From upcoming EP, "Pressure". Out October 1. Single available here:

https://thedurites.bandcamp.com/track/the-sun-feat-elson-nascimento-of-sun-ra-arkestra-digital-single

or on Spotify: https://open.spotify.com/album/0c7qsiBET91icyneq7KccE?si=t_uWn-0AS-emwc09ADmDUQ&dl_branch=1

The Sun (feat. Elson Nascimento of Sun Ra Arkestra)

[Verse 1]
Phone light glows, it’s that time again,
You drop a line, I drop my friends.
You say, “come through,” and I don’t stall,
Yeah, you’ve got a rhythm, I’ve got the call.
Leather seats hum with the bass turned high,
City lights blink as the world slides by.
No promises made, just sweet free fall,
Baby, you’re my booty call.

[Pre‑Chorus]
Your perfume hums with the jazz kick drum,
The groove comes alive, and my mind goes numb.
No definition, but it says it all,
Every beat spells booty call.

[Chorus]
You’re my booty call, my late‑night thrill,
A wicked smile I can’t sit still.
You spin me wild, then you fade like smoke,
Still got your taste in every note.

You’re my booty call, smooth and fine,
Every ring’s another line.
No love maps, no rules at all,
You’re my fire, my muse — my booty call.

[Verse 2]
Candlelight bounce on your cherry wine,
Jazz on loop, move in time.
We mix sin with a dash of style,
Turning wrong into something worthwhile.
Your laugh hits soft, then breaks the air,
You say, “don’t fall,” I don’t care.
We blur the edges, rewrite it all,
Baby, you’re my booty call.

[Pre‑Chorus]
That snare taps slow, then the horns confess,
You tilt your glass, I love the mess.
It’s not forever, but it’s ten feet tall,
That heat we own, that booty call.

[Chorus]
You’re my booty call, my late‑night thrill,
A wicked smile I can’t sit still.
You spin me wild, then you fade like smoke,
Still got your taste in every note.

You’re my booty call, smooth and fine,
Every ring’s another line.
No love maps, no rules at all,
You’re my fire, my muse — my booty call.

[Bridge / Breakdown]
Heavy charm with a rock‑band base,
Everlasting swing in a tempo chase.
Half the truth and a glass of gin,
Half the night, then we do it again.
No goodbye, no curtain call,
We just groove till the high can fall.
You hit send, I drop it all —
That’s the code, my booty call.

[Final Chorus]
You’re my booty call — that perfect crime,
My favorite verse, my favorite line.
Every heartbeat knows the draw,
You’re my sin, my stage, my flaw.

You’re my booty call, sweet and sly,
A ghost that glows when the night walks by.
No love lost, no pride at all —
You’re my forever spark — my booty call

You're My Booty Call

Rawville

The Bamboos Theme

Get in the Scene

Get in the Scene (feat. Ohmega Watts)

Remedies

Wrong Place (feat. Fabian)

Otodi

Something is Wrong (feat. Roger Damawuzan)

Famous Last Words

Mary Pop Poppins

Feelin' Funky

I Feel Funky

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Get in the Scene (feat. Ohmega Watts)

The Bamboos

Related tracks