Di Stefano Selects

Munk - Happiness Juice (Satin Jackets Extended Club Mix)

Rendezvous

Nando Fortunato – Help Me Out

Social Links for “Nando Fortunato – Help Me Out” 

Buy / Listen Release here: https://vibe.deepdiscomusic.com/ddr903                                          

Nando Fortunato on Spotify:
https://open.spotify.com/artist/4Gh8A1RTrjAlnz5pj4Y0WG?si=0bTdXtTWTDqPSHMc5wupdA  

Nando Fortunato on Apple Music:
https://music.apple.com/us/artist/nando-fortunato/348095896?l=fr-FR

Nando Fortunato on Deezer:
https://www.deezer.com/fr/artist/ 

Follow Nando Fortunato:
https://open.spotify.com/artist/4Gh8A1RTrjAlnz5pj4Y0WG?si=0bTdXtTWTDqPSHMc5wupdA 
https://www.youtube.com/channel/UCCB6sAb8YsTr16-bIxFQUhA

#nandofortunato #chill #dance #deephouse 

Nando Fortunato - Help Me Out

Convergence

Fireball (feat. Broken Back)

Djon Maya Maï

Djon maya maï (feat. Victor Démé)

All in You

The Wanderings Of The Avener

To Let Myself Go

Bon Entendeur vs Nino Ferrer - La Rua Madureira(Rework Vladimir Image)

Vie parisienne

OUT EVERYWHERE

Alright so this could nottttttt have been timed better! ❤️🥳🕺💃🥳❤️

Literally an hour after Boris announces that we can see the horizon of beautiful messy sticky dark noisy ravesssss, we are putting out our song about longing for the return of that culture! And I swear down this is just a truly wonderful coincidence! But it makes me feel really verrrrry happy. 🤗🤗🤗

The Blessed Madonna and I had a chat on zoom a few months back now and she was talking in the infinite and naturally poetic way that she does about, well really how everrrrrryone is feeling! And because we were writing it was being recorded! So I sampled it! And tuned her to be singing at times and I just reeallllyyy love it. And also an enormous big ups to the great Boston Bun who we produced it with. 
🤩 🥯 🍞 📠

It was jus Annie’s hottest record in the world on BBC R1 and is now out everywhere!!!
I feel excited. Is how I feel. Foreal.

Marea (we’ve lost dancing)

Stream

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

To Let Myself Go

The Avener

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