A most intriguing track, this. Very well done, I think. I liked how the sounds interact with each other. The introduction of the one chord and subsequent hesitant tonality felt like a really nice way to go too.

Excellent dark cinematic piece. Great use of the full Eq spectrum, stereo width, and open space. Very weighty and open at the same time.

Love this wasteland scape- after a devastating battle.

This is very nice - I recall having lots of trouble getting useful sounds with Myth, so I'm impressed.  Nice dark vibe to the composition, too.  Kind of creepy.

The big chord was awesome.  I feel like it could have stayed a little more thematic or something after that rather than dropping down so far.

Truely cinematic use of the full dynamic range. The silent before the storm in full display...

This track is made for the One Synth Challenge #198, using Dawesome Myth. 
Cover Image made completely by myself. 

Most sounds are created completly from scratch by my self. Exceptions see below.

DAW: Ableton 12

11x Myth

Self made Patches don't use Instrument Samples as Iris even though that is a great feature of myth,
    I was exploring the a more traditional synth like  side of Sounddesign with Myth:
4x Init Iris  (sinewave)
1x self resampled Iris (resampled from selfmade a no Iris MythPatch )
1x TriSawPulse WT selfmade
3x No Iris.        

Preset: 2x OuterWorlds - ExpressiveE (Adjusted - and any modulation played via MPE) [no Iris used in there to]


Ableton:
8x MPEControl 
14x Utility
1x Glue Compressor
1x Limiter
1x Multiband Compressor
1x EQ8


2x Neold U2A 
6x Ozone 10 - Dynamic EQ
1x Arturia Bus Peak

1x Dawesome Hate (Ott, Saturator,  Compressor, EQ)
1x Dawesome Hate (Compressor)
1x Dawesome Hate (OTT, Saturator, Clouds, Compressor)

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