and arabic rhythms, it  will for sure groove dancefloors, lounges and radio waves. Produced by himself in his homestudio with an impressive list of guests producer like Buda (Banzai Republic), Ben Horn, Jazz Box, Don’t Feed The Monkey and Kenneth Bager on the album..
DJ Disse even takes inspiration from classic rockmusic (Lou Reed, The Doors) and twist it with dub and bossa beats. A sound the world has needed for long time.

”If sampling is a crime, I’m guilty!” - DJ Disse

Stream & buy:
MusicForDreams.lnk.to/-gTpT

DJ Disse
SC: https://soundcloud.com/dj-disse-1


Betina Bager & DJ Disse - Cheek To Cheek [Snippet]

Catch & Release

Catch & Release (Deepend Remix)

We're New Here

I'll Take Care of U

Tribut to Gil Scott-Heron.


EMAIL: djbohumil@gmail.com
WEB: www.bohumil.hu
FACEBOOK: www.facebook.com/djbohumil
SOUNDCLOUD: soundcloud.com/djbohumil/
TWITTER: www.twitter.com/djbohumil

Gil Scott-Heron - I'll Take Care Of You (Bohumil Remake)

No Eyes

No Eyes (Radio Edit) [feat. Jaw]

Fade Out Lines

Fade Out Lines (The Avener Rework)

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Fade Out Lines (The Avener Rework)

The Avener

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