I've been waiting, to finally write this song
Killing satan, in my underalls
Waiting tables, for a sober cause
For my prancer, or simply just because

You're my number one, my salmonella killa in a red sarong
You're my silhouette, my hula-hoppin' dancer with a pirouette
You're my number one, you're my summer song
A little overworn, but how can that be wrong
You're my killerette, my fever bitchin' soldier in a red beret  
You're my chocolet, my hormone bustin' med cake with a faux caret
You're my number one, you're my hero fong
In a red sarong, how can that be so wrong
You're my crack coquette, my femenella wreck
I couldn't build in an experiment, that's my punishment 

You're my number one, my salmonella killa in a red sarong
You're my silhouette, my hula-hoppin' dancer with a pirouette
You're my number one, you're my summer song
A little overworn, how can that be wrong
You're my killerette, my fever bitchin' soldier in a red beret  
You're my chocolet, my hormone bustin' med cake with a faux caret
You're my number one, you're my hero fong
In a red sarong, how can that be so wrong
You're my crack coquette, my femenella wreck
I couldn't build in an experiment, that's my punishment 

You're my, you're my, you're my, number one
My salmonella killa in a red sarong
You're my silhouette, you're my summer song, 
My little overworn, but how can that be wrong
How can that be so wrong
I couldn't build in an experiment, that's my punishment 
So wrong, so wrong

Love Me Alive

DAYZEAZE

ALL THE WAY

And ode to the best part of XMAS.  Thank you, SANTA!!

SANTA BEER

Alison Is A

HIP NO TIES

A tribute to Spock, Leonard Nimoy, from The Devil in the Dark episode. The U.S.S. Enterprise arrives to investigate reports of an unknown monster deep in the mining tunnels of Janus VI. The being is apparently destroying machinery and killing the miners, and has the ability to burrow through solid rock. Janus VI is a source for the rare mineral, pergium.
Soon after the landing party arrives on the planet's surface, a reactor pump is stolen and the colony is in jeopardy from fluctuating life support functions. However, this convinces Spock that they are dealing, not with a mindless monster, but with an intelligent lifeform.
Kirk and Spock, along with members of the ship's security team, enter the mines to find the creature. They discover a large, rock-like creature that burrows easily through the stone walls, as a mole might burrow through dirt. Wounded in a phaser blast, the bulky creature manages to escape through the stone wall.
They continue pursuit and eventually Kirk is trapped by the creature. When it doesn't attack, Spock attempts a Vulcan mind meld with the entity and discovers that it is, in fact, an intelligent being. A native of the planet, the creature is normally peaceful, and called a Horta. It doesn't mind sharing the planet with the miners, but when the men broke into the Horta's hatchery and unknowingly destroyed many of her eggs, it attacked to protect its remaining unborn children.
With Spock acting as interpreter, the miners explain that they thought the eggs were some kind of silicon nodules and that no hostility had been meant.
McCoy treats the silicon-based creature with a trowel and patch material, and heals it. An alliance is formed between the Horta and the miners; the young, newly-hatched Hortas will mine the pergium at a far faster rate than the humans could and the miners will be extremely rich. Kirk retrieves the missing reactor and the landing party leaves the inhabitants of Janus VI living in peaceful co-existence.
William Shatner says this is his favorite episode of the series. His father died during its filming, but Shatner insisted on going through with production, and felt closer to the cast and crew for helping him through the difficult time.

Horta Dance

Sir Laff A Lot

A song for a sunny day that The Cardboard Palace is working on

UNDA DA SUN

DANCE WID ME

I couldn't see much, But why did you leave us
It was almost dusk, Leaving us with Rock & Roll
Led to a cold night, The snow left a hard bite
I cried with all my might, Leaving me with Rock & Roll

Hey whiskey I'd love to dance, Come and put me in a trance
Hey mama you look so fine, Let's get tangled in your mohawk vine
Hey babe do you want to prance, Let's get hooked on some wild romance
Say sugar, what's that sound, What you doing with that teenage clown

You led on the path right, held to the heart tight
Left us with a long fight, On the road to rock and roll
The boat on the lake glide, The loon with the long cry
I followed the road high, Leading me to Rock & Roll  

Hey whiskey I'd love to dance, Come and put me in a trance
Hey mama you look so fine, Let's get tangled in your mohawk vine
Hey babe do you want to prance, Let's get hooked on some wild romance
Say sugar, what's that sound, What you doing with that teenage clown

I couldn't see much, But why did you leave us
It was almost dusk, Leaving us with Rock & Roll
Led to a cold night, The snow left a hard bite
I cried with all my might, Leaving me with Rock & Roll

(repeat both prior together)

Why did you leave us, Why did you leave us
Why did you leave us, Leaving us with Rock & Roll

(repeat both next together)
Hey babe do you want to prance, Let's get hooked on some wild romance
Say sugar, what's that sound, What you doing with that teenage clown

Why did you leave us, Why did you leave us
Why did you leave us, Leaving us with Rock & Roll



Leaving Me With Rock & Roll

Graduation Day

After a 2 year hiatus where we feasted on the virtual cosmotic landscape,
The Cardboard Palace is back in the studio working on their next album. 
 Stayed tuned for our summer tour details!

The Cardboard Palace

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